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Mathias Larserud

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Lead Look Development Artist

War for the Planet of the Apes  (2017)

| USA, Canada, New Zealand
Directed by: Matt Reeves
Cinematography by: Michael Seresin

Digital Effects Crew: Weta Digital

Man of Steel  (2013)

| USA, UK
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner

3d Artist: Filmgate

The Woman in Black  (2012)

| UK, Canada, Sweden
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris

Shader Technical Director: Weta Digital

The Adventures of Tintin  (2011)

| USA, New Zealand, UK
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System:

Visual Effects

The Girl with the Dragon Tattoo  (2009)

| Sweden, Denmark, Germany, Norway
Directed by: Niels Arden Oplev
Cinematography by: Eric Kress
Edited by: Anne Østerud

Visual Effects Artist: Filmgate / Visual Effects Supervisor: Filmgate

Mammoth  (2009)

| Sweden, Denmark, Germany
Directed by: Lukas Moodysson
Cinematography by: Marcel Zyskind

Vfx Artist: Filmgate

The Descent: Part 2  (2009)

| UK
Directed by: Jon Harris
Cinematography by: Sam McCurdy
Edited by: Jon Harris

Visual Effects

The Cottage  (2008)

| UK
Cinematography by: Christopher Ross
Edited by: Tom Hemmings

Visual Effects Artist

Eden Lake  (2008)

| UK
Directed by: James Watkins
Cinematography by: Christopher Ross
Edited by: Jon Harris

Visual Effects Supervisor: Filmgate

Arn: Tempelriddaren  (2007)

| Sweden, UK, Denmark, Norway, Finland, Germany, Morocco
Directed by: Peter Flinth
Cinematography by: Eric Kress

Cg Artist

The League of Extraordinary Gentlemen  (2003)

| USA, Germany, Czech Republic, UK
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell

3D Animator: Cinesite

Shanghai Knights  (2003)

| USA, Hong Kong
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell

Cg Artist

Buffalo Soldiers  (2001)

| UK, Germany
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Lee Smith