Production Finance Controller
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Production Finance Controller
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Production Controller
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Production Accountant
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Production Accountant
The Back-up Plan (2010)
Directed by: Alan Poul
Cinematography by: Xavier Grobet
Edited by: Priscilla Nedd-Friendly
Production Accountant
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Production Accountant
The Express (2008)
Directed by: Gary Fleder
Cinematography by: Kramer Morgenthau
Production Accountant
The Benchwarmers (2006)
Directed by: Dennis Dugan
Cinematography by: Thomas E. Ackerman
Production Accountant
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Production Accountant
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Accountant
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Controller
Hannibal (2001)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Production Accountant
America's Sweethearts (2001)
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Production Accountant
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Accountant
U.S. Marshals (1998)
Directed by: Stuart Baird
Cinematography by: Andrzej Bartkowiak
Edited by: Terry Rawlings
Production Accountant
Patch Adams (1998)
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Accountant
Phenomenon (1996)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Cameras: Panavision Panaflex Platinum Camera
Production Accountant
Ri¢hie Ri¢h (1994)
Directed by: Donald Petrie
Cinematography by: Don Burgess
Edited by: Malcolm Campbell
Production Accountant
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Production Accountant
Toys (1992)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Production Accountant: USA
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Production Accountant
Throw Momma from the Train (1987)
Directed by: Danny DeVito
Cinematography by: Barry Sonnenfeld
Edited by: Michael Jablow
