Roto Artist: Pixomondo
Furious 7 (2015)
| USA, Japan
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Roto/digital Paint Artist
'Marco Polo' The Heavenly and Primal (2014)
| USA
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
Roto/digital Paint Artist
'Marco Polo' White Moon (2014)
| USA
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Edited by: Barbara Tulliver
Roto/digital Paint Artist
'Marco Polo' The Wayfarer (2014)
| USA
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Roto/digital Paint Artist
'Marco Polo' Prisoners (2014)
| USA
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Martin Nicholson
Roto/digital Paint Artist
'Marco Polo' Hashshashin (2014)
| USA
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Roto/digital Paint Artist
'Marco Polo' Rendering (2014)
| USA
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Roto/digital Paint Artist
'Marco Polo' The Fourth Step (2014)
| USA
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Allyson C. Johnson
Roto/digital Paint Artist
'Marco Polo' Feast (2014)
| USA
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Roto/digital Paint Artist
'Marco Polo' The Scholar's Pen (2014)
| USA
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Elizabeth Kling
Roto/digital Paint Artist
'Marco Polo' The Wolf and the Deer (2014)
| USA
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Paint/roto: Method Studios
Iron Man Three (2013)
| USA, China
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens
Roto & Paint Artist: Method Studios
The Master (2012)
| USA
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Roto/paint: Method Studios
This Means War (2012)
| USA
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Paint/roto Artist: Method Studios LA
Cloud Atlas (2012)
| Germany, USA, Hong Kong, Singapore
Paint And Rotoscope Artist: CIS Hollywood
Thin Ice (2011)
| USA
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Roto/paint Artist: Method Studios
The Ides of March (2011)
| USA
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Paint And Rotoscope Artist: CIS Hollywood
Justin Bieber: Never Say Never (2011)
| USA
Directed by: Jon M. Chu
Cinematography by: Reed Smoot
Paint And Rotoscope Artist: CIS Hollywood (uncredited)
Larry Crowne (2011)
| USA
Directed by: Tom Hanks
Cinematography by: Philippe Rousselot
Edited by: Alan Cody
Dustbuster: CIS Hollywood
The Men Who Stare at Goats (2009)
| USA, UK
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Paint And Rotoscope Artist: CIS Hollywood
G.I. Joe: The Rise of Cobra (2009)
| USA, Czech Republic
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Digital Imaging
Blade (1998)
| USA
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Assistant Sound Editor
Beyond Rangoon (1995)
| UK, USA
Directed by: John Boorman
Cinematography by: John Seale
Edited by: Ron Davis
Apprentice Editor
Silent Fall (1994)
| USA
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Ian Crafford
