Producer
Mechanic: Resurrection (2016)
Directed by: Dennis Gansel
Cinematography by: Daniel Gottschalk
Cameras: Red Epic Camera, Red Scarlet Camera
Executive Producer
Criminal (2016)
Directed by: Ariel Vromen
Cinematography by: Dana Gonzales
Edited by: Danny Rafic
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Producer
London Has Fallen (2016)
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Executive Producer
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Executive Producer
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Producer
Killing Season (2013)
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Producer
Homefront (2013)
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
Executive Producer
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Producer
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Executive Producer
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Producer
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Executive Producer
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Producer
The Son of No One (2011)
Directed by: Dito Montiel
Cinematography by: Benoît Delhomme
Edited by: Jake Pushinsky
Executive Producer
Elephant White (2011)
Directed by: Prachya Pinkaew
Cinematography by: Wade Muller
Edited by: David M. Richardson
Producer
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Executive Producer
Trust (2010)
Directed by: David Schwimmer
Cinematography by: Andrzej Sekula
Edited by: Douglas Crise
Producer
Bad Lieutenant: Port of Call New Orleans (2009)
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Producer
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Producer
Rambo (2008)
Directed by: Sylvester Stallone
Cinematography by: Glen MacPherson
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Ultra Prime Lenses
Executive Producer
Until Death (2007)
Directed by: Simon Fellows
Cinematography by: Douglas Milsome
Edited by: Matthew Booth
Executive Producer
King of California (2007)
Directed by: Mike Cahill
Cinematography by: Jim Whitaker
Edited by: Glenn Garland
Executive Producer
Undisputed 2: Last Man Standing (2006)
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Executive Producer
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Producer
The Wicker Man (2006)
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
Executive Producer
Lonely Hearts (2006)
Directed by: Todd Robinson
Cinematography by: Peter Levy
Edited by: Kathryn Himoff
Producer
16 Blocks (2006)
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer
Home of the Brave (2006)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Clayton Halsey
Executive Producer
Loverboy (2005)
Directed by: Kevin Bacon
Cinematography by: Nancy Schreiber
Edited by: David Ray
Producer
Edison (2005)
Directed by: David J. Burke
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Producer
In Hell (2003)
Directed by: Ringo Lam
Cinematography by: John B. Aronson
Edited by: David M. Richardson
Executive Producer
Belly of the Beast (2003)
Directed by: Siu-Tung Ching
Cinematography by: Danny Nowak
Edited by: David M. Richardson
Executive Producer
Try Seventeen (2002)
Directed by: Jeffrey Porter
Cinematography by: Blake T. Evans
Edited by: David M. Richardson
Producer
Replicant (2001)
Directed by: Ringo Lam
Cinematography by: Mike Southon
Edited by: David M. Richardson
Producer
Shadrach (1998)
Directed by: Susanna Styron
Cinematography by: Hiro Narita
Edited by: Colleen Sharp
Executive In Charge Of Production
American Perfekt (1997)
Directed by: Paul Chart
Cinematography by: William Wages
Edited by: Michael Ruscio
Assistant Director
Human Highway (1982)
Cinematography by: David Myers
Edited by: James Beshears
Cameras: Panavision Cameras
