Re-recording Engineer
Elvis (2022)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera
Re-recording Engineer
The Power of the Dog (2021)
Directed by: Jane Campion
Cinematography by: Ari Wegner
Edited by: Peter Sciberras
Re-recording Engineer
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Re-recording Engineer
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Re-recording Engineer
Son of a Gun (2014)
Directed by: Julius Avery
Cinematography by: Nigel Bluck
Edited by: Jack Hutchings
Cameras: ARRI ALEXA XT Plus Camera
Re-recording Engineer
Healing (2014)
Directed by: Craig Monahan
Cinematography by: Andrew Lesnie
Edited by: Suresh Ayyar
Cameras: ARRI ALEXA Camera
Re-recording Engineer
The Water Diviner (2014)
Directed by: Russell Crowe
Cinematography by: Andrew Lesnie
Edited by: Matt Villa
Cameras: ARRI ALEXA XT Camera
Re-recording Engineer
I, Frankenstein (2014)
Directed by: Stuart Beattie
Cinematography by: Ross Emery
Edited by: Marcus D'Arcy
Cameras: Red Epic Camera
Mix Technician
The Lego Movie (2014)
Cameras: ARRI ALEXA Series Cameras
Editing System: Final Cut Pro Editing System
Sound Re-recording Engineer
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Re-recording Stage Engineer
Goddess (2013)
Directed by: Mark Lamprell
Cinematography by: Damian Wyvill
Cameras: ARRI ALEXA Camera
Second Sound Re-recording Mixer
The Sapphires (2012)
Directed by: Wayne Blair
Cinematography by: Warwick Thornton
Edited by: Dany Cooper
Re-recording Mixer
Crawl (2011)
Directed by: Paul China
Cinematography by: Brian J. Breheny
Cameras: Red One MX Camera
Lenses: Cooke Lenses
Re-recording Engineer
A Few Best Men (2011)
Directed by: Stephan Elliott
Cinematography by: Stephen F. Windon
Edited by: Sue Blainey
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Engineer
33 Postcards (2011)
Directed by: Pauline Chan
Cinematography by: Toby Oliver
Edited by: Jane Moran
Cameras: Red One Camera
Re-recording Engineer
Tomorrow, When the War Began (2010)
Directed by: Stuart Beattie
Cinematography by: Ben Nott
Edited by: Marcus D'Arcy
Re-recording Engineer
Uninhabited (2010)
Directed by: Bill Bennett
Cinematography by: Lachlan Milne
Edited by: Jason Ballantine
Re-recording Engineer: Deluxe Stageone Sound Australia
Oranges and Sunshine (2010)
Directed by: Jim Loach
Cinematography by: Denson Baker
Edited by: Dany Cooper
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Re-recording Engineer: Deluxe Stageone Sound
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Re-recording Engineer
Knowing (2009)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Sound Re-recording Engineer
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Mix Assistant
Danny Deckchair (2003)
Directed by: Jeff Balsmeyer
Cinematography by: Martin McGrath
Edited by: Suresh Ayyar
Re-recording Engineer
The Crocodile Hunter: Collision Course (2002)
Directed by: John Stainton
Cinematography by: David Burr
