A. Anthony Cappello

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John Wick: Chapter 2 | ShotOnWhat?

First Assistant Camera: "a" Camera, Second Unit

John Wick: Chapter 2 (2017)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

Zoolander 2 | ShotOnWhat?

Assistant Camera

Zoolander 2 (2016)

Directed by: Ben Stiller

Cinematography by: Dan Mindel

Edited by: Greg Hayden

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

300: Rise of an Empire | ShotOnWhat?

First Assistant Camera

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

American Hustle | ShotOnWhat?

First Assistant Camera: New York

American Hustle (2013)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

Now You See Me | ShotOnWhat?

First Assistant Camera: New York

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

First Assistant Camera

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Abduction | ShotOnWhat?

First Assistant Camera: "a" Camera

Abduction (2011)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Funny People | ShotOnWhat?

First Assistant Camera

Funny People (2009)

Directed by: Judd Apatow

Cinematography by: Janusz Kaminski

Edited by: Craig Alpert, Brent White

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

First Assistant Camera: "b" Camera

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Live Free or Die Hard | ShotOnWhat?

First Assistant Camera: "a" Camera

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

Dreamgirls | ShotOnWhat?

First Assistant Camera: "c" Camera

Dreamgirls (2006)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Ray | ShotOnWhat?

First Assistant Camera: "a" Camera

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Looney Tunes: Back in Action | ShotOnWhat?

Additional Camera Operator

Looney Tunes: Back in Action (2003)

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

A Guy Thing | ShotOnWhat?

First Assistant Camera: Seattle

A Guy Thing (2003)

Directed by: Chris Koch

Cinematography by: Robbie Greenberg

Edited by: David Moritz

Matchstick Men | ShotOnWhat?

Assistant Camera

Matchstick Men (2003)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Anger Management | ShotOnWhat?

First Assistant Camera: "b" Camera

Anger Management (2003)

Directed by: Peter Segal

Cinematography by: Donald McAlpine

Edited by: Jeff Gourson

Master and Commander: The Far Side of the World | ShotOnWhat?

First Assistant Camera: Second Unit

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

High Crimes | ShotOnWhat?

First Assistant Camera: "a" Camera

High Crimes (2002)

Directed by: Carl Franklin

Cinematography by: Theo van de Sande

Edited by: Carole Kravetz Aykanian

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

American Pie | ShotOnWhat?

Assistant Camera: "b" Camera

American Pie (1999)

Directed by: Paul Weitz, Chris Weitz

Cinematography by: Richard Crudo

Edited by: Priscilla Nedd-Friendly

Blade | ShotOnWhat?

First Assistant Camera

Blade (1998)

Directed by: Stephen Norrington

Cinematography by: Theo van de Sande

Edited by: Paul Rubell

Cameras: Moviecam Compact Camera

Lenses: Clairmont Anamorphic Lenses, Hawk C-Series 100 mm T3.0 Lens

The Relic | ShotOnWhat?

Additional First Assistant Camera

The Relic (1997)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Steven Kemper

Volcano | ShotOnWhat?

First Assistant Camera

Volcano (1997)

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

Conspiracy Theory | ShotOnWhat?

First Camera Assistant

Conspiracy Theory (1997)

Directed by: Richard Donner

Cinematography by: John Schwartzman

Edited by: Kevin Stitt, Frank J. Urioste

A Very Brady Sequel | ShotOnWhat?

First Assistant Photographer

A Very Brady Sequel (1996)

Directed by: Arlene Sanford

Cinematography by: Mac Ahlberg

Edited by: Anita Brandt Burgoyne

Boys on the Side | ShotOnWhat?

Second Assistant Camera: New York And Pittsburgh

Boys on the Side (1995)

Directed by: Herbert Ross

Cinematography by: Donald E. Thorin

Edited by: Michael R. Miller

Cameras: Panavision Cameras

Six Degrees of Separation | ShotOnWhat?

Second Assistant Camera

Six Degrees of Separation (1993)

Directed by: Fred Schepisi

Cinematography by: Ian Baker

Edited by: Peter Honess

Out for Justice | ShotOnWhat?

Second Assistant Camera: New York

Out for Justice (1991)

Directed by: John Flynn

Cinematography by: Ric Waite

Edited by: Don Brochu, Robert A. Ferretti

The Hard Way | ShotOnWhat?

Second Assistant Camera

The Hard Way (1991)

Directed by: John Badham

Cinematography by: Donald McAlpine, Robert Primes

Edited by: Tony Lombardo, Frank Morriss

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Cadillac Man | ShotOnWhat?

Camera Trainee

Cadillac Man (1990)

Directed by: Roger Donaldson

Cinematography by: David Gribble

Edited by: Richard Francis-Bruce

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