James McKee Smith

28 Titles

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Knight and Day | ShotOnWhat?

Additional Music Arranger / Music Programmer / Orchestrator: MIDI, Composer: Additional Music

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

How to Train Your Dragon | ShotOnWhat?

Additional Music Arranger / Additional Music Programmer / Orchestrator: MIDI

How to Train Your Dragon (2010)

Directed by: Dean DeBlois, Chris Sanders

Cinematography by: Gil Zimmerman

Edited by: Maryann Brandon, Darren T. Holmes

Green Zone | ShotOnWhat?

Additional Music Arranger / Music Programmer / Orchestrator: Midi

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Ice Age: Dawn of the Dinosaurs | ShotOnWhat?

Additional Music Arranger / Additional Music Programmer / Additional Orchestrator / Composer: Additional Music

Ice Age: Dawn of the Dinosaurs (2009)

Directed by: Carlos Saldanha, Mike Thurmeier

Edited by: Harry Hitner, James Palumbo

Kung Fu Panda | ShotOnWhat?

Composer: Additional Music

Kung Fu Panda (2008)

Directed by: Mark Osborne, John Stevenson

Cinematography by: Yong Duk Jhun

Edited by: Clare Knight

Bolt | ShotOnWhat?

Additional Music Arranger / Composer: Additional Music / Music Programmer / Orchestrator: MIDI

Bolt (2008)

Directed by: Byron Howard, Chris Williams

Cinematography by: Scott Beattie

Edited by: Tim Mertens

Hancock | ShotOnWhat?

Composer: Additional Music

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Jumper | ShotOnWhat?

Composer: Additional Music / Music Programmer

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

The Bourne Ultimatum | ShotOnWhat?

Composer: Additional Music / Music Programmer

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

X-Men: The Last Stand | ShotOnWhat?

Composer: Additional Music

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Happy Feet | ShotOnWhat?

Additional Music Arranger: Songs / Music Arranger

Happy Feet (2006)

Directed by: George Miller, Warren Coleman, Judy Morris

Cinematography by: David Peers

Edited by: Christian Gazal, Margaret Sixel

Editing System: Final Cut Pro Editing System

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Composer: Additional Music , Music Programmer

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Shrek 2 | ShotOnWhat?

Composer: Additional Music

Shrek 2 (2004)

Directed by: Andrew Adamson, Kelly Asbury, Conrad Vernon

Edited by: Mike Andrews, Sim Evan-Jones

Team America: World Police | ShotOnWhat?

Composer: Additional Music / Composer: Additional Score

Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Stealing Sinatra | ShotOnWhat?

Composer: Additional Music

Stealing Sinatra (2003)

Directed by: Ron Underwood

Cinematography by: Brian Pearson

Edited by: Tina Hirsch

Paycheck | ShotOnWhat?

Composer: Additional Music

Paycheck (2003)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

Agent Cody Banks | ShotOnWhat?

Composer: Additional Music / Music Arranger / Music Programmer

Agent Cody Banks (2003)

Directed by: Harald Zwart

Cinematography by: Denis Crossan

Edited by: Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Composer: Additional Music

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Italian Job | ShotOnWhat?

Composer: Additional Music

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Eye See You | ShotOnWhat?

Composer: Additional Music

Eye See You (2002)

Directed by: Jim Gillespie

Cinematography by: Dean Semler

Edited by: Timothy Alverson, Steve Mirkovich

The Bourne Identity | ShotOnWhat?

Composer: Additional Music

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

I Am Sam | ShotOnWhat?

Assistant To Composer

I Am Sam (2001)

Directed by: Jessie Nelson

Cinematography by: Elliot Davis

Edited by: Richard Chew

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

Rat Race | ShotOnWhat?

Composer: Additional Music

Rat Race (2001)

Directed by: Jerry Zucker

Cinematography by: Thomas E. Ackerman

Edited by: Tom Lewis

Just Visiting | ShotOnWhat?

Composer: Additional Music

Just Visiting (2001)

Directed by: Jean-Marie Poiré

Cinematography by: Ueli Steiger

Edited by: Michael A. Stevenson

Cameras: Panavision Cameras

Evolution | ShotOnWhat?

Composer: Additional Music

Evolution (2001)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Shrek | ShotOnWhat?

Composer: Additional Music

Shrek (2001)

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Chicken Run | ShotOnWhat?

Composer: Additional Music

Chicken Run (2000)

Directed by: Peter Lord, Nick Park

Cinematography by: Simon Jacobs, Andy MacCormack, Tristan Oliver, Frank Passingham, Dave Alex Riddett, Paul Smith

Edited by: Robert Francis, Tamsin Parry, Mark Solomon

Chill Factor | ShotOnWhat?

Composer: Additional Music

Chill Factor (1999)

Directed by: Hugh Johnson

Cinematography by: David Gribble

Edited by: Pamela Power

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