Mark Wallis

24 Titles

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Overlord | ShotOnWhat?

Chargehand Carpenter

Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

Annihilation | ShotOnWhat?

Carpenter

Annihilation (2018)

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Barney Pilling

Cameras: Red Weapon Dragon Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses

Paddington 2 | ShotOnWhat?

Carpenter

Paddington 2 (2017)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Jonathan Amos, Mark Everson

Cameras: ARRI ALEXA Series Cameras

Florence Foster Jenkins | ShotOnWhat?

Chargehand Carpenter

Florence Foster Jenkins (2016)

Directed by: Stephen Frears

Cinematography by: Danny Cohen

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA XT Camera

London Has Fallen | ShotOnWhat?

Carpenter

London Has Fallen (2016)

Directed by: Babak Najafi

Cinematography by: Ed Wild

Edited by: Michael J. Duthie, Paul Martin Smith

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Ex Machina | ShotOnWhat?

Charge Hand Carpenter: Norway

Ex Machina (2014)

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Mark Day

Cameras: GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Editing System: Avid Editing System

The Two Faces of January | ShotOnWhat?

Supervising Carpenter

The Two Faces of January (2014)

Directed by: Hossein Amini

Cinematography by: Marcel Zyskind

Edited by: Nicolas Chaudeurge, Jon Harris

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk C-Series Lenses

Philomena | ShotOnWhat?

Carpenter

Philomena (2013)

Directed by: Stephen Frears

Cinematography by: Robbie Ryan

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA Camera

Rush | ShotOnWhat?

Carpenter: Race Unit Grip Crew

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

Austenland | ShotOnWhat?

Carpenter

Austenland (2013)

Directed by: Jerusha Hess

Cinematography by: Larry Smith

Edited by: Nick Fenton

Cameras: ARRI Cameras

Lenses: Zeiss Lenses

Wuthering Heights | ShotOnWhat?

Carpenter

Wuthering Heights (2011)

Directed by: Andrea Arnold

Cinematography by: Robbie Ryan

Edited by: Nicolas Chaudeurge

The Deep Blue Sea | ShotOnWhat?

Carpenter

The Deep Blue Sea (2011)

Directed by: Terence Davies

Cinematography by: Florian Hoffmeister

Edited by: David Charap

Hysteria | ShotOnWhat?

Carpenter

Hysteria (2011)

Directed by: Tanya Wexler

Cinematography by: Sean Bobbitt

Edited by: Jon Gregory

The Iron Lady | ShotOnWhat?

Carpenter

The Iron Lady (2011)

Directed by: Phyllida Lloyd

Cinematography by: Elliot Davis

Edited by: Justine Wright

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Chatroom | ShotOnWhat?

Carpenter

Chatroom (2010)

Directed by: Hideo Nakata

Cinematography by: Benoît Delhomme

Edited by: Masahiro Hirakubo

Tamara Drewe | ShotOnWhat?

Carpenter

Tamara Drewe (2010)

Directed by: Stephen Frears

Cinematography by: Ben Davis

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Never Let Me Go | ShotOnWhat?

Carpenter

Never Let Me Go (2010)

Directed by: Mark Romanek

Cinematography by: Adam Kimmel

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

The Duchess | ShotOnWhat?

Carpenter

The Duchess (2008)

Directed by: Saul Dibb

Cinematography by: Gyula Pados

Edited by: Masahiro Hirakubo

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Happy-Go-Lucky | ShotOnWhat?

Carpenter

Happy-Go-Lucky (2008)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Jim Clark

Cameras: ARRI ARRIFLEX Series Cameras

Last Chance Harvey | ShotOnWhat?

Carpenter

Last Chance Harvey (2008)

Directed by: Joel Hopkins

Cinematography by: John de Borman

Edited by: Robin Sales

28 Weeks Later | ShotOnWhat?

Carpenter

28 Weeks Later (2007)

Directed by: Juan Carlos Fresnadillo

Cinematography by: Enrique Chediak

Edited by: Chris Gill

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses: Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

The Libertine | ShotOnWhat?

Carpenter: Isle Of Man

The Libertine (2004)

Directed by: Laurence Dunmore

Cinematography by: Alexander Melman

Edited by: Jill Bilcock

Code 46 | ShotOnWhat?

Carpenter

Code 46 (2003)

Directed by: Michael Winterbottom

Cinematography by: Alwin H. Küchler, Marcel Zyskind

Edited by: Peter Christelis

28 Days Later... | ShotOnWhat?

Carpenter

28 Days Later... (2002)

Directed by: Danny Boyle

Cinematography by: Anthony Dod Mantle

Edited by: Chris Gill

Cameras: ARRI Cameras, Canon XL1 Camera

Lenses: Canon EC Series Lenses, Canon EJ Series Lenses

Editing System: Lightworks Editing System

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