Special Effects On-set Foreman
'Better Call Saul' Marco (2015)
Directed by: Peter Gould
Cinematography by: Arthur Albert
Special Effects On-set Foreman
'Better Call Saul' Pimento (2015)
Directed by: Thomas Schnauz
Cinematography by: Arthur Albert
Special Effects On-set Foreman
'Better Call Saul' RICO (2015)
Directed by: Colin Bucksey
Cinematography by: Arthur Albert
Edited by: Kelley Dixon
Special Effects On-set Foreman
'Better Call Saul' Bingo (2015)
Directed by: Larysa Kondracki
Cinematography by: Arthur Albert
Edited by: Skip Macdonald
Special Effects On-set Foreman
'Better Call Saul' Five-O (2015)
Directed by: Adam Bernstein
Cinematography by: Arthur Albert
Edited by: Kelley Dixon
Special Effects On-set Foreman
'Better Call Saul' Alpine Shepherd Boy (2015)
Directed by: Nicole Kassell
Cinematography by: Arthur Albert
Edited by: Skip Macdonald
Special Effects On-set Foreman
'Better Call Saul' Hero (2015)
Directed by: Colin Bucksey
Cinematography by: Arthur Albert
Edited by: Kelley Dixon
Special Effects On-set Foreman
'Better Call Saul' Nacho (2015)
Directed by: Terry McDonough
Cinematography by: Arthur Albert
Edited by: Skip Macdonald
Special Effects On-set Foreman
'Better Call Saul' Mijo (2015)
Directed by: Michelle MacLaren
Cinematography by: Arthur Albert
Edited by: Kelley Dixon
Special Effects On-set Foreman
'Better Call Saul' Uno (2015)
Directed by: Vince Gilligan
Cinematography by: Arthur Albert
Edited by: Skip Macdonald
Special Effects On-set Foreman - 10 Episodes, 2015
Better Call Saul (2015)
Directed by: Vince Gilligan, Adam Bernstein, Thomas Schnauz, Peter Gould, Colin Bucksey, John Shiban, Michelle MacLaren, Larysa Kondracki, Terry McDonough, Daniel Sackheim, Minkie Spiro, Nicole Kassell, Michael Slovis, Scott Winant, Keith Gordon, Deborah Chow, Jim McKay, Michael Morris, Andrew Stanton, Bronwen Hughes, Norberto Barba
Edited by: Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Cameras: Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Editing System: Avid Editing System
Special Effects Office Coordinator
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Foreman
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Special Effects Technician
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Special Effects Office Supervisor
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Special Effects Office Coordinator: Los Angeles Crew
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Special Effects Office Coordinator
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Special Effects Assistant
We Bought a Zoo (2011)
Directed by: Cameron Crowe
Cinematography by: Rodrigo Prieto
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Special Effects Technician
Haywire (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Special Effects Foreman
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Special Effects Technician
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Special Effects Foreman
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Special Effects Foreman
'In Plain Sight' Don't Cry for Me Albuquerque (2009)
Directed by: Michael Morris
Cinematography by: Jim Denault
Edited by: Nancy Morrison
Special Effects Office Assistant
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Special Effects Foreman
'In Plain Sight' Gilted Lily (2009)
Directed by: Stephen Hopkins
Cinematography by: Jim Denault
Edited by: Nancy Morrison
Special Effects Foreman
'In Plain Sight' A Stand-Up Triple (2009)
Directed by: Sam Weisman
Cinematography by: Jim Denault
Edited by: Lori Jane Coleman
Special Effects Foreman
'In Plain Sight' In My Humboldt Opinion (2009)
Directed by: Dan Lerner
Cinematography by: Jim Denault
Edited by: Bonnie Koehler
Special Effects Foreman
'In Plain Sight' Rubble with a Cause (2009)
Directed by: Michael W. Watkins
Cinematography by: Jim Denault
Edited by: Bonnie Koehler
Special Effects Foreman
'In Plain Sight' Aguna Matatala (2009)
Directed by: Leslie Libman
Cinematography by: Jim Denault
Edited by: Lori Jane Coleman
Special Effects Foreman
'In Plain Sight' One Night Stan (2009)
Directed by: Dan Lerner
Cinematography by: Jim Denault
Edited by: Nancy Morrison
Special Effects Foreman
'In Plain Sight' Duplicate Bridge (2009)
Directed by: Bryan Spicer
Cinematography by: Jim Denault
Edited by: Nancy Morrison
Special Effects Foreman
'In Plain Sight' A Frond in Need (2009)
Directed by: Ernest R. Dickerson
Cinematography by: Jim Denault
Special Effects Foreman
'In Plain Sight' Who's Bugging Mary? (2009)
Directed by: Bethany Rooney
Cinematography by: Jim Denault
Edited by: Lori Jane Coleman
Special Effects Foreman
'In Plain Sight' Miles to Go (2009)
Directed by: Sam Weisman
Cinematography by: Jim Denault
Special Effects Foreman
'In Plain Sight' Jailbait (2009)
Directed by: Michael W. Watkins
Cinematography by: Jim Denault
Edited by: Bonnie Koehler
Special Effects Foreman
'In Plain Sight' Training Video (2009)
Directed by: Dan Lerner
Cinematography by: Jim Denault
Special Effects Foreman
'In Plain Sight' Let's Get It Ahn (2009)
Directed by: Félix Enríquez Alcalá
Cinematography by: Jim Denault
Edited by: Bonnie Koehler
Special Effects Foreman
'In Plain Sight' Once a Ponzi Time (2009)
Directed by: Dan Lerner
Cinematography by: Jim Denault
Edited by: Lori Jane Coleman
Special Effects Foreman - 15 Episodes, 2009
In Plain Sight (2008)
Directed by: Dan Lerner, Michael W. Watkins, Bryan Spicer, Bethany Rooney, Sam Weisman, Michael Morris, Fred Gerber, Michael Fields, Andy Wolk, John Badham, Tricia Brock, John Fortenberry, Rod Hardy, John T. Kretchmer, Mark Piznarski, John F. Showalter, Jesús Salvador Treviño, Ernest R. Dickerson, Félix Enríquez Alcalá, Stephen Hopkins, Leslie Libman, Anton Cropper, Charles Haid, Jerry Levine, Tawnia McKiernan, Deran Sarafian, Michael Zinberg, Jan Eliasberg, Matthew Penn, Lee Rose, Michael Schultz, David Warren
Special Effects Technician
Into the Wild (2007)
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Special Effects Technician
Unaccompanied Minors (2006)
Directed by: Paul Feig
Cinematography by: Christopher Baffa
Snow Effects
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Special Effects Technician
Bats (1999)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Special Effects Assistant
Six Days Seven Nights (1998)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
