Production Coordinator
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Visual Effects Coordinator: Prime Focus
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Visual Effects Coordinator: Prime Focus
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Visual Effects Coordinator: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Vfx Editor: Cinesite
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Editorial: Framestore London
Morning Glory (2010)
Directed by: Roger Michell
Cinematography by: Alwin H. Küchler
Editing System: Avid Editing System
Visual Effects Editorial
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Visual Effects Editorial
Wild Target (2010)
Directed by: Jonathan Lynn
Cinematography by: David Johnson
Edited by: Michael Parker
Cameras: ARRICAM Studio (ST) Camera
Visual Effects Editorial
Nanny McPhee Returns (2010)
Directed by: Susanna White
Cinematography by: Mike Eley
Edited by: Sim Evan-Jones
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Visual Effects Editor: Framestore
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Editorial: Framestore
The Descent: Part 2 (2009)
Directed by: Jon Harris
Cinematography by: Sam McCurdy
Edited by: Jon Harris
Digital Artist: Framestore
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Visual Effects Editorial: Framestore
Triangle (2009)
Directed by: Christopher Smith
Cinematography by: Robert Humphreys
Edited by: Stuart Gazzard
Cameras: Panavision Genesis Camera
Film Editorial
Harry Brown (2009)
Directed by: Daniel Barber
Cinematography by: Martin Ruhe
Edited by: Joe Walker
Cameras: Sony CineAlta F35 Camera
Visual Effects Editorial
Pirate Radio (2009)
Directed by: Richard Curtis
Cinematography by: Danny Cohen
Edited by: Emma E. Hickox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Visual Effects Editorial
Freakdog (2008)
Directed by: Paddy Breathnach
Cinematography by: Ruairí O'Brien
Edited by: Dermot Diskin
Digital Intermediate Editorial, Visual Effects Editorial
The Boy in the Striped Pajamas (2008)
Directed by: Mark Herman
Cinematography by: Benoît Delhomme
Edited by: Michael Ellis
Visual Effects Editorial: Framestore
The Edge of Love (2008)
Directed by: John Maybury
Cinematography by: Jonathan Freeman
Edited by: Emma E. Hickox
Visual Effects Editorial: Framestore
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Editorial: Framestore
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Visual Effects Editorial: Framestore
Doomsday (2008)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Visual Effects Editor: Framestore CFC
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Editorial: Framestore
Killshot (2008)
Directed by: John Madden
Cinematography by: Caleb Deschanel
Visual Effects Editorial: Framestore CFC
Miss Pettigrew Lives for a Day (2008)
Directed by: Bharat Nalluri
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: Panavision Cameras
Visual Effects Editorial: Framestore
Mamma Mia! (2008)
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Digital Intermediate Editorial: Framestore CFC
Love in the Time of Cholera (2007)
Directed by: Mike Newell
Cinematography by: Affonso Beato
Edited by: Mick Audsley
Visual Effects Editorial: Framestore
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Visual Effects Editorial: Framestore
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Editorial: Framestore CFC
The Killing of John Lennon (2006)
Directed by: Andrew Piddington
Cinematography by: Roger Eaton
Edited by: Tony Palmer
