Additional Visual Effects Supervisor
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Visual Effects Supervisor
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Visual Effects Supervisor: Cinesite
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Visual Effects Supervisor
Orange County (2002)
Directed by: Jake Kasdan
Cinematography by: Greg Gardiner
Edited by: Tara Timpone
Visual Effects Supervisor
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Visual Effects Supervisor
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Visual Effects Supervisor
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Man Closing Door On OmniCam Ecosphere Dome, Second Unit Director , Visual Effects Supervisor
The Truman Show (1998)
Directed by: Peter Weir
Cinematography by: Peter Biziou
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Second Unit Director: Washington, D.C.
Murder at 1600 (1997)
Directed by: Dwight H. Little
Cinematography by: Steven Bernstein
Visual Effects Consultant
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Visual Effects Coordinator
Get Shorty (1995)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Visual Effects Producer / Visual Effects Supervisor
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Visual Effects
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Visual Effects Supervisor
Wrestling Ernest Hemingway (1993)
Directed by: Randa Haines
Cinematography by: Lajos Koltai
Edited by: Paul Hirsch
Plate Camera Operator
Rush (1991)
Directed by: Lili Fini Zanuck
Cinematography by: Kenneth MacMillan
Edited by: Mark Warner
Visual Effects Supervisor: ILM
Die Hard 2 (1990)
Directed by: Renny Harlin
Cinematography by: Oliver Wood
Visual Effects Supervisor
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Visual Effects: ILM
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Visual Effects Supervisor
The Goonies (1985)
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Director Of Visual Effects Photography: ILM
Starman (1984)
Directed by: John Carpenter
Cinematography by: Donald M. Morgan
Edited by: Marion Rothman
Chief Visual Effects Cameraman: ILM
Indiana Jones and the Temple of Doom (1984)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Gold Camera
Effects Cameraman: ILM
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Effects Cameraman: ILM
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Cameraman: Miniature And Optical Effects Unit
Star Wars: Episode V - The Empire Strikes Back (1980)
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
