Visual Effects Artist
'Law & Order: Special Victims Unit' Know It All (2017)
Directed by: Jonathan Herron
Cinematography by: Michael Green
Edited by: Karen I. Stern
Visual Effects Artist
'Chicago Fire' The People We Meet (2017)
Directed by: David Rodriguez
Cinematography by: Jayson Crothers
Visual Effects Artist
'Chicago Fire' Purgatory (2017)
Directed by: Joe Chappelle
Cinematography by: Jayson Crothers
Edited by: Megan D'Arco
Visual Effects Artist
'Chicago Fire' Telling Her Goodbye (2017)
Directed by: Reza Tabrizi
Cinematography by: William R. Nielsen Jr.
Edited by: Oscar Rene Lozoya II
Visual Effects Artist
'Law & Order: Special Victims Unit' Assaulting Reality (2016)
Directed by: Alex Chapple
Visual Effects Artist
'Chicago Fire' Superhero (2016)
Directed by: Michael Brandt
Cinematography by: Jayson Crothers
Edited by: Oscar Rene Lozoya II
Visual Effects Artist
'Chicago Fire' Kind of a Crazy Idea (2016)
Directed by: Joe Chappelle
Cinematography by: Jayson Crothers
Edited by: Megan D'Arco
Visual Effects Artist
'Chicago Fire' The Last One for Mom (2016)
Directed by: Fred Berner
Cinematography by: Jayson Crothers
Edited by: Oscar Rene Lozoya II
Visual Effects Artist
'Chicago Fire' Two Ts (2016)
Directed by: Reza Tabrizi
Cinematography by: Jayson Crothers
Visual Effects Artist
'Chicago Fire' All Hard Parts (2016)
Directed by: Sanford Bookstaver
Cinematography by: Jayson Crothers
Edited by: Oscar Rene Lozoya II
Visual Effects Artist
'Chicago Fire' The Sky Is Falling (2016)
Directed by: Joe Chappelle
Cinematography by: Jayson Crothers
Edited by: Etienne Des Lauriers
Visual Effects Artist
'Chicago Fire' The Hose or the Animal (2016)
Directed by: Joe Chappelle
Cinematography by: Jayson Crothers
Edited by: Etienne Des Lauriers
Visual Effects Artist
'Chicago Fire' I Held Her Hand (2016)
Directed by: Reza Tabrizi
Cinematography by: Jayson Crothers
Edited by: Megan D'Arco
Visual Effects Artist
'Law & Order: Special Victims Unit' Terrorized (2016)
Directed by: Alik Sakharov
Cinematography by: Michael Green
Edited by: Leon Ortiz-Gil
Visual Effects Artist - 11 Episodes, 2016-2017
Chicago Fire (2012)
Directed by: Joe Chappelle, Reza Tabrizi, Sanford Bookstaver, Jann Turner, Jean de Segonzac, Tom DiCillo, Steve Shill, Michael Brandt, Alex Chapple, Michael Slovis, Holly Dale, Eric Laneuville, Leslie Libman, Arthur W. Forney, Dan Lerner, Karen Gaviola, Alik Sakharov, Haze J.F. Bergeron III, Dru Anne Carlson, Jono Oliver, Matt Earl Beesley, Stephen Cragg, Olivia Newman, Bill Johnson, Constantine Makris, Gloria Muzio, Jeffrey Nachmanoff, Darnell Martin, Daniel Sackheim, Rod Holcomb, Karyn Kusama, Fred Berner, Jeffrey G. Hunt, John Hyams, David Rodriguez, James Hanlon, Lin Oeding, Batan Silva, Mark Tinker, Milena Govich, Paul McCrane, Carl Seaton
Cinematography by: Lisa Wiegand, Jayson Crothers, William R. Nielsen Jr., Marc Ritzema, Anthony J. Lullo
Edited by: Megan D'Arco, Micky Blythe, Oscar Rene Lozoya II, Adam Stilestein, Etienne Des Lauriers, Jeff Cenkner, Michael Schweitzer, Rick Tuber, Billy Fox, John David Buxton
Cameras: ARRI ALEXA Camera
Digital Compositor
Meet Dave (2008)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Visual Effects
The Seeker: The Dark Is Rising (2007)
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Cameras: Panavision Cameras
Flame Compositor: Hydraulx / Inferno Artist: Hydraulx
Aliens vs. Predator: Requiem (2007)
Cinematography by: Daniel Pearl
Edited by: Dan Zimmerman
Inferno Artist: Hydraulx
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Digital Compositor
