Re-recording Mixer
Flamin' Hot (2023)
Movie
Directed by: Eva Longoria
Cinematography by: Federico Cantini
Cameras: Sony CineAlta VENICE Camera
Re-recording Mixer
'True Detective' Now Am Found (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
Escape Room (2019)
Directed by: Adam Robitel
Cinematography by: Marc Spicer
Edited by: Steve Mirkovich
Cameras: ARRI ALEXA Mini Camera
Lenses: Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Re-recording Mixer
'True Detective' The Great War and Modern Memory (2019)
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' Kiss Tomorrow Goodbye (2019)
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' The Big Never (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' The Hour and the Day (2019)
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' If You Have Ghosts (2019)
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' Hunters in the Dark (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' The Final Country (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
Den of Thieves (2018)
Directed by: Christian Gudegast
Cinematography by: Terry Stacey
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
The Ridiculous 6 (2015)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Tom Costain
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Re-recording Mixer - 8 Episodes, 2019
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Re-recording Mixer
Sex Tape (2014)
Directed by: Jake Kasdan
Cinematography by: Tim Suhrstedt
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
Grown Ups 2 (2013)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Red Epic Camera
Re-recording Mixer
That's My Boy (2012)
Directed by: Sean Anders
Cinematography by: Brandon Trost
Edited by: Tom Costain
Re-recording Mixer
Here Comes the Boom (2012)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Scott Hill
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Re-recording Mixer
Friends with Benefits (2011)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony CineAlta F35 Camera, Sony Other Camera
Re-recording Mixer
Jack and Jill (2011)
Directed by: Dennis Dugan
Cinematography by: Dean Cundey
Edited by: Tom Costain
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Just Go with It (2011)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Re-recording Mixer
Bad Teacher (2011)
Directed by: Jake Kasdan
Cinematography by: Alar Kivilo
Edited by: Tara Timpone
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Zookeeper (2011)
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Re-recording Mixer
The Karate Kid (2010)
Directed by: Harald Zwart
Cinematography by: Roger Pratt
Edited by: Joel Negron
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer
Grown Ups (2010)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Re-recording Mixer
Extract (2009)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Julia Wong
Re-recording Mixer
Obsessed (2009)
Directed by: Steve Shill
Cinematography by: Ken Seng
Edited by: Paul Seydor
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Zombieland (2009)
Directed by: Ruben Fleischer
Cinematography by: Michael Bonvillain
Edited by: Alan Baumgarten
Re-recording Mixer
The Pink Panther 2 (2009)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Julia Wong
Cameras: Moviecam Compact Camera
Re-recording Mixer
Seven Pounds (2008)
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Re-recording Mixer
The Rainbow Tribe (2008)
Directed by: Christopher R. Watson
Cinematography by: Shane Daly
Edited by: Marshall Lee
Supervising Re-recording Mixer
One Missed Call (2008)
Directed by: Eric Valette
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Re-recording Mixer
Walk Hard: The Dewey Cox Story (2007)
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
Re-recording Mixer
Stomp the Yard (2007)
Directed by: Sylvain White
Cinematography by: Scott Kevan
Edited by: David Checel
Re-recording Mixer
Surf's Up (2007)
Re-recording Mixer
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Additional Sound Mixer
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Re-recording Mixer
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Additional Sound Re-recording Mixer
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Re-recording Mixer
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Re-recording Mixer
Just Friends (2005)
Directed by: Roger Kumble
Cinematography by: Anthony B. Richmond
Edited by: Jeff Freeman
Re-recording Mixer
Lords of Dogtown (2005)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Additional Sound Mixing
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Re-recording Mixer
The Cooler (2003)
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
Editing System: Avid Editing System
Re-recording Mixer
House of Sand and Fog (2003)
Directed by: Vadim Perelman
Cinematography by: Roger Deakins
Edited by: Lisa Zeno Churgin
Lenses: Cooke S4 Lenses
