Special Effects Supervisor
Land of Bad (2024)
Directed by: William Eubank
Cinematography by: Agustin Claramunt
Edited by: Todd E. Miller
Cameras: ARRI ALEXA Mini LF Camera
Lenses: Panavision Primo 70 Lenses
Special Effects Supervisor
'The Wilds' Day 46/26 (2022)
Directed by: Ben C. Lucas
Cinematography by: Rob Marsh
Edited by: Tuan Quoc Le
Special Effects Supervisor
'The Wilds' Day 45/16 (2022)
Directed by: Ben C. Lucas
Cinematography by: Rob Marsh
Edited by: Phillip J. Bartell
Special Effects Supervisor
'The Wilds' Day 42/15 (2022)
Directed by: Nima Nourizadeh
Cinematography by: Matt Toll
Edited by: Brad Katz
Special Effects Supervisor
'The Wilds' Day 36/14 (2022)
Directed by: Nima Nourizadeh
Cinematography by: Matt Toll
Edited by: Tuan Quoc Le
Special Effects Supervisor
'The Wilds' Day 34/12 (2022)
Directed by: Alison Maclean
Cinematography by: Rob Marsh
Edited by: Phillip J. Bartell
Special Effects Supervisor
'The Wilds' Day 30/1 (2022)
Directed by: Alison Maclean
Cinematography by: Rob Marsh
Special Effects Supervisor
'The Wilds' Day 50/33 (2022)
Directed by: Aurora Guerrero
Cinematography by: Matt Toll
Special Effects Supervisor
'The Wilds' Exodus (2022)
Directed by: Ben Young
Cinematography by: Rob Marsh
Pyrotechnician
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera
Lenses: Panavision Primo Digital Lenses
Special Effects Technician
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Special Effects Technician
Unbroken (2014)
Directed by: Angelina Jolie
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Special Effects Technician
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Special Effects Technician
Sanctum (2011)
Directed by: Alister Grierson
Cinematography by: Jules O'Loughlin
Edited by: Mark Warner
Special Effects Supervisor
Crawl (2011)
Directed by: Paul China
Cinematography by: Brian J. Breheny
Cameras: Red One MX Camera
Lenses: Cooke Lenses
Special Effects Technician
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Special Effects Technician
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Special Effects Technician
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Armourer / Special Effects Supervisor
Acolytes (2008)
Directed by: Jon Hewitt
Cinematography by: Mark Pugh
Edited by: Simon Martin
Cameras: Thomson Viper Camera
Special Effects Technician
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Special Effects Technician
Fool's Gold (2008)
Directed by: Andy Tennant
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Technician
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Special Effects Technician
The Ruins (2008)
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Special Effects Technician
Ghost Rider (2007)
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Special Effects Technician
Kokoda (2006)
Directed by: Alister Grierson
Cinematography by: Jules O'Loughlin
Edited by: Adrian Rostirolla
Special Effects Technician
The Marine (2006)
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Armourer / Special Effects Technician
The Great Raid (2005)
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Special Effects Pyrotechnician
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Special Effects Technician
House of Wax (2005)
Directed by: Jaume Collet-Serra
Cinematography by: Stephen F. Windon
Edited by: Joel Negron
Special Effects Technician
Anacondas: The Hunt for the Blood Orchid (2004)
Directed by: Dwight H. Little
Cinematography by: Stephen F. Windon
Lenses: Zeiss Ultra Prime Lenses
Special Effects Technician
Paradise Found (2003)
Directed by: Mario Andreacchio
Cinematography by: Geoffrey Simpson
Edited by: Edward McQueen-Mason
Special Effects Technician
Ghost Ship (2002)
Directed by: Steve Beck
Cinematography by: Gale Tattersall
Edited by: Roger Barton
Special Effects Technician
Crocodile Dundee in Los Angeles (2001)
Directed by: Simon Wincer
Cinematography by: David Burr
Edited by: Terry Blythe
Assistant Armourer
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