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Digital Compositor
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Digital Compositor: Hydraulx
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Digital Compositor: Hydraulx
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Digital Compositor: Hydraulx
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Digital Compositor: Hydraulx
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Digital Compositing Supervisor: SOL Designfx
Monster's Ball (2001)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Cameras: ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera
Senior Visual Effects Compositor: The Post Group's Digital Film Group
The Extreme Adventures of Super Dave (2000)
Directed by: Peter MacDonald
Cinematography by: Bernd Heinl
Edited by: Mike Murphy
Digital Compositing Supervisor: The Post Group
Wing Commander (1999)
Directed by: Chris Roberts
Cinematography by: Thierry Arbogast
Edited by: Peter Davies
Visual Effects Artist - 3 Episodes, 2016-2017
Law & Order: Special Victims Unit (1999)
Directed by: David Platt, Jean de Segonzac, Peter Leto, Alex Chapple, Juan José Campanella, Constantine Makris, Norberto Barba, Arthur W. Forney, Martha Mitchell, Michael Pressman, Steve Shill, Michael Slovis, Alex Zakrzewski, Helen Shaver, Michael Smith, Jonathan Kaplan, Mariska Hargitay, Ted Kotcheff, Fred Berner, Jonathan Herron, Richard Dobbs, Jud Taylor, Holly Dale, Adam Bernstein, Batan Silva, Michael Fields, Rick Wallace, Jim McKay, Donna Deitch, Aaron Lipstadt, Stephanie A. Marquardt, Jono Oliver, Christopher Misiano, Leslie Hope, Lesli Linka Glatter, Rick Rosenthal, Stephen Wertimer, James Quinn, Ed Bianchi, Matt Earl Beesley, George Pattison, Eriq La Salle, Kate Woods, Christopher Zalla, Tom DiCillo, Courtney Hunt, Rosemary Rodriguez, Peter Werner, Laura Belsey, Jennifer Getzinger, Nick Gomez, Sharat Raju, Timothy Busfield, Bethany Rooney, Oscar Rene Lozoya II, Clark Johnson, David Hugh Jones, Peter Medak, Alexander Cassini, Elodie Keene, Alan Metzger, Edwin Sherin, Michael Zinberg, Henry Bronchtein, Gloria Muzio, Joyce Chopra, Darnell Martin, Guy Norman Bee, Chad Lowe, Daniel Sackheim, Félix Enríquez Alcalá, Marita Grabiak, James Hayman, Michelle MacLaren, Paul McCrane, Yelena Lanskaya, Chris Eyre, Paul Black, Amy Redford, Patrick Creadon, Kevin Bray, Alik Sakharov, Jonathan Starch, Tricia Brock, Monica Raymund, Lucy Liu, Ray McKinnon, Laurie Collyer, John Behring, David Grossman, Mary Lambert, Pratibha Parmar, Patricia Riggen
Cinematography by: Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee
Edited by: Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras: ARRI ALEXA Series Cameras
Lenses: ARRI Lenses, Panavision Lenses
Digital Compositing Supervisor: CIS Hollywood
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Digital Compositing Supervisor: CIS Hollywood
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Digital Compositing Supervisor: CIS Hollywood
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Digital Compositing Supervisor: CIS Hollywood
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Digital Compositing Artist: CIS/Hollywood
Turbulence (1997)
Directed by: Robert Butler
Cinematography by: Lloyd Ahern II
Edited by: John Duffy
Digital Compositing Supervisor: CIS Hollywood
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Compositing Supervisor: CIS Hollywood
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Digital Compositor
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Digital Compositor
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
