Visual Effects Executive Producer: CIS Hollywood
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Visual Effects Executive Producer
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Executive Producer: CIS Hollywood
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Visual Effects Executive Producer
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Visual Effects Executive Producer: CIS
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Executive Visual Effects Producer
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Executive Visual Effects Producer: CIS Hollywood
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer: CIS Hollywood
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Visual Effects Executive Producer: CIS Hollywood
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Executive Visual Effects Producer: CIS Hollywood
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Executive Producer
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Executive Visual Effects Producer: CIS Hollywood
What Women Want (2000)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Visual Effects Executive Producer
Men of Honor (2000)
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
Executive Visual Effects Producer: CIS Hollywood
Charlie's Angels (2000)
Directed by: McG
Cinematography by: Russell Carpenter
Executive Visual Effects Producer: CIS Hollywood
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Visual Effects Executive Producer: CIS Hollywood
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Visual Effects Executive Producer: CIS Hollywood
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Executive Producer: CIS Hollywood
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Visual Effects Executive Producer: C.I.S.
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Executive Producer: CIS Hollywood
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Visual Effects Executive Producer: CIS Hollywood
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Executive Producer: CIS Hollywood
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Executive Producer: CIS
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Visual Effects Executive Producer: CIS
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Visual Effects Producer: Composite Image Systems
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Visual Effects Executive Producer: CIS
The Little Rascals (1994)
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Visual Effects Producer: Composite Image Systems
Blink (1993)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Visual Effects Editor
Patriot Games (1992)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Additional Visual Effects Editor
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Visual Effects Editor
Ernest Goes to Jail (1990)
Directed by: John R. Cherry III
Cinematography by: Peter Stein
Edited by: Sharyn L. Ross
Cameras: Panavision Cameras
Visual Effects Editor: DQI
Warlock (1989)
Directed by: Steve Miner
Cinematography by: David Eggby
Edited by: David Finfer
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Visual Effects Executive Producer: CIS
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Visual Effects Editor
Fat Man and Little Boy (1989)
Directed by: Roland Joffé
Cinematography by: Vilmos Zsigmond
Edited by: Françoise Bonnot
Visual Effects Editor
Big Business (1988)
Directed by: Jim Abrahams
Cinematography by: Dean Cundey
Edited by: Harry Keramidas
Visual Effects Editor: DQI
Earth Girls Are Easy (1988)
Directed by: Julien Temple
Cinematography by: Oliver Stapleton
Edited by: Richard Halsey
Visual Effects Editor
Scrooged (1988)
Directed by: Richard Donner
Cinematography by: Michael Chapman
Cameras: Panavision Panaflex Gold Camera
