Alex Hillkurtz

33 Titles

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Live by Night | ShotOnWhat?

Storyboard Artist

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Terminator Genisys | ShotOnWhat?

Storyboard Artist

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Intern | ShotOnWhat?

Second Unit Director, Storyboard Artist

The Intern (2015)

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Unbroken | ShotOnWhat?

Storyboard Artist

Unbroken (2014)

Directed by: Angelina Jolie

Cinematography by: Roger Deakins

Edited by: William Goldenberg, Tim Squyres

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses

Transcendence | ShotOnWhat?

Storyboard Artist

Transcendence (2014)

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Storyboard Artist

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Anchorman 2: The Legend Continues | ShotOnWhat?

Storyboard Artist

Anchorman 2: The Legend Continues (2013)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

A Thousand Words | ShotOnWhat?

Storyboard Artist

A Thousand Words (2012)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Argo | ShotOnWhat?

Illustrator

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

The Adjustment Bureau | ShotOnWhat?

Storyboard Artist

The Adjustment Bureau (2011)

Directed by: George Nolfi

Cinematography by: John Toll

Edited by: Jay Rabinowitz

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

We Bought a Zoo | ShotOnWhat?

Storyboard Artist

We Bought a Zoo (2011)

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

In the Land of Blood and Honey | ShotOnWhat?

Storyboard Artist

In the Land of Blood and Honey (2011)

Directed by: Angelina Jolie

Cinematography by: Dean Semler

Edited by: Patricia Rommel

It's Complicated | ShotOnWhat?

Second Unit Director: New York, Storyboard Artist

It's Complicated (2009)

Directed by: Nancy Meyers

Cinematography by: John Toll

Edited by: Joe Hutshing, David Moritz

Meet Dave | ShotOnWhat?

Storyboard Artist

Meet Dave (2008)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Get Smart | ShotOnWhat?

Storyboard Artist

Get Smart (2008)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: Richard Pearson

Cameras: Panavision Genesis Camera, Panavision Panastar Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Step Brothers | ShotOnWhat?

Illustrator / Storyboard Artist

Step Brothers (2008)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: Panavision Cameras

Elizabethtown | ShotOnWhat?

Storyboard Artist

Elizabethtown (2005)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: David Moritz

Corpse Bride | ShotOnWhat?

Additional Storyboard Artist

Corpse Bride (2005)

Directed by: Tim Burton, Mike Johnson

Cinematography by: Pete Kozachik

Edited by: Chris Lebenzon, Jonathan Lucas

Cameras: ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Final Cut Pro Editing System

Anchorman: The Legend of Ron Burgundy | ShotOnWhat?

Illustrator

Anchorman: The Legend of Ron Burgundy (2004)

Directed by: Adam McKay

Cinematography by: Thomas E. Ackerman

Edited by: Brent White

50 First Dates | ShotOnWhat?

Storyboard Artist

50 First Dates (2004)

Directed by: Peter Segal

Cinematography by: Jack N. Green

Edited by: Jeff Gourson

Cameras: Panavision Cameras

American Wedding | ShotOnWhat?

Storyboard Artist

American Wedding (2003)

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Anger Management | ShotOnWhat?

Storyboard Artist

Anger Management (2003)

Directed by: Peter Segal

Cinematography by: Donald McAlpine

Edited by: Jeff Gourson

Vanilla Sky | ShotOnWhat?

Illustrator , Storyboard Artist

Vanilla Sky (2001)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Almost Famous | ShotOnWhat?

Storyboard Artist

Almost Famous (2000)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Saar Klein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Nutty Professor II: The Klumps | ShotOnWhat?

Storyboard Artist

Nutty Professor II: The Klumps (2000)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: William Kerr

The Other Sister | ShotOnWhat?

Illustrator

The Other Sister (1999)

Directed by: Garry Marshall

Cinematography by: Dante Spinotti

Edited by: Bruce Green

Wing Commander | ShotOnWhat?

Storyboard Artist

Wing Commander (1999)

Directed by: Chris Roberts

Cinematography by: Thierry Arbogast

Edited by: Peter Davies

Lost in Space | ShotOnWhat?

Storyboard Artist

Lost in Space (1998)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Ray Lovejoy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Six Days Seven Nights | ShotOnWhat?

Storyboard Artist

Six Days Seven Nights (1998)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Hard Rain | ShotOnWhat?

Storyboard Artist

Hard Rain (1998)

Directed by: Mikael Salomon

Cinematography by: Peter Menzies Jr.

Edited by: Amnon David, Paul Hirsch, Gillian L. Hutshing

Con Air | ShotOnWhat?

Storyboard Artist

Con Air (1997)

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Red Corner | ShotOnWhat?

Storyboard Artist

Red Corner (1997)

Directed by: Jon Avnet

Cinematography by: Karl Walter Lindenlaub

Edited by: Peter E. Berger

White Man's Burden | ShotOnWhat?

Storyboard Artist

White Man's Burden (1995)

Directed by: Desmond Nakano

Cinematography by: Willy Kurant

Edited by: Nancy Richardson

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