Visual Effects Supervisor
Blonde (2022)
Directed by: Andrew Dominik
Cinematography by: Chayse Irvin
Edited by: Adam Robinson
Visual Effects Supervisor: MELS
Slender Man (2018)
Directed by: Sylvain White
Cinematography by: Luca Del Puppo
Edited by: Jake York
Cameras: Sony PMW-F55 Camera, Sony α7S II Camera
Visual Effects Supervisor: Mels
Brad's Status (2017)
Directed by: Mike White
Cinematography by: Xavier Grobet
Edited by: Heather Persons
Cameras: ARRI ALEXA Series Cameras
Visual Effects Supervisor: MELS Studios
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Visual Effects Supervisor: Vision Globale
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Lead Compositing Artist
The Colony (2013)
Directed by: Jeff Renfroe
Cinematography by: Pierre Gill
Edited by: Aaron Marshall
Cameras: ARRI ALEXA Camera
Digital Effects Supervisor: Vision Globale
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Vfx Supervisor: Vision Globale
Silent Hill: Revelation (2012)
Directed by: M.J. Bassett
Cinematography by: Maxime Alexandre
Edited by: Michele Conroy
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Compositor
Rebelle (2012)
Directed by: Kim Nguyen
Cinematography by: Nicolas Bolduc
Edited by: Richard Comeau
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor: Vision Globale
Upside Down (2012)
Directed by: Juan Solanas
Cinematography by: Pierre Gill
Edited by: Paul Jutras
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Digital Compositor: RodeoFX
Journey to Mecca (2009)
Directed by: Bruce Neibaur
Cinematography by: Matthew Williams
Edited by: Jean-Marie Drot
Cameras: IMAX MSM 9802 Camera
Digital Compositor
The Hole (2009)
Directed by: Joe Dante
Cinematography by: Theo van de Sande
Edited by: Marshall Harvey
Visual Effects: Rodeo FX
Mr. Nobody (2009)
Directed by: Jaco Van Dormael
Cinematography by: Christophe Beaucarne
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Digital Compositor: RodeoFX
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Digital Compositor: RodeoFX
Death Race (2008)
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
Digital Compositor: Buzz Image Group
WarGames: The Dead Code (2008)
Directed by: Stuart Gillard
Cinematography by: Bruce Chun
Edited by: Robin Russell
Digital Compositor: Buzz Image Group
Flood (2007)
Directed by: Tony Mitchell
Cinematography by: Pierre Jodoin
Digital Compositor: RodeoFX
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Compositing Artist: Ex-centris
I'm Not There (2007)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
Digital Compositor: Buzz Image Group
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
