Lindsay Hudson

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Blood Father | ShotOnWhat?

Set Medic: Additional Photography

Blood Father (2016)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Steven Rosenblum

Atlas Shrugged: Who Is John Galt? | ShotOnWhat?

Set Medic

Atlas Shrugged: Who Is John Galt? (2014)

Directed by: James Manera

Cinematography by: Gale Tattersall

Edited by: Tony Ciccone, Mike Hugo

Cameras: Canon EOS-C500 Camera

Lenses: Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Interstellar | ShotOnWhat?

Special Effects Medic

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Gangster Squad | ShotOnWhat?

Medic

Gangster Squad (2013)

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Larry Crowne | ShotOnWhat?

Medic

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Armored | ShotOnWhat?

Medic

Armored (2009)

Directed by: Nimród Antal

Cinematography by: Andrzej Sekula

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Stepfather | ShotOnWhat?

Medic

The Stepfather (2009)

Directed by: Nelson McCormick

Cinematography by: Patrick Cady

Edited by: Eric L. Beason

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Drillbit Taylor | ShotOnWhat?

Construction Medic

Drillbit Taylor (2008)

Directed by: Steven Brill

Cinematography by: Fred Murphy

Edited by: Brady Heck, Thomas J. Nordberg

Street Kings | ShotOnWhat?

Rigging Medic

Street Kings (2008)

Directed by: David Ayer

Cinematography by: Gabriel Beristain

Edited by: Jeffrey Ford

Vacancy | ShotOnWhat?

Set Medic

Vacancy (2007)

Directed by: Nimród Antal

Cinematography by: Andrzej Sekula

Edited by: Armen Minasian

National Treasure: Book of Secrets | ShotOnWhat?

Medic

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Live Free or Die Hard | ShotOnWhat?

Medic

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

Charlie Wilson's War | ShotOnWhat?

Medic

Charlie Wilson's War (2007)

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Waist Deep | ShotOnWhat?

Rigging Medic

Waist Deep (2006)

Directed by: Vondie Curtis-Hall

Cinematography by: Shane Hurlbut

Edited by: Terilyn A. Shropshire

Mission: Impossible III | ShotOnWhat?

Medic

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

The Black Dahlia | ShotOnWhat?

Medic: Los Angeles

The Black Dahlia (2006)

Directed by: Brian De Palma

Cinematography by: Vilmos Zsigmond

Edited by: Bill Pankow

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Benchwarmers | ShotOnWhat?

Medic

The Benchwarmers (2006)

Directed by: Dennis Dugan

Cinematography by: Thomas E. Ackerman

Edited by: Peck Prior, Sandy S. Solowitz

All Souls Day: Dia de los Muertos | ShotOnWhat?

On-set Medic

All Souls Day: Dia de los Muertos (2005)

Directed by: Jeremy Kasten

Cinematography by: Christopher Duddy

Edited by: Joseph Gutowski

Jarhead | ShotOnWhat?

Medic

Jarhead (2005)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Walter Murch

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

In Good Company | ShotOnWhat?

Construction Medic

In Good Company (2004)

Directed by: Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Myron Kerstein

Collateral | ShotOnWhat?

Construction Medic

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Spider-Man 2 | ShotOnWhat?

Construction Medic

Spider-Man 2 (2004)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Ray | ShotOnWhat?

Construction Medic

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

After the Sunset | ShotOnWhat?

Set Medic

After the Sunset (2004)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Gunshy | ShotOnWhat?

Scenic Artist

Gunshy (1998)

Directed by: Jeff Celentano

Cinematography by: John B. Aronson

Edited by: Andy Horvitch

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