Digital Intermediate Imaging Supervisor
Operation: Endgame (2010)
Directed by: Fouad Mikati
Cinematography by: Arnaud Stefani
Edited by: Joshua Ferrazzano
Digital Imaging Supervisor: IO FILM
Blood Done Sign My Name (2010)
Directed by: Jeb Stuart
Cinematography by: Steve Mason
Edited by: Toby Yates
Digital Imaging Supervisor: IO FILM
The Last Exorcism (2010)
Directed by: Daniel Stamm
Cinematography by: Zoltan Honti
Edited by: Shilpa Sahi
Digital Imaging Supervisor: IO FILM, Post-production Editorial: IO FILM
The Boondock Saints II: All Saints Day (2009)
Directed by: Troy Duffy
Cinematography by: Miroslaw Baszak
Digital Imaging Supervisor: IO FILM
1989 (2009)
Directed by: Camilo Matiz
Edited by: Caryl Deyn Korma
Cameras: ARRIFLEX Camera
Editing System: Avid Editing System
Imaging Supervisor
Like Dandelion Dust (2009)
Directed by: Jon Gunn
Cinematography by: Reynaldo Villalobos
Edited by: Jon Gunn
Digital Imaging Supervisor: IO FILM
The Greatest (2009)
Directed by: Shana Feste
Cinematography by: John Bailey
Edited by: Cara Silverman
Digital Imaging Supervisor: IO FILM
Extract (2009)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Julia Wong
Digital Imaging Supervisor: IO FILM
Hell Ride (2008)
Directed by: Larry Bishop
Cinematography by: Scott Kevan
Digital Imaging Supervisor: IO FILM
100 Feet (2008)
Directed by: Eric Red
Cinematography by: Ken Kelsch
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Imaging Supervisor: IO FILM
Witless Protection (2008)
Directed by: Charles Robert Carner
Cinematography by: Michael Goi
Edited by: Marc Leif
Digital Imaging Supervisor: IO FILM
Bigger Stronger Faster* (2008)
Directed by: Chris Bell
Cinematography by: Alexander Buono
Edited by: Brian Singbiel
Digital Imaging Supervisor: IO FILM
Felon (2008)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Jonathan Chibnall
Digital Imaging Supervisor: IO FILM
American Pastime (2007)
Directed by: Desmond Nakano
Cinematography by: Matthew Williams
Edited by: Mark Yoshikawa
Cameras: Moviecam Compact Camera
Digital Imaging Supervisor: IO FILM
Nobel Son (2007)
Directed by: Randall Miller
Cinematography by: Mike Ozier
Edited by: Randall Miller
Digital Imaging Supervisor: IO FILM
Encounters at the End of the World (2007)
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Cameras: Sony HVR-Z1E Camera
Digital Imaging Supervisor: IO FILM
What We Do Is Secret (2007)
Directed by: Rodger Grossman
Cinematography by: Andrew Huebscher
Digital Imaging Supervisor: IO FILM, Imaging Supervisor
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Imaging Supervisor: IO FILM
Man in the Chair (2007)
Directed by: Michael Schroeder
Cinematography by: Dana Gonzales
Edited by: Terry Cafaro
Digital Imaging Supervisor: IO FILM
Resident Evil: Extinction (2007)
Directed by: Russell Mulcahy
Cinematography by: David Johnson
Edited by: Niven Howie
Digital Imaging Supervisor: IO FILM
Everybody Wants to Be Italian (2007)
Directed by: Jason Todd Ipson
Cinematography by: Michael Fimognari
Edited by: Mike Saenz
Cameras: Panavision Cameras
Digital Imaging Supervisor: IO FILM
10th & Wolf (2006)
Directed by: Bobby Moresco
Cinematography by: Alex Nepomniaschy
Edited by: Harvey Rosenstock
Digital Imaging Supervisor: IO FILM
The Pleasure Drivers (2006)
Directed by: Andrzej Sekula
Edited by: Dennis M. O'Connor
Digital Imaging Supervisor: IO FILM
The Last Time (2006)
Directed by: Michael Caleo
Cinematography by: Tim Suhrstedt
Digital Imaging Supervisor: IO Film
Black Christmas (2006)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Digital Imaging Supervisor: IO FILM
Crossover (2006)
Directed by: Preston A. Whitmore II
Cinematography by: Christian Sebaldt
Digital Imaging Supervisor: IO FILM
Self Medicated (2005)
Directed by: Monty Lapica
Cinematography by: Denis Maloney
Edited by: Timothy Kendall
Cameras: Panavision Cameras
Digital Imaging Supervisor: IO FILM
Riding the Bullet (2004)
Directed by: Mick Garris
Cinematography by: Robert C. New
Edited by: Marshall Harvey
Digital Imaging Supervisor: IO FILM
Surviving Eden (2004)
Directed by: Greg Pritikin
Cinematography by: Fred Goodich
Edited by: Michael Palmerio
Digital Imaging Supervisor: IO FILM
Wild Things 2 (2004)
Directed by: Jack Perez
Cinematography by: Seo Mutarevic
Edited by: Axel Hubert
Digital Imaging
Maria Full of Grace (2004)
Directed by: Joshua Marston
Cinematography by: Jim Denault
Lenses: Cooke S4 Lenses
Digital Imaging Supervisor: IO FILM
Something the Lord Made (2004)
Directed by: Joseph Sargent
Cinematography by: Donald M. Morgan
Edited by: Michael Brown
I/O Supervisor: IO FILM
The Assassination of Richard Nixon (2004)
Directed by: Niels Mueller
Cinematography by: Emmanuel Lubezki
Edited by: Jay Cassidy
Digital Imaging Supervisor: IO FILM
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Digital Imaging Supervisor: IO Film
Crash (2004)
Directed by: Paul Haggis
Cinematography by: James M. Muro
Edited by: Hughes Winborne
Lenses: Panavision Super Speed Lenses
Editing System: Avid Editing System
Digital Imaging Supervisor: IO FILM
Yesterday (2004)
Directed by: Darrell Roodt
Cinematography by: Michael Alan Brierley
Edited by: Avril Beukes
Digital Imaging Supervisor: IO FILM
Green Card Fever (2003)
Directed by: Bala Rajasekharuni
Edited by: Robert Komatsu
Digital Imaging: IO Film
Finding Home (2003)
Directed by: Lawrence David Foldes
Cinematography by: Jeffrey Seckendorf
Edited by: Todd C. Ramsay
Digital Imaging Supervisor
Monster (2003)
Directed by: Patty Jenkins
Cinematography by: Steven Bernstein
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Digital Imaging Supervisor: IO FILM
Beat the Drum (2003)
Directed by: David Hickson
Cinematography by: Lance Gewer
Edited by: Mark Winitsky
Cameras: ARRI Cameras
Digital Imaging: IO FILM
Out of the Ashes (2003)
Directed by: Joseph Sargent
Cinematography by: Donald M. Morgan
Edited by: Michael Brown
I/O Supervisor: Film Scanning And Recording: IO Film
Changing Hearts (2002)
Directed by: Martin Guigui
Cinematography by: Massimo Zeri
Edited by: John Axelrad
Digital Imaging: THDX
My Big Fat Greek Wedding (2002)
Directed by: Joel Zwick
Cinematography by: Jeffrey Jur
Edited by: Mia Goldman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
In-show Optical Compositor: THDX / Optical Element Color Timer: THDX
Love and a Bullet (2002)
Cinematography by: Keith L. Smith
Edited by: Christopher Koefoed
Digital Imaging: THDX / Hazeltine Optical Element Timing: THDX / In-show Optical Compositor: THDX
Second to Die (2002)
Directed by: Brad Marlowe
Cinematography by: Moshe Levin
Digital Imaging: THDX
Green Dragon (2001)
Directed by: Timothy Linh Bui
Cinematography by: Kramer Morgenthau
Edited by: Leo Trombetta
Digital Imaging: THDX
Donnie Darko (2001)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Digital Imaging Supervisor: IO FILM - English Version
Shaolin Soccer (2001)
Directed by: Stephen Chow
Edited by: Kit-Wai Kai
Digital Imaging: THDX
Replicant (2001)
Directed by: Ringo Lam
Cinematography by: Mike Southon
Edited by: David M. Richardson
Digital Imaging: THDX / Maintitle And In-show Optical Compositor: THDX
Novocaine (2001)
Directed by: David Atkins
Cinematography by: Vilko Filac
Edited by: Melody London
Digital Imaging: THDX
Bones (2001)
Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano
Digital Imaging: THDX
Blue Hill Avenue (2001)
Directed by: Craig Ross Jr.
Cinematography by: Carl Bartels
Edited by: Craig Ross Jr.
