Visual Effects Supervisor: Digital Dimension
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Visual Effects Executive Producer: Digital Dimension
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Visual Effects Executive Producer: Digital Dimension
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Visual Effects Executive Producer: Digital Dimension
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Visual Effects Supervisor: Digital Dimension
Bordertown (2007)
Directed by: Gregory Nava
Cinematography by: Reynaldo Villalobos
Edited by: Padraic McKinley
Chief Executive Officer: Digital Dimension
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Visual Effects Executive Producer: Digital Dimension
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Executive Producer: Digital Dimension
The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Visual Effects Supervisor: Digital Dimension
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Visual Effects Supervisor: Digital Dimension
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Visual Effects Executive Producer: Digital Dimension
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Visual Effects Executive Producer: Digital Dimension
Stranger Than Fiction (2006)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Executive Producer: Digital Dimension, Visual Effects Supervisor: Digital Dimension
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Executive Producer: Digital Dimension
The Covenant (2006)
Directed by: Renny Harlin
Cinematography by: Pierre Gill
Edited by: Nicolas De Toth
Visual Effects Executive Producer: Digital Dimension
The Pursuit of Happyness (2006)
Directed by: Gabriele Muccino
Cinematography by: Phedon Papamichael
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Executive Producer: Digital Dimension
An American Haunting (2005)
Directed by: Courtney Solomon
Cinematography by: Adrian Biddle
Edited by: Richard Comeau
Visual Effects Supervisor: Digital Dimension
Magnificent Desolation: Walking on the Moon 3D (2005)
Directed by: Mark Cowen
Cinematography by: Sean MacLeod Phillips
Edited by: Billy Schinski
Visual Effects Supervisor: Digital Dimension
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Visual Effects Supervisor: Digital Dimension
A Cinderella Story (2004)
Directed by: Mark Rosman
Cinematography by: Anthony B. Richmond
Edited by: Cara Silverman
Lenses: Panavision Lenses
Computer Graphics Supervisor
'Lost' Pilot: Part 1 (2004)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Edited by: Mary Jo Markey
Visual Effects Supervisor: Digital Dimensiion
Miracle (2004)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Cameras: Panavision Cameras
Computer Graphics Supervisor
'Lost' Pilot: Part 2 (2004)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Edited by: Mary Jo Markey
Visual Effects Supervisor: Digital Dimension
Torque (2004)
Directed by: Joseph Kahn
Cinematography by: Peter Levy
Computer Graphics Supervisor - 2 Episodes, 2004
Lost (2004)
Directed by: Jack Bender, Stephen Williams, Paul A. Edwards, Tucker Gates, Eric Laneuville, Greg Yaitanes, Bobby Roth, Kevin Hooks, J.J. Abrams, Daniel Attias, Rod Holcomb, Karen Gaviola, Stephen Semel, Marita Grabiak, Michael Zinberg, Adam Davidson, David Grossman, Robert Mandel, Alan Taylor, Matt Earl Beesley, Roxann Dawson, Deran Sarafian, Paris Barclay, Frederick E.O. Toye, Mark Goldman, Mario Van Peebles
Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei
Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Digital Dimension
Cellular (2004)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Visual Effects Supervisor: Digital Dimension
Bulletproof Monk (2003)
Directed by: Paul Hunter
Cinematography by: Stefan Czapsky
Edited by: Robert K. Lambert
Facility Visual Effects Supervisor: Digital Dimension
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Facility Visual Effects Supervisor: Digital Dimension
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Facility Visual Effects Supervisor: Digital Dimension
Duplex (2003)
Directed by: Danny DeVito
Cinematography by: Anastas N. Michos
Facility Supervisor: Digital Dimension
Final Destination 2 (2003)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Visual Effects Supervisor: Digital Dimension
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Visual Effects Supervisor: Digital Dimension
Biker Boyz (2003)
Directed by: Reggie Rock Bythewood
Cinematography by: Greg Gardiner
Visual Effects Supervisor: Digital Dimension
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Facility Supervisor: Digital Dimension
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Visual Effects Supervisor: Digital Dimension
Undisputed (2002)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Visual Effects Supervisor: Digital Dimension
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Visual Effects Supervisor: Digital Dimension
Avenging Angelo (2002)
Directed by: Martyn Burke
Cinematography by: Ousama Rawi
Edited by: David Codron
Visual Effects Supervisor: Digital Dimension
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Visual Effects Supervisor: Digital Dimension
Zu Warriors (2001)
Directed by: Hark Tsui
Edited by: Marco Mak
Visual Effects Supervisor: Digital Dimension
Driven (2001)
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
