Script Supervisor
'Mindhunter' Episode #2.6 (2019)
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Grant Surmi
Script Supervisor
'Mindhunter' Episode #2.8 (2019)
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Script Supervisor
'Mindhunter' Episode #2.7 (2019)
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Grant Surmi
Script Supervisor - 4 Episodes, 2019
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Script Supervisor: Additional Photography
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Script Supervisor
Moneyball (2011)
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
Script Supervisor
A Nightmare on Elm Street (2010)
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Script Supervisor
The Social Network (2010)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Script Supervisor
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Script Supervisor
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Script Supervisor
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Script Supervisor
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Script Supervisor
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Script Supervisor
Bringing Down the House (2003)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Gerald B. Greenberg
Script Supervisor
Phone Booth (2002)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Script Supervisor
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Script Supervisor
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Script Supervisor
The Wedding Planner (2001)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Script Supervisor
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Script Supervisor
8MM (1999)
Directed by: Joel Schumacher
Cinematography by: Robert Elswit
Edited by: Mark Stevens
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Script Supervisor
The Negotiator (1998)
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
Script Supervisor
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Script Supervisor
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Script Supervisor
Primal Fear (1996)
Directed by: Gregory Hoblit
Cinematography by: Michael Chapman
Edited by: David Rosenbloom
Cameras: Panavision Panaflex Gold II Camera
Script Supervisor
A Time to Kill (1996)
Directed by: Joel Schumacher
Cinematography by: Peter Menzies Jr.
Edited by: William Steinkamp
Cameras: Panavision Panaflex Platinum Camera
Script Supervisor
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Script Supervisor
The Getaway (1994)
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Script Supervisor: Second Unit
Point of No Return (1993)
Directed by: John Badham
Cinematography by: Michael W. Watkins
Edited by: Frank Morriss
Script Supervisor
The Cemetery Club (1993)
Directed by: Bill Duke
Cinematography by: Steven Poster
Edited by: John Carter
Cameras: Panavision Panaflex Platinum Camera
Script Supervisor
Rapid Fire (1992)
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: Gib Jaffe
Script Supervisor
Marked for Death (1990)
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: O. Nicholas Brown
Script Supervisor: Second Unit
Disorganized Crime (1989)
Directed by: Jim Kouf
Cinematography by: Ronald Víctor García
Script Supervisor
The Mighty Quinn (1989)
Directed by: Carl Schenkel
Cinematography by: Jacques Steyn
Edited by: John Jympson
Script Supervisor
Bad Dreams (1988)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Lead Person
I'm Dancing as Fast as I Can (1982)
Directed by: Jack Hofsiss
Cinematography by: Jan de Bont
Edited by: Michael Bradsell
Script Supervisor
St. Helens (1981)
Directed by: Ernest Pintoff
Cinematography by: Jacques Haitkin
Edited by: George Berndt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Coordinator
Take This Job and Shove It (1981)
Directed by: Gus Trikonis
Cinematography by: James Devis
Edited by: Richard Belding
Production Coordinator
Fade to Black (1980)
Directed by: Vernon Zimmerman
Cinematography by: Álex Phillips Jr.
Production Coordinator
Don't Answer the Phone! (1980)
Directed by: Robert Hammer
Cinematography by: James L. Carter
Edited by: Joe Fineman
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses