Compositor: CBS Digital
'This Is Us' Songbird Road: Part One (2019)
Directed by: Chris Koch
Cinematography by: Yasu Tanida
Edited by: Howard Leder
Compositor: CBS Digital
'Orange Is the New Black' Just Desserts (2019)
Directed by: Andrew McCarthy
Edited by: Liza Cardinale
Compositor: CBS Digital
'Orange Is the New Black' And Brown Is the New Orange (2019)
Directed by: Constantine Makris
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Compositor: CBS Digital
'Orange Is the New Black' Minority Deport (2019)
Directed by: Laura Prepon
Cinematography by: Ludovic Littee
Compositor: CBS Digital
'Orange Is the New Black' Me as Well (2019)
Directed by: Ludovic Littee
Cinematography by: William Newell
Edited by: Bill Turro
Lead Compositor: CBS Digital
'This Is Us' Vietnam (2018)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Edited by: Howard Leder
Lead Compositor: CBS Digital
'This Is Us' Katie Girls (2018)
Directed by: Rebecca Asher
Cinematography by: Yasu Tanida
Edited by: Susan Vaill
Compositor: CBS Digital
'This Is Us' Sometimes (2018)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Edited by: Bjørn T. Myrholt
Compositor: CBS Digital
'This Is Us' Six Thanksgivings (2018)
Directed by: Catherine Hardwicke
Cinematography by: Yasu Tanida
Edited by: Howard Leder
Compositor: CBS Digital
'This Is Us' The Beginning Is the End Is the Beginning (2018)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Edited by: Susan Vaill
Compositor
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Compositor: Digital Domain
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Compositor: CBS Digital
'The Man in the High Castle' Jahr Null (2018)
Directed by: Daniel Percival
Cinematography by: Gonzalo Amat
Edited by: Jason Savage
Compositor: Digital Domain
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Compositor: CBS Digital / Lead Compositor: CBS Digital - 6 Episodes, 2018-2019
This Is Us (2016)
Directed by: Ken Olin, Glenn Ficarra, John Requa, Chris Koch, George Tillman Jr., Uta Briesewitz, John Fortenberry, Rebecca Asher, Kevin Hooks, Sarah Pia Anderson, Silas Howard, Helen Hunt, Craig Zisk, Timothy Busfield, Regina King, Wendey Stanzler, Zetna Fuentes, Catherine Hardwicke, Joanna Kerns, Sarah Boyd, Roxann Dawson, Anne Fletcher
Compositor: Digital Domain
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Compositor: Digital Domain
'Game of Thrones' The Broken Man (2016)
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Jesse Parker
Compositor: CBS Digital - 1 Episode, 2018
The Man in the High Castle (2015)
Directed by: Daniel Percival, John Fawcett, Karyn Kusama, Alex Zakrzewski, Brad Anderson, Nelson McCormick, Ken Olin, Michael Rymer, David Semel, Michael Slovis, Bryan Spicer, Colin Bucksey, Paul Holahan, Chris Long, David Petrarca, Daniel Sackheim, Deborah Chow, Ernest R. Dickerson, Jennifer Getzinger, Steph Green, Meera Menon, Charlotte Brändström, Rachel Leiterman
Edited by: Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras: Red Epic Dragon Camera
Lighting Technical Director: ILM
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer: Pivot VFX
The Smurfs 2 (2013)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco
Cameras: Sony CineAlta F65 Camera
Digital Effects Supervisor: Pivot VFX
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Compositor: CBS Digital - 4 Episodes, 2019
Orange Is the New Black (2013)
Directed by: Andrew McCarthy, Phil Abraham, Michael Trim, Constantine Makris, Mark A. Burley, Nick Sandow, Uta Briesewitz, Erin Feeley, Laura Prepon, Jodie Foster, Jesse Peretz, Ludovic Littee, Matthew Penn, Allison Anders, S.J. Clarkson, Jennifer Getzinger, Daisy von Scherler Mayer, Anthony Hemingway, Nicole Holofcener, Julie Anne Robinson, Adam Bernstein, Tricia Brock, Lev L. Spiro, Matthew Weiner, Wendey Stanzler, Sian Heder, Clark Johnson, Natasha Lyonne, Diego Velasco
Cinematography by: Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell
Edited by: Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens
Cameras: ARRI ALEXA Camera, Panasonic VariCam 35
Lenses: Cooke 5/i Lenses
Editing System: Avid Editing System
Senior Technical Director
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Sequence Lead
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Senior Technical Director: Lighting And Compositing
Zookeeper (2011)
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Senior Technical Director: Lighting And Compositing
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Digital Compositor: Digital Domain - 1 Episode, 2016
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Senior Technical Director: Lighting And Compositing
G-Force (2009)
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Compositor: CafeFX
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Digital Supervisor: Kleiser-Walczak
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Digital Artist/compositor: Kleiser-Walczak
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Digital Artist: Kleiser-Walczak
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Visual Effects Producer: Blue Sky Studios
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Visual Effects Pre-production Research & Development
The Matrix (1999)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Visual Effects Coordinator
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Digital Artist
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
