Visual Effects Producer: BeloFX
Mission: Impossible - Dead Reckoning Part One (2023)
Directed by: Christopher McQuarrie
Cinematography by: Fraser Taggart
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Visual Effects Line Producer
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Visual Effect Line Producer: Framestore
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Visual Effects Coordinator: Framestore
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Visual Effects Coordinator: Scanline VFX
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Visual Effects Coordinator: Scanline VFX
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Production Management: Scanline VFX
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Visual Effects Coordinator
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Staff Assistant: Vancouver
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Visual Effects Coordinator
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Visual Effects Assistant
Final Destination 5 (2011)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Production Assistant
'Supernatural' Malleus Maleficarum (2008)
Directed by: Robert Singer
Cinematography by: Serge Ladouceur
Edited by: David Ekstrom
Production Assistant
'Supernatural' Dream a Little Dream of Me (2008)
Directed by: Steve Boyum
Cinematography by: Serge Ladouceur
Production Assistant
'Supernatural' Mystery Spot (2008)
Directed by: Kim Manners
Cinematography by: Serge Ladouceur
Edited by: David Ekstrom
Production Assistant
'Supernatural' Jus in Bello (2008)
Directed by: Philip Sgriccia
Cinematography by: Serge Ladouceur
Edited by: Tom McQuade
Production Assistant
'Supernatural' Ghostfacers (2008)
Directed by: Philip Sgriccia
Cinematography by: Serge Ladouceur
Edited by: Anthony Pinker
Production Assistant
'Supernatural' Long Distance Call (2008)
Directed by: Robert Singer
Cinematography by: Serge Ladouceur
Edited by: Nicole Baer
Production Assistant
'Supernatural' Time Is on My Side (2008)
Directed by: Charles Beeson
Cinematography by: Serge Ladouceur
Edited by: Tom McQuade
Production Assistant
'Supernatural' No Rest for the Wicked (2008)
Directed by: Kim Manners
Cinematography by: Serge Ladouceur
Edited by: Anthony Pinker
Production Assistant
'Supernatural' The Kids Are Alright (2007)
Directed by: Philip Sgriccia
Cinematography by: Serge Ladouceur
Edited by: Tom McQuade
Production Assistant
'Supernatural' Bad Day at Black Rock (2007)
Directed by: Robert Singer
Cinematography by: Serge Ladouceur
Production Assistant
'Supernatural' Sin City (2007)
Directed by: Charles Beeson
Cinematography by: Serge Ladouceur
Edited by: Anthony Pinker
Production Assistant
'Supernatural' Bedtime Stories (2007)
Directed by: Mike Rohl
Cinematography by: Serge Ladouceur
Edited by: Tom McQuade
Production Assistant
'Supernatural' Red Sky at Morning (2007)
Directed by: Cliff Bole
Cinematography by: Serge Ladouceur
Edited by: David Ekstrom
Production Assistant
'Supernatural' Fresh Blood (2007)
Directed by: Kim Manners
Cinematography by: Serge Ladouceur
Edited by: Anthony Pinker
Production Assistant
'Supernatural' A Very Supernatural Christmas (2007)
Directed by: J. Miller Tobin
Cinematography by: Serge Ladouceur
Edited by: Tom McQuade
Production Assistant - 15 Episodes, 2007-2008
Supernatural (2005)
Directed by: Robert Singer, Philip Sgriccia, John F. Showalter, Thomas J. Wright, Kim Manners, Charles Beeson, Guy Norman Bee, Mike Rohl, Richard Speight Jr., Steve Boyum, John Badham, Amyn Kaderali, Jensen Ackles, Tim Andrew, Nina Lopez-Corrado, Jeannot Szwarc, P.J. Pesce, J. Miller Tobin, James L. Conway, John MacCarthy, Stefan Pleszczynski, Eduardo Sánchez, Amanda Tapping, Jerry Wanek, Serge Ladouceur, Robert Duncan McNeill, Peter Ellis, David Nutter, Eric Kripke, Ben Edlund, Kevin Parks, Rashaad Ernesto Green, Matt Cohen, Ken Girotti, David Jackson, Tim Iacofano, Allan Kroeker, Chris Long, Whitney Ransick, Paul Shapiro, Tony Wharmby, Cliff Bole, Bradford May, Rachel Talalay, Adam Kane, Rick Bota, Jan Eliasberg, Rod Hardy, Jeff Woolnough, David Barrett, Charles Robert Carner, Nick Copus, Paul A. Edwards, Kevin Hooks, Rob Spera, Misha Collins, Darren Grant, John Fitzpatrick
Edited by: Don Koch, Nicole Baer, James Pickel, Tom McQuade, Anthony Pinker, John Fitzpatrick, David Ekstrom, Paul Karasick, Bruce Gorman, Martin Skibosh
