Second Second Assistant Director: San Francisco
The Matrix Resurrections (2021)
Directed by: Lana Wachowski
Edited by: Joseph Jett Sally
Cameras: Red Komodo Camera
Second Assistant Director: Second Unit
12 Strong (2018)
Directed by: Nicolai Fuglsig
Cinematography by: Rasmus Videbæk
Edited by: Lisa Lassek
Second Assistant Director
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Second Second Assistant Director
Sicario (2015)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Lenses: Zeiss Master Prime Lenses
Key Second Assistant Director
Good Kill (2014)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Second Assistant Director
The Homesman (2014)
Directed by: Tommy Lee Jones
Cinematography by: Rodrigo Prieto
Edited by: Roberto Silvi
Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera
Second Second Assistant Director - Reshoots
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Key Second Assistant Director
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Additional Second Assistant Director: New Mexico
2 Guns (2013)
Directed by: Baltasar Kormákur
Cinematography by: Oliver Wood
Edited by: Michael Tronick
Second Second Assistant Director: Second Unit
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Additional Second Second Assistant Director
'House of Lies' Prologue and Aftermath (2012)
Directed by: Beth McCarthy-Miller
Cinematography by: Peter Levy
Edited by: Tirsa Hackshaw
Additional Second Second Assistant Director
'House of Lies' Ouroboros (2012)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Jonathan Schwartz
Additional Second Assistant Director
'House of Lies' Veritas (2012)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tirsa Hackshaw
Key Second Assistant Director: USA
Gambit (2012)
Directed by: Michael Hoffman
Cinematography by: Florian Ballhaus
Edited by: Paul Tothill
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Additional Second Second Assistant Director
'House of Lies' Our Descent Into Los Angeles (2012)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tod Feuerman
Additional Second Second Assistant Director
'House of Lies' Utah (2012)
Directed by: Adam Bernstein
Cinematography by: Peter Levy
Edited by: Jonathan Schwartz
Additional Second Second Assistant Director
'House of Lies' Microphallus (2012)
Directed by: Seith Mann
Cinematography by: Peter Levy
Edited by: Tirsa Hackshaw
Additional Second Second Assistant Director / Additional Second Assistant Director - 6 Episodes, 2012
House of Lies (2012)
Directed by: Stephen Hopkins, Matthew Carnahan, Daisy von Scherler Mayer, Don Cheadle, Adam Bernstein, John Dahl, Michael Uppendahl, Miguel Arteta, Seith Mann, Beth McCarthy-Miller, Anton Cropper, David Von Ancken, Uta Briesewitz, Michael Lehmann, Victor Nelli Jr., Jessika Borsiczky, Gary B. Goldman, Helen Hunt, Craig Zisk
Edited by: Tod Feuerman, Tirsa Hackshaw, Justin Bourret, Jonathan Schwartz, Myron Kerstein, John Axness, Aimee Durrant, John Smith, Pietro Cecchini
Cameras: ARRI ALEXA Camera
Second Second Assistant Director: Second Unit
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Second Assistant Director
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Second Assistant Director: Second Unit
Furry Vengeance (2010)
Directed by: Roger Kumble
Cinematography by: Peter Lyons Collister
Edited by: Lawrence Jordan
Additional Second Assistant Director
The Spy Next Door (2010)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Lawrence Jordan
First Assistant Director: Visual Effects Unit, New Mexico
Did You Hear About the Morgans? (2009)
Directed by: Marc Lawrence
Cinematography by: Florian Ballhaus
Edited by: Susan E. Morse
Cameras: ARRICAM Studio (ST) Camera
Lenses: Hawk V-Series Lenses
Additional Second Assistant Director: New Mexico
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Second Second Assistant Director
Appaloosa (2008)
Directed by: Ed Harris
Cinematography by: Dean Semler
Edited by: Kathryn Himoff
Second Second Assistant Director
Bordertown (2007)
Directed by: Gregory Nava
Cinematography by: Reynaldo Villalobos
Edited by: Padraic McKinley
Second Second Assistant Director
No Country for Old Men (2007)
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Second Second Assistant Director
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Second Second Assistant Director
The Astronaut Farmer (2006)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: James Haygood
Second Second Assistant Director
Beerfest (2006)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Lee Haxall
Key Set Production Assistant
North Country (2005)
Directed by: Niki Caro
Cinematography by: Chris Menges
Edited by: David Coulson
Second Second Assistant Director
Rx (2005)
Directed by: Ariel Vromen
Cinematography by: Scott Kevan
Edited by: Danny Rafic
Production Secretary
Elvis Has Left the Building (2004)
Directed by: Joel Zwick
Cinematography by: Paul Elliott
Edited by: Heather Persons
Production Assistant: Second Unit
Suspect Zero (2004)
Directed by: E. Elias Merhige
Cinematography by: Michael Chapman
