Erik Polczwartek

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F9 | ShotOnWhat?

Tbilisi Art Director

F9 (2021)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto

Lenses: Tokina Vista Cinema Prime Lenses

Avengers: Endgame | ShotOnWhat?

Set Dressing Gang Boss

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Bird Box | ShotOnWhat?

Art Director

Bird Box (2018)

Directed by: Susanne Bier

Cinematography by: Salvatore Totino

Edited by: Ben Lester

Cameras: Red Helium (Weapon) 8K

Lenses: Zeiss Master Prime Lenses

Avengers: Infinity War | ShotOnWhat?

Set Dressing Gang Boss

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Ghost in the Shell | ShotOnWhat?

Hong Kong Art Director

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Ghostbusters | ShotOnWhat?

Set Dressing Gang Boss

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Child 44 | ShotOnWhat?

Supervising Art Director

Child 44 (2015)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk Anamorphic Lenses

Guardians of the Galaxy | ShotOnWhat?

Art Director - Additional Photography

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

The Butler | ShotOnWhat?

Art Director

The Butler (2013)

Directed by: Lee Daniels

Cinematography by: Andrew Dunn

Edited by: Brian A. Kates, Joe Klotz

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Furious 6 | ShotOnWhat?

Art Director

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Amazing Spider-Man | ShotOnWhat?

Set Dresser

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Lay the Favorite | ShotOnWhat?

Art Director

Lay the Favorite (2012)

Directed by: Stephen Frears

Cinematography by: Michael McDonough

Edited by: Mick Audsley

Cameras: Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Django Unchained | ShotOnWhat?

Set Dresser

Django Unchained (2012)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

This Is 40 | ShotOnWhat?

Set Dresser

This Is 40 (2012)

Directed by: Judd Apatow

Cinematography by: Phedon Papamichael

Edited by: David L. Bertman, Jay Deuby, Brent White

Cameras: ARRI ALEXA Camera

Get Him to the Greek | ShotOnWhat?

Art Director

Get Him to the Greek (2010)

Directed by: Nicholas Stoller

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: Panavision Cameras

Spider-Man 3 | ShotOnWhat?

Set Dresser

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Lions for Lambs | ShotOnWhat?

Set Dresser

Lions for Lambs (2007)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

World Trade Center | ShotOnWhat?

Prop Shop Supervisor

World Trade Center (2006)

Directed by: Oliver Stone

Cinematography by: Seamus McGarvey

Edited by: David Brenner, Julie Monroe

Seabiscuit | ShotOnWhat?

Set Dresser

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Bad Company | ShotOnWhat?

Leadman: Europe

Bad Company (2002)

Directed by: Joel Schumacher

Cinematography by: Dariusz Wolski

Edited by: Mark Goldblatt, Robert K. Lambert

We Were Soldiers | ShotOnWhat?

Set Dresser

We Were Soldiers (2002)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: William Hoy

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

S1m0ne | ShotOnWhat?

Set Dresser

S1m0ne (2002)

Directed by: Andrew Niccol

Cinematography by: Edward Lachman

Edited by: Paul Rubell

Catch Me If You Can | ShotOnWhat?

Swing Gang

Catch Me If You Can (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Family Man | ShotOnWhat?

Swing Gang

The Family Man (2000)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Deep Blue Sea | ShotOnWhat?

Set Dresser

Deep Blue Sea (1999)

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

The Astronaut's Wife | ShotOnWhat?

On-set Dresser

The Astronaut's Wife (1999)

Directed by: Rand Ravich

Cinematography by: Allen Daviau

Edited by: Timothy Alverson, Steve Mirkovich

Con Air | ShotOnWhat?

Leadman

Con Air (1997)

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Coldblooded | ShotOnWhat?

Construction Coordinator

Coldblooded (1995)

Directed by: Wallace Wolodarsky

Cinematography by: Robert D. Yeoman

Edited by: Craig Bassett

Copycat | ShotOnWhat?

Swing

Copycat (1995)

Directed by: Jon Amiel

Cinematography by: László Kovács

Edited by: Jim Clark, Alan Heim

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Ed Wood | ShotOnWhat?

On-set Dresser

Ed Wood (1994)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Arizona Dream | ShotOnWhat?

Man With Door, On-set Dresser

Arizona Dream (1993)

Directed by: Emir Kusturica

Cinematography by: Vilko Filac

Edited by: Rached M'Dini, Andrija Zafranovic

Cameras: Panavision Cameras

Mother's Boys | ShotOnWhat?

Dresser

Mother's Boys (1993)

Directed by: Yves Simoneau

Cinematography by: Elliot Davis

Edited by: Michael D. Ornstein

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