Dipesh K.P.

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Ted 2 | ShotOnWhat?

Digital Compositor

Ted 2 (2015)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony CineAlta F65 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Walk | ShotOnWhat?

Digital Compositor

The Walk (2015)

Directed by: Robert Zemeckis

Cinematography by: Dariusz Wolski

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Dragon Camera

Chappie | ShotOnWhat?

Digital Compositor

Chappie (2015)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Mark Goldblatt

Cameras: Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Selma | ShotOnWhat?

Project Lead

Selma (2014)

Directed by: Ava DuVernay

Cinematography by: Bradford Young

Edited by: Spencer Averick

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses

Need for Speed | ShotOnWhat?

Senior Paint Artist

Need for Speed (2014)

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE

The Expendables 3 | ShotOnWhat?

Project Lead

The Expendables 3 (2014)

Directed by: Patrick Hughes

Cinematography by: Peter Menzies Jr.

Edited by: Sean Albertson, Paul Harb

Cameras: Blackmagic Cinema Camera, Red Epic Camera, Red Scarlet Camera

About Last Night | ShotOnWhat?

Digital Compositor

About Last Night (2014)

Directed by: Steve Pink

Cinematography by: Michael Barrett

Edited by: Tracey Wadmore-Smith, Shelly Westerman

Cameras: Sony CineAlta F65 Camera

Lenses: Leitz Summilux-C Series Lenses

The Giver | ShotOnWhat?

Digital Compositor

The Giver (2014)

Directed by: Phillip Noyce

Cinematography by: Ross Emery

Edited by: Barry Alexander Brown

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

A Million Ways to Die in the West | ShotOnWhat?

Digital Compositor

A Million Ways to Die in the West (2014)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Think Like a Man Too | ShotOnWhat?

Digital Compositor

Think Like a Man Too (2014)

Directed by: Tim Story

Cinematography by: Christopher Duskin

Edited by: Peter S. Elliot

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision Super Speed Lenses

No Good Deed | ShotOnWhat?

Digital Compositor

No Good Deed (2014)

Directed by: Sam Miller

Cinematography by: Michael Barrett

Edited by: Randy Bricker, Jim Page

Cameras: Sony CineAlta F65 Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

After Earth | ShotOnWhat?

Digital Compositor

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Grown Ups 2 | ShotOnWhat?

Digital Compositor

Grown Ups 2 (2013)

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Don Jon | ShotOnWhat?

Senior Digital Compositor: Incessant Rain Studios

Don Jon (2013)

Directed by: Joseph Gordon-Levitt

Cinematography by: Thomas Kloss

Edited by: Lauren Zuckerman

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Looper | ShotOnWhat?

Senior Digital Compositor: Incessant Rain Studios

Looper (2012)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Premium Rush | ShotOnWhat?

Visual Effects Artist

Premium Rush (2012)

Directed by: David Koepp

Cinematography by: Mitchell Amundsen

Edited by: Derek Ambrosi, Jill Savitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Think Like a Man | ShotOnWhat?

Senior Paint Artist

Think Like a Man (2012)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot

Cameras: Red Epic Camera

The Twilight Saga: Breaking Dawn - Part 2 | ShotOnWhat?

Senior Paint Artist

The Twilight Saga: Breaking Dawn - Part 2 (2012)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz, Ian Slater

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Midnight's Children | ShotOnWhat?

Senior Digital Compositor: Incessant Rain Studios

Midnight's Children (2012)

Directed by: Deepa Mehta

Cinematography by: Giles Nuttgens

Edited by: Colin Monie

Straw Dogs | ShotOnWhat?

Senior Paint Artist

Straw Dogs (2011)

Directed by: Rod Lurie

Cinematography by: Alik Sakharov

Edited by: Sarah Boyd

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Friends with Benefits | ShotOnWhat?

Digital Compositor

Friends with Benefits (2011)

Directed by: Will Gluck

Cinematography by: Michael Grady

Edited by: Tia Nolan

Cameras: Sony CineAlta F35 Camera, Sony Other Camera

Lenses: Panavision Primo Anamorphic Lenses

Just Go with It | ShotOnWhat?

Digital Compositor

Just Go with It (2011)

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: ARRIFLEX 435 ES Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Grey | ShotOnWhat?

Senior Paint Artist

The Grey (2011)

Directed by: Joe Carnahan

Cinematography by: Masanobu Takayanagi

Edited by: Roger Barton, Jason Hellmann

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

30 Minutes or Less | ShotOnWhat?

Senior Paint Artist

30 Minutes or Less (2011)

Directed by: Ruben Fleischer

Cinematography by: Jess Hall

Edited by: Alan Baumgarten

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Priest | ShotOnWhat?

Digital Compositor

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Jumping the Broom | ShotOnWhat?

Digital Compositor

Jumping the Broom (2011)

Directed by: Salim Akil

Cinematography by: Anastas N. Michos

Edited by: Terilyn A. Shropshire

Cameras: Sony CineAlta F35 Camera

Burlesque | ShotOnWhat?

Senior Paint Artist

Burlesque (2010)

Directed by: Steve Antin

Cinematography by: Bojan Bazelli

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

RED | ShotOnWhat?

Digital Compositor

RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Devil | ShotOnWhat?

Digital Compositor

Devil (2010)

Directed by: John Erick Dowdle

Cinematography by: Tak Fujimoto

Edited by: Elliot Greenberg

Cameras: Panavision Cameras

Easy A | ShotOnWhat?

Digital Compositor

Easy A (2010)

Directed by: Will Gluck

Cinematography by: Michael Grady

Edited by: Susan Littenberg

Cameras: Panavision Genesis Camera

The Karate Kid | ShotOnWhat?

Paint Artist

The Karate Kid (2010)

Directed by: Harald Zwart

Cinematography by: Roger Pratt

Edited by: Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

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