Re-recording Mixer
Doctor Sleep (2019)
Directed by: Mike Flanagan
Cinematography by: Michael Fimognari
Edited by: Mike Flanagan
Cameras: ARRI ALEXA 65 Camera
Lenses: Hasselblad Lenses
Supervising Re-recording Mixer
Happy Death Day (2017)
Directed by: Christopher Landon
Cinematography by: Toby Oliver
Edited by: Gregory Plotkin
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Re-recording Mixer
Get Out (2017)
Directed by: Jordan Peele
Cinematography by: Toby Oliver
Edited by: Gregory Plotkin
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Zoom Lenses
Re-recording Mixer
Don't Breathe (2016)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Cameras: ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
Sound Mixer
Maggie (2015)
Directed by: Henry Hobson
Cinematography by: Lukas Ettlin
Edited by: Jane Rizzo
Sound Mixer
That Awkward Moment (2014)
Directed by: Tom Gormican
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus Camera
Re-recording Mixer
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Re-recording Mixer
Oldboy (2013)
Directed by: Spike Lee
Cinematography by: Sean Bobbitt
Edited by: Barry Alexander Brown
Lenses: ARRI / Fujinon Lenses, Cooke 5/i Lenses
Editing System: Avid Editing System
Re-recording Mixer
Phantom (2013)
Directed by: Todd Robinson
Cinematography by: Byron Werner
Edited by: Terel Gibson
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Re-recording Mixer
Evil Dead (2013)
Directed by: Fede Alvarez
Cinematography by: Aaron Morton
Edited by: Bryan Shaw
Cameras: Sony CineAlta F65 Camera
Sound Mixed By
Chernobyl Diaries (2012)
Directed by: Bradley Parker
Cinematography by: Morten Søborg
Edited by: Stan Salfas
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Sparkle (2012)
Directed by: Salim Akil
Cinematography by: Anastas N. Michos
Edited by: Terilyn A. Shropshire
Cameras: ARRI ALEXA Plus Camera
Additional Sound Mixer
Goats (2012)
Directed by: Christopher Neil
Cinematography by: Wyatt Troll
Edited by: Jeremiah O'Driscoll
Re-recording Mixer
The Scorpion King 3: Battle for Redemption (2012)
Directed by: Roel Reiné
Cinematography by: Roel Reiné
Sound Mixer
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Re-recording Mixer
The Man with the Iron Fists (2012)
Directed by: RZA
Cinematography by: Chi-Ying Chan
Edited by: Joe D'Augustine
Re-recording Mixer
Casa de mi Padre (2012)
Directed by: Matt Piedmont
Cinematography by: Ramsey Nickell
Edited by: David Trachtenberg
Cameras: Panavision Panaflex Gold II Camera
Sound Mixer
The Sessions (2012)
Directed by: Ben Lewin
Cinematography by: Geoffrey Simpson
Edited by: Lisa Bromwell
Cameras: Red One MX Camera
Re-recording Mixer
Cat Run (2011)
Directed by: John Stockwell
Cinematography by: Jean-François Hensgens
Re-recording Mixer
Elephant White (2011)
Directed by: Prachya Pinkaew
Cinematography by: Wade Muller
Edited by: David M. Richardson
Re-recording Mixer
Flypaper (2011)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Tom Finan
Cameras: Canon EOS-7D Camera, Red One Camera
Re-recording Mixer
From Prada to Nada (2011)
Directed by: Angel Gracia
Cinematography by: Héctor Ortega
Edited by: Brad McLaughlin
Cameras: Sony CineAlta F35 Camera
Re-recording Mixer
Waiting for Forever (2010)
Directed by: James Keach
Cinematography by: Matthew Irving
Edited by: Pamela March
Re-recording Mixer
Undisputed 3: Redemption (2010)
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Sound Mixer
Sympathy for Delicious (2010)
Directed by: Mark Ruffalo
Cinematography by: Christopher Norr
Edited by: Pete Beaudreau
Re-recording Mixer
Unthinkable (2010)
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Scott Chestnut
Re-recording Mixer
The Last Exorcism (2010)
Directed by: Daniel Stamm
Cinematography by: Zoltan Honti
Edited by: Shilpa Sahi
Re-recording Mixer
The Experiment (2010)
Directed by: Paul Scheuring
Cinematography by: Amy Vincent
Edited by: Peter S. Elliot
Re-recording Mixer
Beyond a Reasonable Doubt (2009)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Jeff Gullo
Re-recording Mixer
Street Fighter: The Legend of Chun-Li (2009)
Directed by: Andrzej Bartkowiak
Cinematography by: Geoff Boyle
Re-recording Mixer
Bad Lieutenant: Port of Call New Orleans (2009)
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Cameras: Moviecam Compact MK2 Camera
Sound Mixed By
The Joneses (2009)
Directed by: Derrick Borte
Cinematography by: Yaron Orbach
Edited by: Janice Hampton
Re-recording Mixer
The Informers (2008)
Directed by: Gregor Jordan
Cinematography by: Petra Korner
Edited by: Robert Brakey
Re-recording Mixer
Gardens of the Night (2008)
Directed by: Damian Harris
Cinematography by: Paula Huidobro
Edited by: Michal Shemesh
Re-recording Mixer
Good Dick (2008)
