Visual Effects Supervisor
'Orange Is the New Black' Changing Winds (2018)
Directed by: Andrew McCarthy
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Visual Effects Supervisor: & Company
Pride and Prejudice and Zombies (2016)
Directed by: Burr Steers
Cinematography by: Remi Adefarasin
Edited by: Padraic McKinley
Lenses: Cooke S4/i Lenses
Visual Effects Supervisor: & Company
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Visual Effects Artist
Cold in July (2014)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Cameras: Red Epic Camera
Visual Effects Supervisor: & Company
The Truth About Emanuel (2013)
Directed by: Francesca Gregorini
Cinematography by: Polly Morgan
Edited by: Antony Langdon
Cameras: ARRI ALEXA Camera
Additional Visual Effects
We Are What We Are (2013)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Edited by: Jim Mickle
Cameras: Red Epic Camera
Lenses: Red Pro Prime Lenses, Red Pro Zoom Lenses
Visual Effects Supervisor - 1 Episode, 2018
Orange Is the New Black (2013)
Directed by: Andrew McCarthy, Phil Abraham, Michael Trim, Constantine Makris, Mark A. Burley, Nick Sandow, Uta Briesewitz, Erin Feeley, Laura Prepon, Jodie Foster, Jesse Peretz, Ludovic Littee, Matthew Penn, Allison Anders, S.J. Clarkson, Jennifer Getzinger, Daisy von Scherler Mayer, Anthony Hemingway, Nicole Holofcener, Julie Anne Robinson, Adam Bernstein, Tricia Brock, Lev L. Spiro, Matthew Weiner, Wendey Stanzler, Sian Heder, Clark Johnson, Natasha Lyonne, Diego Velasco
Cinematography by: Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell
Edited by: Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens
Cameras: ARRI ALEXA Camera, Panasonic VariCam 35
Lenses: Cooke 5/i Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: & Company
Man on a Ledge (2012)
Directed by: Asger Leth
Cinematography by: Paul Cameron
Edited by: Kevin Stitt
Visual Effects Supervisor
4:44 Last Day on Earth (2011)
Directed by: Abel Ferrara
Cinematography by: Ken Kelsch
Edited by: Anthony Redman
Cameras: Red One MX Camera
Lenses: Cooke S4 Lenses
Visual Effects Supervisor: & Company
Win Win (2011)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Visual Effects Supervisor: & Company
Dear John (2010)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Kristina Boden
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor
Stake Land (2010)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Edited by: Jim Mickle
Cameras: Red One Camera
Lenses: Zeiss Super Speed Lenses
Visual Effects Supervisor: & Company
Veronika Decides to Die (2009)
Directed by: Emily Young
Cinematography by: Seamus Tierney
Edited by: Úna Ní Dhonghaíle
Visual Effects Supervisor: & Company
Hachi: A Dog's Tale (2009)
Directed by: Lasse Hallström
Cinematography by: Ron Fortunato
Edited by: Kristina Boden
Visual Effects Supervisor: & Company
Tenderness (2009)
Directed by: John Polson
Cinematography by: Tom Stern
Cameras: Panavision Cameras
Visual Effects Supervisor: & Company
Mammoth (2009)
Directed by: Lukas Moodysson
Cinematography by: Marcel Zyskind
Edited by: Michal Leszczylowski
Visual Effects Supervisor: & Company
The Loss of a Teardrop Diamond (2008)
Directed by: Jodie Markell
Cinematography by: Giles Nuttgens
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor: & Company
The Promotion (2008)
Directed by: Steve Conrad
Cinematography by: Lawrence Sher
Visual Effects Supervisor: & Company
Awake (2007)
Directed by: Joby Harold
Cinematography by: Russell Carpenter
Edited by: Craig McKay
Visual Effects Supervisor: & Company
Perfect Stranger (2007)
Directed by: James Foley
Cinematography by: Anastas N. Michos
Edited by: Christopher Tellefsen
Visual Effects Supervisor: & Company
The Namesake (2006)
Directed by: Mira Nair
Cinematography by: Frederick Elmes
Edited by: Allyson C. Johnson
Visual Effects Supervisor: & Company
Freedomland (2006)
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Visual Effects Supervisor: & Company
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Visual Effects Supervisor: & Company
Dave Chappelle's Block Party (2005)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Visual Effects Supervisor: & Company
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Visual Effects Supervisor: Luminetik
Two Weeks Notice (2002)
Directed by: Marc Lawrence
Cinematography by: László Kovács
Edited by: Susan E. Morse
Digital Ocean Artist: Digital Domain
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
3D Digital Effects Supervisor: Digital Domain
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Digital Effects Supervisor
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Digital Effects Supervisor: Digital Domain
Sgt. Bilko (1996)
Directed by: Jonathan Lynn
Cinematography by: Peter Sova
Edited by: Tony Lombardo
Digital Artist: Digital Domain
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Pyrotechnics Supervisor: Digital Domain
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Digital Artist: R/Greenberg Associates
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird