Still Photographer
The Fifth Estate (2013)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Still Photographer
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Still Photographer
Your Highness (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Still Photographer: Morocco
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Still Photographer
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Still Photographer
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Still Photographer
Collateral (2004)
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Special Still Photographer
Hotel Rwanda (2004)
Directed by: Terry George
Cinematography by: Robert Fraisse
Edited by: Naomi Geraghty
Still Photographer
Vanity Fair (2004)
Directed by: Mira Nair
Cinematography by: Declan Quinn
Edited by: Allyson C. Johnson
Still Photographer
The Big Bounce (2004)
Directed by: George Armitage
Cinematography by: Jeffrey L. Kimball
Still Photographer
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Still Photographer: Second Unit
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Still Photographer
Wonder Boys (2000)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Still Photographer
Proof of Life (2000)
Directed by: Taylor Hackford
Cinematography by: Slawomir Idziak
Still Photographer
Brokedown Palace (1999)
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Still Photographer
The Ghost and the Darkness (1996)
Directed by: Stephen Hopkins
Cinematography by: Vilmos Zsigmond
Still Photographer
The Jungle Book (1994)
Directed by: Stephen Sommers
Cinematography by: Juan Ruiz Anchía
Edited by: Bob Ducsay
Still Photographer
The Three Musketeers (1993)
Directed by: Stephen Herek
Cinematography by: Dean Semler
Edited by: John F. Link
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
The Last of the Mohicans (1992)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Unit Still Photographer
Blame It on the Bellboy (1992)
Directed by: Mark Herman
Cinematography by: Andrew Dunn
Edited by: Michael Ellis
Cameras: ARRIFLEX Camera
Still Photographer
King Ralph (1991)
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Still Photographer
Air America (1990)
Directed by: Roger Spottiswoode
Cinematography by: Roger Deakins
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Still Photographer
Out of Africa (1985)
Directed by: Sydney Pollack
Cinematography by: David Watkin
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Stills
A Passage to India (1984)
Directed by: David Lean
Cinematography by: Ernest Day
Edited by: David Lean
Cameras: Panavision Cameras
Still Photographer
Gorky Park (1983)
Directed by: Michael Apted
Cinematography by: Ralf D. Bode
Edited by: Dennis Virkler
Cameras: ARRI ARRIFLEX Series Cameras, J-D-C Camera
Stillsman
Gandhi (1982)
Directed by: Richard Attenborough
Edited by: John Bloom
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
The French Lieutenant's Woman (1981)
Directed by: Karel Reisz
Cinematography by: Freddie Francis
Edited by: John Bloom
Cameras: Panavision Cameras
Still Photographer
Death Ship (1980)
Directed by: Alvin Rakoff
Cinematography by: René Verzier
Edited by: Mike Campbell
Still Photographer
The Elephant Man (1980)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Anne V. Coates
Set Photographer: Second Unit
A Bridge Too Far (1977)
Directed by: Richard Attenborough
Cinematography by: Geoffrey Unsworth
Edited by: Antony Gibbs