Hazeltine Optical Element Timing: THDX / In-show Optical Compositor: THDX
Revelation (2001)
Directed by: Stuart Urban
Cinematography by: Sam McCurdy
Edited by: Julian Rodd
In-show Optical Process And Effects Compositor: THDX
Morgan's Ferry (2001)
Directed by: Sam Pillsbury
Cinematography by: Johnny E. Jensen
Edited by: Margaret Goodspeed
Digital Imaging: THDX
Beneath Loch Ness (2001)
Directed by: Chuck Comisky
Cinematography by: Philipp Timme
Edited by: Sherril Schlesinger
Digital Imaging: THDX
Ghost World (2001)
Directed by: Terry Zwigoff
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Digital Imaging: THDX
My First Mister (2001)
Directed by: Christine Lahti
Cinematography by: Jeffrey Jur
Edited by: Wendy Greene Bricmont
Digital Imaging: THDX
Hardball (2001)
Directed by: Brian Robbins
Cinematography by: Tom Richmond
Edited by: Ned Bastille
Digital Imaging: THDX
Uprising (2001)
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Sabrina Plisco
Optical Compositor: THDX
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
In-show Optical Compositor: THDX / Optical Element Color Timer: THDX
Lush (2000)
Directed by: Mark Gibson
Cinematography by: Caroline Champetier
Edited by: Sarah Flack
In-show Optical Process And Effects Compositor: THDX / Optical Element Hazeltine Colorist: THDX
Book of Shadows: Blair Witch 2 (2000)
Directed by: Joe Berlinger
Cinematography by: Nancy Schreiber
In-show Optical Compositor: THDX / Optical Element Color Timer: THDX
Attraction (2000)
Directed by: Russell DeGrazier
Cinematography by: Michael A. Price
Edited by: Glenn Garland
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
In-show Optical Compositor: THDX
Perfumed Garden (2000)
Directed by: Jag Mundhra
Cinematography by: Ashok Kumar
Edited by: Tom Barger
In-show Optical Process And Effects Compositor: THDX / Optical Element Hazeltine Colorist: THDX
Pollock (2000)
Directed by: Ed Harris
Cinematography by: Lisa Rinzler
Edited by: Kathryn Himoff
Digital Imaging: THDX
Memento (2000)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Dody Dorn
Cameras: Panavision Panaflex Gold II Camera
In-show Optical Process And Effects Compositor: THDX / Optical Element Hazeltine Colorist: THDX
The Way of the Gun (2000)
Directed by: Christopher McQuarrie
Cinematography by: Dick Pope
Edited by: Stephen Semel
In-show Optical Compositor: THDX / Maintitle Compositor: THDX / Optical Element Color Timer: THDX
The Magic of Marciano (2000)
Directed by: Tony Barbieri
Cinematography by: Matthew Irving
Edited by: Jeffery Stephens
Digital Imaging: THDX / Optical Element Hazeltine Colorist: THDX
Dark Prince: The True Story of Dracula (2000)
Directed by: Joe Chappelle
Cinematography by: Dermott Downs
Edited by: Joe Rabig
In-show Optical Process And Effects Compositor: THDX / Optical Element Hazeltine Colorist: THDX
Cement (2000)
Directed by: Adrian Pasdar
Cinematography by: Geary McLeod
Edited by: Jack Haigis
In-show Optical Process And Effects Compositor: THDX / Main Title And End Credit Sequence Optical Compositor: THDX / Optical Element Hazeltine Colorist: THDX
Drowning Mona (2000)
Directed by: Nick Gomez
Cinematography by: Bruce Douglas Johnson
Edited by: Richard Pearson
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Hazeltine Optical Element Timing: THDX / Maintitle And In-show Optical Compositor: THDX
Panic (2000)
Directed by: Henry Bromell
Cinematography by: Jeffrey Jur
Cameras: Panavision Cameras
Optical Compositor: THDX
Cabin by the Lake (2000)
Directed by: Po-Chih Leong
Cinematography by: Philip Linzey
Edited by: Darren Kloomok
Cameras: Panavision Cameras
Optical Element Color Timer: THDX
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Maintitle And In-show Optical Compositor: THDX
This Space Between Us (1999)
Directed by: Matthew Leutwyler
Cinematography by: David Scardina
Edited by: Matthew Leutwyler
In-show Optical Compositor: THDX
Go (1999)
Directed by: Doug Liman
Cinematography by: Doug Liman
Edited by: Stephen Mirrione
In-show Optical Process And Effects Compositor: THDX / Mortised Image End Credit Sequence: THDX / Optical Element To Panavision Process: THDX
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
In-show Optical Compositor: THDX / Optical Element Color Timer: THDX
Speed of Life (1999)
Directed by: Rob Schmidt
Cinematography by: Matthew Libatique
Edited by: Gabriel Wrye
Hazeltine Optical Element Timing: THDX / In-show Optical Compositor: THDX
A Dog of Flanders (1999)
Directed by: Kevin Brodie
Cinematography by: Walther van den Ende
