Line Producer: Morocco, Line Producer: Morocco Unit
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Unit Production Manager
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Associate Producer, Unit Production Manager
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Unit Production Manager
The Girl with the Dragon Tattoo (2011)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Unit Production Manager
'Hawaii Five-0' Pilot (2010)
Directed by: Len Wiseman
Cinematography by: Gabriel Beristain
Edited by: Nicolas De Toth
Unit Production Manager - 1 Episode, 2010
Hawaii Five-0 (2010)
Directed by: Bryan Spicer, Jerry Levine, Maja Vrvilo, Peter Weller, Larry Teng, Joe Dante, Steve Boyum, Eagle Egilsson, Brad Turner, Sylvain White, Jeffrey G. Hunt, Duane Clark, Brad Tanenbaum, Frederick E.O. Toye, Matt Earl Beesley, Eric Laneuville, Stephen Herek, Carlos Bernard, Ron Underwood, Bronwen Hughes, Roderick Davis, Paul A. Edwards, Chris Fisher, Christine Moore, Allison Liddi-Brown, Jeff Cadiente, Bobby Roth, Jennifer Lynch, Jim Jost, Antonio Negret, Krishna Rao, Tara Miele, Gabriel Beristain, Alex O'Loughlin, Karen Gaviola, Elodie Keene, James Whitmore Jr., Len Wiseman, Alex Zakrzewski, Jeff T. Thomas, Kate Woods, Gwyneth Horder-Payton, Steven DePaul, John Terlesky, Hanelle M. Culpepper, Daniel Dae Kim, Joel Surnow, James Wilcox, Ruba Nadda, Elizabeth Allen Rosenbaum, David Straiton, Carl Weathers
Cinematography by: James L. Carter, Krishna Rao, Michael Martinez, Kurt Jones, Alan Caso, Newton TerMeer, Ronald Víctor García, Donald E. Thorin Jr., Gabriel Beristain
Edited by: Roderick Davis, Maja Vrvilo, John A. Keris, James Wilcox, Johnathon Pensky, Scott Powell, Harry B. Miller III, Casey O. Rohrs, Peter Basinski, Scott Gamzon, Andrew Charlton, Paul Fontaine, Roy C. Poole, Douglas Clark, Nicolas De Toth, Elisa Cohen, Felicia Mignon Livingston, Christopher Oakes, John Gilbert
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Unit Production Manager
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Unit Production Manager
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Unit Production Manager
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Unit Production Manager
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Unit Production Manager
Along Came Polly (2004)
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
First Assistant Director: Visual Effects Unit
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Unit Production Manager: Second Unit
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Unit Production Manager
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Unit Production Manager
American Pie 2 (2001)
Directed by: J.B. Rogers
Cinematography by: Mark Irwin
Cameras: Moviecam Compact Camera
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses
Unit Production Manager: Second Unit
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
First Assistant Director
In the Bedroom (2001)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Frank Reynolds
Unit Production Manager: Second Unit
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Second Assistant Director
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
First Assistant Director: Los Angeles
Woo (1998)
Directed by: Daisy von Scherler Mayer
Cinematography by: Jean Lépine
Second Assistant Director
Bed of Roses (1996)
Directed by: Michael Goldenberg
Cinematography by: Adam Kimmel
Edited by: Jane Kurson
Cameras: Panavision Cameras
Second Assistant Director
Multiplicity (1996)
Directed by: Harold Ramis
Cinematography by: László Kovács
Second Assistant Director
Stuart Saves His Family (1995)
Directed by: Harold Ramis
Cinematography by: Lauro Escorel
Second Assistant Director: New York
City Slickers II: The Legend of Curly's Gold (1994)
Directed by: Paul Weiland
Cinematography by: Adrian Biddle
Second Assistant Director
Rudy (1993)
Directed by: David Anspaugh
Cinematography by: Oliver Wood
Edited by: David Rosenbloom
Second Assistant Director
Loaded Weapon 1 (1993)
Directed by: Gene Quintano
Cinematography by: Peter Deming
Edited by: Christopher Greenbury
Second Assistant Director
Carlito's Way (1993)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold II Camera
Second Assistant Director
The Last of the Mohicans (1992)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Second Second Assistant Director
Family Business (1989)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein
Second Assistant Director
She-Devil (1989)
Directed by: Susan Seidelman
Cinematography by: Oliver Stapleton
Edited by: Craig McKay
Cameras: Panavision Cameras
Second Assistant Director: New York
Crocodile Dundee II (1988)
Directed by: John Cornell
Cinematography by: Russell Boyd
Edited by: David Stiven
Production Assistant
The Untouchables (1987)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold Camera
