Associate Producer
Bombshell (2019)
Directed by: Jay Roach
Cinematography by: Barry Ackroyd
Edited by: Jon Poll
Cameras: ARRI ALEXA Mini Camera
Associate Producer
Battle of the Sexes (2017)
Cinematography by: Linus Sandgren
Edited by: Pamela Martin
Unit Production Manager
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Unit Production Manager
Passengers (2016)
Directed by: Morten Tyldum
Cinematography by: Rodrigo Prieto
Edited by: Maryann Brandon
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision Primo 70 Lenses
Production Supervisor
Inherent Vice (2014)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Production Supervisor: Hawaii Crew
'Mad Men' The Doorway, Part 1 (2013)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Production Supervisor
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Production Supervisor
'Mad Men' Commissions and Fees (2012)
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Christopher Gay
Production Supervisor
'Mad Men' The Phantom (2012)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Production Supervisor
'Mad Men' The Other Woman (2012)
Directed by: Phil Abraham
Cinematography by: Don Devine
Edited by: Tom Wilson
Production Supervisor
'Mad Men' Lady Lazarus (2012)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Tom Wilson
Production Supervisor
'Mad Men' Dark Shadows (2012)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Christopher Gay
Production Supervisor
'Mad Men' Christmas Waltz (2012)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Production Supervisor
'Mad Men' At the Codfish Ball (2012)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Production Supervisor
'Mad Men' Far Away Places (2012)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Christopher Gay
Production Supervisor
'Mad Men' Signal 30 (2012)
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Tom Wilson
Production Supervisor
Rampart (2011)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Camera
Production Supervisor
True Grit (2010)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Production Supervisor
A Serious Man (2009)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Production Supervisor
Lakeview Terrace (2008)
Directed by: Neil LaBute
Cinematography by: Rogier Stoffers
Edited by: Joel Plotch
Unit Supervisor: Washington DC
Burn After Reading (2008)
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
Production Supervisor: Additional Photography
The Ruins (2008)
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Production Supervisor
No Country for Old Men (2007)
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Production Supervisor / Production Supervisor: Hawaii Crew - 10 Episodes, 2012-2013
Mad Men (2007)
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Production Supervisor
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Production Supervisor
'CSI: Miami' Blood in the Water (2005)
Directed by: Duane Clark
Cinematography by: Charles Mills
Edited by: Edward R. Abroms
Production Supervisor
'CSI: Miami' From the Grave (2005)
Directed by: Karen Gaviola
Cinematography by: Eagle Egilsson
Edited by: Mark C. Baldwin
Production Supervisor
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Production Supervisor
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Production Supervisor
'CSI: Miami' Lost Son (2004)
Directed by: Duane Clark
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Production Supervisor
'CSI: Miami' Pro Per (2004)
Directed by: Karen Gaviola
Cinematography by: Michael Barrett
Edited by: John Refoua
Production Supervisor
'CSI: Miami' Under the Influence (2004)
Directed by: Scott Lautanen
Cinematography by: Michael Barrett
Edited by: Mark C. Baldwin
Production Supervisor
'CSI: Miami' Murder in a Flash (2004)
Directed by: Frederick King Keller
Cinematography by: Thomas Yatsko
Edited by: Christopher Cooke
Production Supervisor
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Production Coordinator
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Production Supervisor - 6 Episodes, 2004-2005
CSI: Miami (2002)
Directed by: Sam Hill, Joe Chappelle, Scott Lautanen, Karen Gaviola, Matt Earl Beesley, Gina Lamar, Deran Sarafian, Eagle Egilsson, Duane Clark, Carey Meyer, Allison Liddi-Brown, David Grossman, Jonathan Glassner, Larry Detwiler, Marco Black, Don Tardino, Greg Yaitanes, Charles Correll, Frederick King Keller, Norberto Barba, Eric Mirich, Danny Cannon, Adam Rodriguez, Daniel Attias, Scott Brazil, Tucker Gates, Richard Pearce, Bryan Spicer, Artie Mandelberg, Peter Markle, Jeannot Szwarc, Steven DePaul, Félix Enríquez Alcalá, Gloria Muzio, Scott Shiffman, Ernest R. Dickerson, Anthony Hemingway, Christine Moore, Rod Holcomb, Tim Story, Rob Zombie, David Arquette, James Wilcox, Billy Gierhart, Sylvain White
Cinematography by: Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr.
Edited by: Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Production Coordinator
Life as a House (2001)
Directed by: Irwin Winkler
Cinematography by: Vilmos Zsigmond
Edited by: Julie Monroe
Production Coordinator
The Man Who Wasn't There (2001)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Production Coordinator
Nurse Betty (2000)
Directed by: Neil LaBute
Cinematography by: Jean-Yves Escoffier
Production Coordinator
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Production Coordinator
Being John Malkovich (1999)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Lenses: Cooke S4 Lenses
Production Secretary
U.S. Marshals (1998)
Directed by: Stuart Baird
Cinematography by: Andrzej Bartkowiak
Edited by: Terry Rawlings
Production Coordinator
SubUrbia (1996)
Directed by: Richard Linklater
Cinematography by: Lee Daniel
Edited by: Sandra Adair
Assistant Production Coordinator
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Assistant Production Coordinator
The War (1994)
Directed by: Jon Avnet
Cinematography by: Geoffrey Simpson
Edited by: Debra Neil-Fisher