Edited by: Annamaria Szanto
Cameras: ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera
Optical Compositor: THDX
Chillicothe (1999)
Directed by: Todd Edwards
Cinematography by: Brett Reynolds
Edited by: Todd Edwards
Hazeltine Optical Element Timing: THDX / In-show Optical Compositor: THDX
The Omega Code (1999)
Directed by: Robert Marcarelli
Cinematography by: Carlos González
Hazeltine Optical Element Timing: THDX / In-show Optical Compositor: THDX
A Slipping-Down Life (1999)
Directed by: Toni Kalem
Cinematography by: Michael F. Barrow
Edited by: Hughes Winborne
Cameras: Aaton 35-III Camera, ARRIFLEX 535 Camera
Optical Compositor: THDX
Tumbleweeds (1999)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Edited by: John Gilroy
In-show Optical Compositor: THDX / Maintitle Compositor: THDX
On the Border (1998)
Directed by: Bob Misiorowski
Cinematography by: Lawrence Sher
Edited by: Alain Jakubowicz
Optical Compositor: THDX
American Dragons (1998)
Directed by: Ralph Hemecker
Cinematography by: Ernest Holzman
Edited by: Alan L. Shefland
In-show Optical Process And Effects Compositor: THDX / Main Title Sequence Optical Compositor: THDX
Shadrach (1998)
Directed by: Susanna Styron
Cinematography by: Hiro Narita
Edited by: Colleen Sharp
In-show Optical Process And Effects Compositor: THDX / Main Title Sequence Optical Compositor: THDX / Optical Element Hazeltine Colorist: THDX
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
In-show Optical Process And Effects Compositor: THDX / Main Title Sequence Optical Compositor: THDX
Gods and Monsters (1998)
Directed by: Bill Condon
Cinematography by: Stephen M. Katz
Edited by: Virginia Katz
Cameras: ARRIFLEX Camera
In-show Optical Compositor: THDX
Point Blank (1998)
Directed by: Matt Earl Beesley
Cinematography by: Keith L. Smith
Edited by: Edward R. Abroms
Hazeltine Optical Element Timing: THDX / In-show Optical Compositor: THDX
Winchell (1998)
Directed by: Paul Mazursky
Cinematography by: Robbie Greenberg
Edited by: Stuart H. Pappé
In-show Optical Process And Effects Compositor: THDX / Main Title Sequence Optical Compositor: THDX
Barney's Great Adventure (1998)
Directed by: Steve Gomer
Cinematography by: Sandi Sissel
Edited by: Richard Halsey
In-show Optical Compositor: THDX
Bone Daddy (1998)
Directed by: Mario Azzopardi
Cinematography by: Danny Nowak
Edited by: Dean Balser
In-show Optical Effects Compositor: THDX
Pi (1998)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Oren Sarch
Cameras: Aaton XTR Prod Camera, Bolex H16 Camera
Lenses: Angenieux Lenses, Canon Lenses
In-show Optical Process And Effects Compositor: THDX
The Velocity of Gary (1998)
Directed by: Dan Ireland
Cinematography by: Claudio Rocha
In-show Optical Process And Effects Compositor: THDX / Main Title Sequence Optical Compositor: THDX
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
In-show Optical Process And Effects Compositor: THDX
Wrongfully Accused (1998)
Directed by: Pat Proft
Cinematography by: Glen MacPherson
Edited by: James R. Symons
In-show Optical Process And Effects Compositor: THDX
Orgazmo (1997)
Directed by: Trey Parker
Cinematography by: Kenny Gioseffi
In-show Optical Effects Compositor: THDX
Suicide Kings (1997)
Directed by: Peter O'Fallon
Cinematography by: Christopher Baffa
Edited by: Chris Peppe
In-show Optical Compositor: THDX
Truth or Consequences, N.M. (1997)
Directed by: Kiefer Sutherland
Cinematography by: Ric Waite
Edited by: Lawrence Jordan
In-show Optical Process And Effects Compositor: THDX / Motion Control End Credit Sequence Optical Compositor: THDX
Trekkies (1997)
Directed by: Roger Nygard
Cinematography by: Harris Done
Edited by: Roger Nygard
Vistavision Title Sequence Cinematography: Kenimation
Earth Girls Are Easy (1988)
Directed by: Julien Temple
Cinematography by: Oliver Stapleton
Edited by: Richard Halsey
Optical Compositor: Kenimation Animation Services
Armed Response (1986)
Directed by: Fred Olen Ray
Cinematography by: Paul Elliott
Edited by: Miriam L. Preissel
Vistavision Scan Plate Cinematography: Kenimation/Digital Productions
2010: The Year We Make Contact (1984)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Cloud Tank Cinematography: PRAXIS FILMWORKS / High Speed Miniature Cinematography: PRAXIS FILMWORKS / Optical Compositor: PRAXIS FILMWORKS
The Day After (1983)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Cameras: Panavision Cameras
Camera System Design Team: Robert Abel & Assoc.
TRON (1982)
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses