Christopher Dusendschon

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Digital Intermediate Imaging Supervisor

Operation: Endgame  (2010)

Directed by: Fouad Mikati
Cinematography by: Arnaud Stefani

Digital Imaging Supervisor: IO FILM

Blood Done Sign My Name  (2010)

Directed by: Jeb Stuart
Cinematography by: Steve Mason
Edited by: Toby Yates

Digital Imaging Supervisor: IO FILM

The Last Exorcism  (2010)

Directed by: Daniel Stamm
Cinematography by: Zoltan Honti
Edited by: Shilpa Sahi

Digital Imaging Supervisor: IO FILM, Post-production Editorial: IO FILM

The Boondock Saints II: All Saints Day  (2009)

Directed by: Troy Duffy
Cinematography by: Miroslaw Baszak

Digital Imaging Supervisor: IO FILM

1989  (2009)

Directed by: Camilo Matiz
Edited by: Caryl Deyn Korma
Editing System:

Imaging Supervisor

Like Dandelion Dust  (2009)

Directed by: Jon Gunn
Cinematography by: Reynaldo Villalobos
Edited by: Jon Gunn

Digital Imaging Supervisor: IO FILM

The Greatest  (2009)

Directed by: Shana Feste
Cinematography by: John Bailey
Edited by: Cara Silverman

Digital Imaging Supervisor: IO FILM

Extract  (2009)

Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Julia Wong

Digital Imaging Supervisor: IO FILM

Hell Ride  (2008)

Directed by: Larry Bishop
Cinematography by: Scott Kevan

Digital Imaging Supervisor: IO FILM

100 Feet  (2008)

Directed by: Eric Red
Cinematography by: Ken Kelsch

Digital Imaging Supervisor: IO FILM

Witless Protection  (2008)

Cinematography by: Michael Goi
Edited by: Marc Leif

Digital Imaging Supervisor: IO FILM

Bigger Stronger Faster*  (2008)

Directed by: Chris Bell
Cinematography by: Alexander Buono
Edited by: Brian Singbiel

Digital Imaging Supervisor: IO FILM

Felon  (2008)

Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales

Digital Imaging Supervisor: IO FILM

Nobel Son  (2007)

Directed by: Randall Miller
Cinematography by: Mike Ozier
Edited by: Randall Miller

Digital Imaging Supervisor: IO FILM

Encounters at the End of the World  (2007)

Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini

Digital Imaging Supervisor: IO FILM

The Messengers  (2007)

Cinematography by: David Geddes

Digital Imaging Supervisor: IO FILM

What We Do Is Secret  (2007)

Directed by: Rodger Grossman
Cinematography by: Andrew Huebscher

Digital Imaging Supervisor: IO FILM, Imaging Supervisor

The Mist  (2007)

Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via

Digital Imaging Supervisor: IO FILM

Man in the Chair  (2007)

Directed by: Michael Schroeder
Cinematography by: Dana Gonzales
Edited by: Terry Cafaro

Digital Imaging Supervisor: IO FILM

Resident Evil: Extinction  (2007)

Directed by: Russell Mulcahy
Cinematography by: David Johnson
Edited by: Niven Howie

Digital Imaging Supervisor: IO FILM

Everybody Wants to Be Italian  (2007)

Directed by: Jason Todd Ipson
Cinematography by: Michael Fimognari
Edited by: Mike Saenz

Digital Imaging Supervisor: IO FILM

10th & Wolf  (2006)

Directed by: Bobby Moresco
Cinematography by: Alex Nepomniaschy

Digital Imaging Supervisor: IO FILM

The Pleasure Drivers  (2006)

Directed by: Andrzej Sekula
Cinematography by: Zoran Djordjevic, Andrzej Sekula

Digital Imaging Supervisor: IO FILM

The Last Time  (2006)

Directed by: Michael Caleo
Cinematography by: Tim Suhrstedt

Digital Imaging Supervisor: IO Film

Black Christmas  (2006)

Directed by: Glen Morgan
Cinematography by: Robert McLachlan

Digital Imaging Supervisor: IO FILM

Crossover  (2006)

Cinematography by: Christian Sebaldt

Digital Imaging Supervisor: IO FILM

Self Medicated  (2005)

Directed by: Monty Lapica
Cinematography by: Denis Maloney
Edited by: Timothy Kendall

Digital Imaging Supervisor: IO FILM

Riding the Bullet  (2004)

Directed by: Mick Garris
Cinematography by: Robert C. New
Edited by: Marshall Harvey

Digital Imaging Supervisor: IO FILM

Surviving Eden  (2004)

Directed by: Greg Pritikin
Cinematography by: Fred Goodich
Edited by: Michael Palmerio

Digital Imaging Supervisor: IO FILM

Wild Things 2  (2004)

Directed by: Jack Perez
Cinematography by: Seo Mutarevic
Edited by: Axel Hubert

Digital Imaging Supervisor: IO FILM

Something the Lord Made  (2004)

Directed by: Joseph Sargent
Cinematography by: Donald M. Morgan
Edited by: Michael Brown

I/O Supervisor: IO FILM

The Assassination of Richard Nixon  (2004)

Directed by: Niels Mueller
Cinematography by: Emmanuel Lubezki
Edited by: Jay Cassidy

Digital Imaging Supervisor: IO FILM

The Notebook  (2004)

Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim

Digital Imaging Supervisor: IO Film

Crash  (2004) oscar-icon

Directed by: Paul Haggis
Cinematography by: James M. Muro
Edited by: Hughes Winborne
Editing System:

Digital Imaging Supervisor: IO FILM

Yesterday  (2004)

Directed by: Darrell Roodt
Cinematography by: Michael Alan Brierley
Edited by: Avril Beukes

Digital Imaging Supervisor: IO FILM

Green Card Fever  (2003)

Directed by: Bala Rajasekharuni
Cinematography by: Joe M. Johnston, Scott Spears
Edited by: Robert Komatsu

Digital Imaging: IO Film

Finding Home  (2003)

Cinematography by: Jeffrey Seckendorf
Edited by: Todd C. Ramsay

Digital Imaging Supervisor

Monster  (2003)

Directed by: Patty Jenkins
Cinematography by: Steven Bernstein
Editing System:

Digital Imaging Supervisor: IO FILM

Beat the Drum  (2003)

Directed by: David Hickson
Cinematography by: Lance Gewer
Edited by: Mark Winitsky
Cameras:

Digital Imaging: IO FILM

Out of the Ashes  (2003)

Directed by: Joseph Sargent
Cinematography by: Donald M. Morgan
Edited by: Michael Brown

I/O Supervisor: Film Scanning And Recording: IO Film

Changing Hearts  (2002)

Directed by: Martin Guigui
Cinematography by: Massimo Zeri
Edited by: John Axelrad

Digital Imaging: IO Film

Windfall  (2002)

Directed by: Gerry Lively
Cinematography by: Andrew Rawson

Digital Imaging: THDX

My Big Fat Greek Wedding  (2002)

Directed by: Joel Zwick
Cinematography by: Jeffrey Jur
Edited by: Mia Goldman

In-show Optical Compositor: THDX / Optical Element Color Timer: THDX

Love and a Bullet  (2002)

Directed by: Kantz, Ben Ramsey
Cinematography by: Keith L. Smith

Digital Imaging: THDX / Hazeltine Optical Element Timing: THDX / In-show Optical Compositor: THDX

Second to Die  (2002)

Directed by: Brad Marlowe
Cinematography by: Moshe Levin
Edited by: Gena Bleier, Pam Wise

Digital Imaging: THDX

Green Dragon  (2001)

Directed by: Timothy Linh Bui
Cinematography by: Kramer Morgenthau
Edited by: Leo Trombetta

Digital Imaging Supervisor: IO FILM - English Version

Shaolin Soccer  (2001)

Directed by: Stephen Chow
Cinematography by: Pak-Suen Kwan, Ting-Wo Kwong
Edited by: Kit-Wai Kai

Digital Imaging: THDX

Replicant  (2001)

Directed by: Ringo Lam
Cinematography by: Mike Southon

Digital Imaging: THDX / Maintitle And In-show Optical Compositor: THDX

Novocaine  (2001)

Directed by: David Atkins
Cinematography by: Vilko Filac
Edited by: Melody London

Digital Imaging: THDX

Bones  (2001)

Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano

Digital Imaging: THDX

Blue Hill Avenue  (2001)

Directed by: Craig Ross Jr.
Cinematography by: Carl Bartels
Edited by: Craig Ross Jr.

Hazeltine Optical Element Timing: THDX / In-show Optical Compositor: THDX

Revelation  (2001)

Directed by: Stuart Urban
Cinematography by: Sam McCurdy
Edited by: Julian Rodd

In-show Optical Process And Effects Compositor: THDX

Morgan's Ferry  (2001)

Directed by: Sam Pillsbury
Cinematography by: Johnny E. Jensen

Digital Imaging: THDX

Beneath Loch Ness  (2001)

Directed by: Chuck Comisky
Cinematography by: Philipp Timme

Digital Imaging: THDX

My First Mister  (2001)

Directed by: Christine Lahti
Cinematography by: Jeffrey Jur

Digital Imaging: THDX

Hardball  (2001)

Directed by: Brian Robbins
Cinematography by: Tom Richmond
Edited by: Ned Bastille

Digital Imaging: THDX

Uprising  (2001)

Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Sabrina Plisco

Optical Compositor: THDX

Battlefield Earth  (2000)

Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell

In-show Optical Compositor: THDX / Optical Element Color Timer: THDX

Lush  (2000)

Directed by: Mark Gibson
Cinematography by: Caroline Champetier
Edited by: Sarah Flack

In-show Optical Process And Effects Compositor: THDX / Optical Element Hazeltine Colorist: THDX

Book of Shadows: Blair Witch 2  (2000)

Directed by: Joe Berlinger
Cinematography by: Nancy Schreiber

In-show Optical Compositor: THDX / Optical Element Color Timer: THDX

Attraction  (2000)

Directed by: Russell DeGrazier
Cinematography by: Michael A. Price
Edited by: Glenn Garland

Optical Color Timer: THDX

For the Cause  (2000)

Cinematography by: Adolfo Bartoli
Edited by: Irit Raz

In-show Optical Compositor: THDX

Perfumed Garden  (2000)

Directed by: Jag Mundhra
Cinematography by: Ashok Kumar
Edited by: Tom Barger

In-show Optical Process And Effects Compositor: THDX / Optical Element Hazeltine Colorist: THDX

Pollock  (2000)

Directed by: Ed Harris
Cinematography by: Lisa Rinzler
Edited by: Kathryn Himoff

In-show Optical Process And Effects Compositor: THDX / Optical Element Hazeltine Colorist: THDX

The Way of the Gun  (2000)

Cinematography by: Dick Pope
Edited by: Stephen Semel

In-show Optical Compositor: THDX / Maintitle Compositor: THDX / Optical Element Color Timer: THDX

The Magic of Marciano  (2000)

Directed by: Tony Barbieri
Cinematography by: Matthew Irving
Edited by: Jeffery Stephens

Digital Imaging: THDX / Optical Element Hazeltine Colorist: THDX

Dark Prince: The True Story of Dracula  (2000)

Directed by: Joe Chappelle
Cinematography by: Dermott Downs
Edited by: Joe Rabig

In-show Optical Process And Effects Compositor: THDX / Optical Element Hazeltine Colorist: THDX

Cement  (2000)

Directed by: Adrian Pasdar
Cinematography by: Geary McLeod
Edited by: Jack Haigis

In-show Optical Process And Effects Compositor: THDX / Main Title And End Credit Sequence Optical Compositor: THDX / Optical Element Hazeltine Colorist: THDX

Drowning Mona  (2000)

Directed by: Nick Gomez
Cinematography by: Bruce Douglas Johnson
Edited by: Richard Pearson
Editing System:

Hazeltine Optical Element Timing: THDX / Maintitle And In-show Optical Compositor: THDX

Panic  (2000)

Directed by: Henry Bromell
Cinematography by: Jeffrey Jur

Optical Compositor: THDX

Cabin by the Lake  (2000)

Directed by: Po-Chih Leong
Cinematography by: Philip Linzey
Edited by: Darren Kloomok

Optical Element Color Timer: THDX

Pitch Black  (2000)

Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine

Maintitle And In-show Optical Compositor: THDX

This Space Between Us  (1999)

Directed by: Matthew Leutwyler
Cinematography by: David Scardina

In-show Optical Compositor: THDX

Go  (1999)

Directed by: Doug Liman
Cinematography by: Doug Liman
Edited by: Stephen Mirrione

In-show Optical Process And Effects Compositor: THDX / Mortised Image End Credit Sequence: THDX / Optical Element To Panavision Process: THDX

Galaxy Quest  (1999)

Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman

In-show Optical Compositor: THDX / Optical Element Color Timer: THDX

Speed of Life  (1999)

Directed by: Rob Schmidt
Cinematography by: Matthew Libatique
Edited by: Gabriel Wrye

Hazeltine Optical Element Timing: THDX / In-show Optical Compositor: THDX

A Dog of Flanders  (1999)

Directed by: Kevin Brodie
Cinematography by: Walther van den Ende
Edited by: Annamaria Szanto

Optical Compositor: THDX

Chillicothe  (1999)

Directed by: Todd Edwards
Cinematography by: Brett Reynolds
Edited by: Todd Edwards

Hazeltine Optical Element Timing: THDX / In-show Optical Compositor: THDX

The Omega Code  (1999)

Directed by: Robert Marcarelli
Cinematography by: Carlos González

Hazeltine Optical Element Timing: THDX / In-show Optical Compositor: THDX

A Slipping-Down Life  (1999)

Directed by: Toni Kalem
Cinematography by: Michael F. Barrow
Edited by: Hughes Winborne

Optical Compositor: THDX

Tumbleweeds  (1999)

Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Edited by: John Gilroy

In-show Optical Compositor: THDX / Maintitle Compositor: THDX

On the Border  (1998)

Directed by: Bob Misiorowski
Cinematography by: Lawrence Sher
Edited by: Alain Jakubowicz

Optical Compositor: THDX

American Dragons  (1998)

Directed by: Ralph Hemecker
Cinematography by: Ernest Holzman
Edited by: Alan L. Shefland

In-show Optical Process And Effects Compositor: THDX / Main Title Sequence Optical Compositor: THDX

Shadrach  (1998)

Directed by: Susanna Styron
Cinematography by: Hiro Narita
Edited by: Colleen Sharp

In-show Optical Process And Effects Compositor: THDX / Main Title Sequence Optical Compositor: THDX / Optical Element Hazeltine Colorist: THDX

Doctor Dolittle  (1998)

Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner

In-show Optical Process And Effects Compositor: THDX / Main Title Sequence Optical Compositor: THDX

Gods and Monsters  (1998)

Directed by: Bill Condon
Cinematography by: Stephen M. Katz
Edited by: Virginia Katz

In-show Optical Compositor: THDX

Point Blank  (1998)

Directed by: Matt Earl Beesley
Cinematography by: Keith L. Smith
Edited by: Edward R. Abroms

Hazeltine Optical Element Timing: THDX / In-show Optical Compositor: THDX

Winchell  (1998)

Directed by: Paul Mazursky
Cinematography by: Robbie Greenberg
Edited by: Stuart H. Pappé

In-show Optical Process And Effects Compositor: THDX / Main Title Sequence Optical Compositor: THDX

Barney's Great Adventure  (1998)

Directed by: Steve Gomer
Cinematography by: Sandi Sissel
Edited by: Richard Halsey

In-show Optical Compositor: THDX

Bone Daddy  (1998)

Directed by: Mario Azzopardi
Cinematography by: Danny Nowak
Edited by: Dean Balser

In-show Optical Effects Compositor: THDX

Pi  (1998)

Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Oren Sarch

In-show Optical Process And Effects Compositor: THDX

The Velocity of Gary  (1998)

Directed by: Dan Ireland
Cinematography by: Claudio Rocha

In-show Optical Process And Effects Compositor: THDX / Main Title Sequence Optical Compositor: THDX

Hope Floats  (1998)

Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew

In-show Optical Process And Effects Compositor: THDX

Wrongfully Accused  (1998)

Directed by: Pat Proft
Cinematography by: Glen MacPherson
Edited by: James R. Symons

In-show Optical Process And Effects Compositor: THDX

Orgazmo  (1997)

Directed by: Trey Parker
Cinematography by: Kenny Gioseffi

In-show Optical Effects Compositor: THDX

Suicide Kings  (1997)

Directed by: Peter O'Fallon
Cinematography by: Christopher Baffa
Edited by: Chris Peppe

In-show Optical Compositor: THDX

Truth or Consequences, N.M.  (1997)

Directed by: Kiefer Sutherland
Cinematography by: Ric Waite
Edited by: Lawrence Jordan

In-show Optical Process And Effects Compositor: THDX / Motion Control End Credit Sequence Optical Compositor: THDX

Trekkies  (1997)

Directed by: Roger Nygard
Cinematography by: Harris Done
Edited by: Roger Nygard

Vistavision Title Sequence Cinematography: Kenimation

Earth Girls Are Easy  (1988)

Directed by: Julien Temple
Cinematography by: Oliver Stapleton
Edited by: Richard Halsey

Optical Compositor: Kenimation Animation Services

Armed Response  (1986)

Directed by: Fred Olen Ray
Cinematography by: Paul Elliott

Vistavision Scan Plate Cinematography: Kenimation/Digital Productions

2010: The Year We Make Contact  (1984)

Directed by: Peter Hyams
Cinematography by: Peter Hyams

Cloud Tank Cinematography: PRAXIS FILMWORKS / High Speed Miniature Cinematography: PRAXIS FILMWORKS / Optical Compositor: PRAXIS FILMWORKS

The Day After  (1983)

Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher

Camera System Design Team: Robert Abel & Assoc.

TRON  (1982)

Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson

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