Rita Ryack

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The Smurfs 2 | ShotOnWhat?

Costume Designer

The Smurfs 2 (2013)

Directed by: Raja Gosnell

Cinematography by: Phil Meheux

Edited by: Sabrina Plisco

Cameras: Sony CineAlta F65 Camera

Rock of Ages | ShotOnWhat?

Costume Designer

Rock of Ages (2012)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Emma E. Hickox

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Smurfs | ShotOnWhat?

Costume Designer

The Smurfs (2011)

Directed by: Raja Gosnell

Cinematography by: Phil Meheux

Edited by: Ellier Dov, Sabrina Plisco

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Classic Spherical Lenses

Editing System: Avid Editing System

You Don't Know Jack | ShotOnWhat?

Costume Designer

You Don't Know Jack (2010)

Television Movie

Directed by: Barry Levinson

Cinematography by: Eigil Bryld

Edited by: Aaron Yanes

Bedtime Stories | ShotOnWhat?

Costume Designer

Bedtime Stories (2008)

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Hairspray | ShotOnWhat?

Costume Designer

Hairspray (2007)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Charlotte's Web | ShotOnWhat?

Costume Designer

Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

After the Sunset | ShotOnWhat?

Costume Designer

After the Sunset (2004)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Human Stain | ShotOnWhat?

Costume Designer

The Human Stain (2003)

Directed by: Robert Benton

Cinematography by: Jean-Yves Escoffier

Edited by: Christopher Tellefsen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Cat in the Hat | ShotOnWhat?

Costume Designer

The Cat in the Hat (2003)

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Rush Hour 2 | ShotOnWhat?

Costume Designer

Rush Hour 2 (2001)

Directed by: Brett Ratner

Cinematography by: Matthew F. Leonetti

Edited by: Mark Helfrich, Robert K. Lambert

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A Beautiful Mind | ShotOnWhat?

Costume Designer

A Beautiful Mind (2001)

Directed by: Ron Howard

Cinematography by: Roger Deakins

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

How the Grinch Stole Christmas | ShotOnWhat?

Costume Designer

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Edtv | ShotOnWhat?

Costume Designer

Edtv (1999)

Directed by: Ron Howard

Cinematography by: John Schwartzman

Edited by: Daniel P. Hanley, Mike Hill

Bringing Out the Dead | ShotOnWhat?

Costume Designer

Bringing Out the Dead (1999)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Wag the Dog | ShotOnWhat?

Costume Designer

Wag the Dog (1997)

Directed by: Barry Levinson

Cinematography by: Robert Richardson

Edited by: Stu Linder

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Fathers' Day | ShotOnWhat?

Costumes Designed By

Fathers' Day (1997)

Directed by: Ivan Reitman

Cinematography by: Stephen H. Burum

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Ransom | ShotOnWhat?

Costume Designer

Ransom (1996)

Directed by: Ron Howard

Cinematography by: Piotr Sobocinski

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Fan | ShotOnWhat?

Costume Designer

The Fan (1996)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson, Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Casino | ShotOnWhat?

Costume Designer

Casino (1995)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Apollo 13 | ShotOnWhat?

Costume Designer

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

The Paper | ShotOnWhat?

Costume Designer

The Paper (1994)

Directed by: Ron Howard

Cinematography by: John Seale

Edited by: Daniel P. Hanley, Mike Hill

A Bronx Tale | ShotOnWhat?

Costume Designer

A Bronx Tale (1993)

Directed by: Robert De Niro

Cinematography by: Reynaldo Villalobos

Edited by: Robert Q. Lovett, David Ray

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Mad Dog and Glory | ShotOnWhat?

Costume Designer

Mad Dog and Glory (1993)

Directed by: John McNaughton

Cinematography by: Robby Müller

Edited by: Elena Maganini, Craig McKay

Class Action | ShotOnWhat?

Costume Designer

Class Action (1991)

Directed by: Michael Apted

Cinematography by: Conrad L. Hall

Edited by: Ian Crafford

An Innocent Man | ShotOnWhat?

Costume Designer

An Innocent Man (1989)

Directed by: Peter Yates

Cinematography by: William A. Fraker

Edited by: Stephen A. Rotter, William S. Scharf, Joseph Gutowski

Suspect | ShotOnWhat?

Costume Designer

Suspect (1987)

Directed by: Peter Yates

Cinematography by: Billy Williams

Edited by: Ray Lovejoy

The House on Carroll Street | ShotOnWhat?

Costume Designer

The House on Carroll Street (1987)

Directed by: Peter Yates

Cinematography by: Michael Ballhaus

Edited by: Ray Lovejoy

Cameras: ARRI Cameras

Lenses: Zeiss Lenses

After Hours | ShotOnWhat?

Costume Designer

After Hours (1985)

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

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