Film Scanning Operator
Mr. Magorium's Wonder Emporium (2007)
Directed by: Zach Helm
Cinematography by: Roman Osin
Digital Intermediate Crew: Cine-Byte Digital
I'm Not There (2007)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
Digital Opticals/titles: Cinebyte Digital Inc.
White Noise 2: The Light (2007)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Digital Opticals/titles: Cine-Byte Digital Inc.
Postal (2007)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Julian Clarke
Film Scanner Operator
Code Name: The Cleaner (2007)
Directed by: Les Mayfield
Cinematography by: David Franco
Edited by: Michael Matzdorff
Digital Intermediate: Cine-Byte Digital
Skinwalkers (2006)
Directed by: James Isaac
Edited by: Allan Lee
Cameras: Panavision Cameras
Visual Effects Scanning & Recording
The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Film Scanner Operator
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Digital Visual Effects
Comeback Season (2006)
Directed by: Bruce McCulloch
Cinematography by: Jamie Anderson
Edited by: Mike Munn
Digital Film Scanner
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Film Scanner Operator
16 Blocks (2006)
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Opticals/titles: Cine-Byte Digital Inc.
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Digital Opticals/titles: Cine-Byte Digital
Land of the Dead (2005)
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
Digital Film Recording
Broken Flowers (2005)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Jay Rabinowitz
Lenses: Zeiss Variable Prime Lenses
Digital Opticals Effects
Water (2005)
Directed by: Deepa Mehta
Cinematography by: Giles Nuttgens
Edited by: Colin Monie
Digital Effects Artist
Assault on Precinct 13 (2005)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Bill Pankow
Film Scanning And Recording
3 Needles (2005)
Directed by: Thom Fitzgerald
Cinematography by: Tom Harting
Edited by: Susan Shanks
Cameras: ARRIFLEX 35 BL4 Camera
Scanning Recording
A History of Violence (2005)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Opticals/titles: CIne-Byte Imaging
Brokeback Mountain (2005)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Lenses: Cooke S4 Lenses
Digital Opticals: Cine-Byte
Resident Evil: Apocalypse (2004)
Directed by: Alexander Witt
Edited by: Eddie Hamilton
Digital Opticals Effects
Battle of the Brave (2004)
Directed by: Jean Beaudin
Cinematography by: Louis de Ernsted
Cameras: ARRIFLEX Camera, Moviecam Cameras
Film Scanning And Recording
Harold & Kumar Go to White Castle (2004)
Directed by: Danny Leiner
Cinematography by: Bruce Douglas Johnson
Edited by: Jeff Betancourt
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Digital Opticals Effects: Media Principia
The Blue Butterfly (2004)
Directed by: Léa Pool
Cinematography by: Pierre Mignot
Edited by: Michel Arcand
Digital Opticals Effects
Belly of the Beast (2003)
Directed by: Siu-Tung Ching
Cinematography by: Danny Nowak
Edited by: David M. Richardson
Digital Intermediate Crew: Cine-Byte Digital Inc.
Spymate (2003)
Directed by: Robert Vince
Cinematography by: Mike Southon
Edited by: Kelly Herron
Film Scanner Operator
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Film Scanner Operator
The Santa Clause 2 (2002)
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer
Scanning And Recording: Cyne-Byte Imaging Inc.
Chicago (2002)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Digital Opticals Effects
Going Back (2001)
Directed by: Sidney J. Furie
Cinematography by: Curtis Petersen
Edited by: Saul Pincus
Optical Effects
Requiem for a Dream (2000)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Cameras: Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Optical Effects
The Hurricane (1999)
Directed by: Norman Jewison
Cinematography by: Roger Deakins
Edited by: Stephen E. Rivkin
Lenses: Cooke S4 Lenses
Optical Effects
The Red Violin (1998)
Directed by: François Girard
Cinematography by: Alain Dostie
Edited by: Gaétan Huot
Optical Effects
Hard Core Logo (1996)
Directed by: Bruce McDonald
Cinematography by: Danny Nowak
Edited by: Reginald Harkema
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses, Zeiss Zoom Lenses
Optical Effects
Johnny Mnemonic (1995)
Directed by: Robert Longo
Cinematography by: François Protat
Edited by: Ronald Sanders
Optical Effects
Only You (1994)
Directed by: Norman Jewison
Cinematography by: Sven Nykvist
Edited by: Stephen E. Rivkin
