Business & Legal Affairs
Good Boys (2019)
Movie
Directed by: Gene Stupnitsky
Cinematography by: Jonathan Furmanski
Edited by: Daniel Gabbe
Lenses: Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 180 mm T2.8 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Production Legal Counsel
First Reformed (2017)
Directed by: Paul Schrader
Cinematography by: Alexander Dynan
Edited by: Benjamin Rodriguez Jr.
Cameras: ARRI ALEXA SXT Series Cameras
Business And Legal Affairs
Arrival (2016)
Directed by: Denis Villeneuve
Cinematography by: Bradford Young
Edited by: Joe Walker
Business And Legal Affairs
Don't Breathe (2016)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Cameras: ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
Business Affairs Services
Paterson (2016)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Affonso Gonçalves
Business And Legal Affairs
Neighbors 2: Sorority Rising (2016)
Directed by: Nicholas Stoller
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA XT Plus Camera
Business And Legal Affairs
Carol (2015)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Affonso Gonçalves
Cameras: ARRIFLEX 416 Camera
Music Licensing
Top Five (2014)
Directed by: Chris Rock
Cinematography by: Manuel Alberto Claro
Edited by: Anne McCabe
Music Legal And Business Affairs
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Business And Legal Affairs
Neighbors (2014)
Directed by: Nicholas Stoller
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: ARRI ALEXA Camera, Red Epic Camera
Production Legal Services: The B.A. Department
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Business And Legal Affairs: The B.A. Department
The Spectacular Now (2013)
Directed by: James Ponsoldt
Cinematography by: Jess Hall
Edited by: Darrin Navarro
Production Legal
Seeking a Friend for the End of the World (2012)
Directed by: Lorene Scafaria
Cinematography by: Tim Orr
Edited by: Zene Baker
Cameras: ARRI ALEXA Plus Camera
Business Affairs Services: The B.A. Department
The We and the I (2012)
Directed by: Michel Gondry
Cinematography by: Alex Disenhof
Edited by: Jeff Buchanan
Production Executive
A Late Quartet (2012)
Directed by: Yaron Zilberman
Cinematography by: Frederick Elmes
Edited by: Yuval Shar
Business And Legal Affairs: The B.A. Department
Hope Springs (2012)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Production Legal Services: The B.A. Department
Thanks for Sharing (2012)
Directed by: Stuart Blumberg
Cinematography by: Yaron Orbach
Edited by: Anne McCabe
Cameras: ARRI ALEXA Camera
Production And Legal Affairs: The B.A. Department
Mud (2012)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Production Counsel: The B.A. Dept.
To the Wonder (2012)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Production Business And Legal Services: The B.A. Department
Young Adult (2011)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Business Affairs Executive
Peace, Love & Misunderstanding (2011)
Directed by: Bruce Beresford
Cinematography by: Andre Fleuren
Edited by: John David Allen
Legal Services: U.S., The B.A. Department
Shame (2011)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Production Legal
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Production Legal
We Need to Talk About Kevin (2011)
Directed by: Lynne Ramsay
Cinematography by: Seamus McGarvey
Edited by: Joe Bini
Production Counsel / Production Legal
Don't Be Afraid of the Dark (2010)
Directed by: Troy Nixey
Cinematography by: Oliver Stapleton
Edited by: Jill Bilcock
Production And Finance Legal Services: Frankfurt Kurnit Klein & Selz
The Extra Man (2010)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Production Legal
The Limits of Control (2009)
Directed by: Jim Jarmusch
Cinematography by: Christopher Doyle
Edited by: Jay Rabinowitz
Legal Services: Epstein, Levinsohn, Bodine, Hurwitz & Weinstein
A Dog Year (2009)
Directed by: George LaVoo
Cinematography by: Frederick Elmes
Cameras: ARRI Cameras
Production Legal
Whip It (2009)
Directed by: Drew Barrymore
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Production Legal
Everybody's Fine (2009)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Andrew Mondshein
Production Legal
Spread (2009)
Directed by: David Mackenzie
Cinematography by: Steven Poster
Edited by: Nicholas Erasmus
Production Legal
Solomon Kane (2009)
Directed by: M.J. Bassett
Cinematography by: Dan Laustsen
Edited by: Andrew MacRitchie
Production Counsel: Frankfurt, Kurnit, Klein & Selz
Adventureland (2009)
Directed by: Greg Mottola
Cinematography by: Terry Stacey
Edited by: Anne McCabe
Production Legal
Cold Souls (2009)
Directed by: Sophie Barthes
Cinematography by: Andrij Parekh
Edited by: Andrew Mondshein
Legal Services: Frankfurt Kurnit Klein & Selz
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Contracts Administrator
Be Kind Rewind (2008)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
Legal Services: Epstein Levinsohn Bodine Hurwitz & Weinstein
Anamorph (2007)
Directed by: Henry Miller
Cinematography by: Fred Murphy
Edited by: Geraud Brisson
