Patrick Perez

19 Titles

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Black Panther: Wakanda Forever | ShotOnWhat?

Visualization Lead: Digital Domain

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Sonic the Hedgehog | ShotOnWhat?

Previs Artist

Sonic the Hedgehog (2020)

Directed by: Jeff Fowler

Cinematography by: Stephen F. Windon

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Black Panther | ShotOnWhat?

Digital Artist: Previs

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Maleficent | ShotOnWhat?

Digital Animation

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Ender's Game | ShotOnWhat?

Pre-viz & Layout

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

The Girl with the Dragon Tattoo | ShotOnWhat?

Animation Lead

The Girl with the Dragon Tattoo (2011)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System, Sony Vegas Editing System

Real Steel | ShotOnWhat?

Animator

Real Steel (2011)

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

X: First Class | ShotOnWhat?

Previz Artist

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

TRON | ShotOnWhat?

Lead Animator, Previz Animator

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

2012 | ShotOnWhat?

Previs Artist

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Speed Racer | ShotOnWhat?

Animator, Previs Artist

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

The Curious Case of Benjamin Button | ShotOnWhat?

Animator

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Transformers | ShotOnWhat?

Flags of Our Fathers | ShotOnWhat?

Previz Artist

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Stealth | ShotOnWhat?

Digital Artist / Previs Lead

Stealth (2005)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Looney Tunes: Back in Action | ShotOnWhat?

Digital Artist

Looney Tunes: Back in Action (2003)

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Bats | ShotOnWhat?

Visual Effects Supervisor

Bats (1999)

Directed by: Louis Morneau

Cinematography by: George Mooradian

Edited by: Glenn Garland

From Dusk Till Dawn 2: Texas Blood Money | ShotOnWhat?

Visual Effects Supervisor

Dusk Till Dawn 2: Texas Blood Money (1999)

Direct to Video

Directed by: Scott Spiegel

Cinematography by: Philip Lee

Edited by: Bob Murawski, Georges Zeter

Babylon 5: The Gathering | ShotOnWhat?

Supervising Animator

Babylon 5: The Gathering (1993)

Television Movie

Directed by: Richard Compton

Cinematography by: Billy Dickson

Edited by: Robert L. Sinise

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