Directed by: Marianna Palka
Cinematography by: Andre Lascaris
Edited by: Christopher Kroll
Re-recording Mixer
Fireflies in the Garden (2008)
Directed by: Dennis Lee
Cinematography by: Daniel Moder
Re-recording Mixer
Righteous Kill (2008)
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Paul Hirsch
Re-recording Mixer
Center Stage: Turn It Up (2008)
Directed by: Steven Jacobson
Cinematography by: Dino Parks
Edited by: Ian Slater
Sound Mixer
The Brothers Bloom (2008)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Gabriel Wrye
Re-recording Mixer
The Good Life (2007)
Directed by: Stephen Berra
Cinematography by: Patrice Lucien Cochet
Edited by: Sean Hubbert
Re-recording Mixer
The Jane Austen Book Club (2007)
Directed by: Robin Swicord
Cinematography by: John Toon
Edited by: Maryann Brandon
Scoring Mixer
Pathfinder (2007)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Re-recording Mixer
West 32nd (2007)
Directed by: Michael Kang
Cinematography by: Simon Coull
Edited by: David Leonard
Re-recording Mixer
Cleaner (2007)
Directed by: Renny Harlin
Cinematography by: Scott Kevan
Edited by: Brian Berdan
Re-recording Mixer
The Flock (2007)
Directed by: Andrew Lau Wai-Keung
Cinematography by: Enrique Chediak
Re-recording Mixer
The Life Before Her Eyes (2007)
Directed by: Vadim Perelman
Cinematography by: Pawel Edelman
Re-recording Mixer
Bordertown (2007)
Directed by: Gregory Nava
Cinematography by: Reynaldo Villalobos
Edited by: Padraic McKinley
Sound Mixer
Hollow Man II (2006)
Directed by: Claudio Fäh
Cinematography by: Peter Wunstorf
Edited by: Nathan Easterling
Re-recording Mixer
All the Boys Love Mandy Lane (2006)
Directed by: Jonathan Levine
Cinematography by: Darren Genet
Edited by: Josh Noyes
Re-recording Mixer
Journey to the End of the Night (2006)
Directed by: Eric Eason
Cinematography by: Ulrich Burtin
Edited by: Kevin Greutert
Re-recording Mixer
Ultraviolet (2006)
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Re-recording Mixer
Lonely Hearts (2006)
Directed by: Todd Robinson
Cinematography by: Peter Levy
Edited by: Kathryn Himoff
Re-recording Mixer
King's Ransom (2005)
Directed by: Jeffrey W. Byrd
Cinematography by: Robert McLachlan
Edited by: Jeffrey Cooper
Re-recording Mixer
Dave Chappelle's Block Party (2005)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Re-recording Mixer
American Pie Presents: Band Camp (2005)
Directed by: Steve Rash
Cinematography by: Victor J. Kemper
Edited by: Danny Saphire
Re-recording Mixer
Mozart and the Whale (2005)
Directed by: Petter Næss
Cinematography by: Svein Krøvel
Re-recording Mixer
We Don't Live Here Anymore (2004)
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Re-recording Mixer
Saw (2004)
Directed by: James Wan
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Re-recording Mixer
Timecop: The Berlin Decision (2003)
Directed by: Steve Boyum
Cinematography by: Crescenzo G.P. Notarile
Re-recording Mixer
One Hour Photo (2002)
Directed by: Mark Romanek
Cinematography by: Jeff Cronenweth
Edited by: Jeffrey Ford
Re-recording Mixer
Home Room (2002)
Directed by: Paul F. Ryan
Cinematography by: Rebecca Baehler
Edited by: Paul F. Ryan
Re-recording Mixer
Dead in the Water (2002)
Directed by: Gustavo Lipsztein
Cinematography by: Marcelo Derst
Re-recording Mixer
Domestic Disturbance (2001)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Re-recording Mixer
Replicant (2001)
Directed by: Ringo Lam
Cinematography by: Mike Southon
Edited by: David M. Richardson
Re-recording Mixer
Ripper (2001)
Directed by: John Eyres
Cinematography by: Tom Harting
Edited by: Amanda I. Kirpaul
Re-recording Mixer
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
Luck of the Draw (2000)
Directed by: Luca Bercovici
Cinematography by: Keith L. Smith
Re-recording Mixer
Memento (2000)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Dody Dorn
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer
Meet the Parents (2000)
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
A Dog of Flanders (1999)
Directed by: Kevin Brodie
Cinematography by: Walther van den Ende
Edited by: Annamaria Szanto
Cameras: ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera
Re-recording Mixer / Supervising Sound Editor
The Dentist 2 (1998)
Directed by: Brian Yuzna
Cinematography by: Jürgen Baum
Edited by: Christopher Roth
Re-recording Mixer
Point Blank (1998)
Directed by: Matt Earl Beesley
Cinematography by: Keith L. Smith
Edited by: Edward R. Abroms
Re-recording Mixer / Sound Effects Editor
On the Border (1998)
Directed by: Bob Misiorowski
Cinematography by: Lawrence Sher
Edited by: Alain Jakubowicz
Re-recording Mixer - 2002 Special Version
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
