Additional Visual Effects: BaseFX
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Visual Effects: Framestore/Rhythm & Hues Studios
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Sequence Supervisor
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Digital Effects Supervisor
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Sequence Supervisor
Mr. Popper's Penguins (2011)
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Sequence Supervisor
Marmaduke (2010)
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Sequence Supervisor
Yogi Bear (2010)
Directed by: Eric Brevig
Cinematography by: Peter James
Edited by: Kent Beyda
Sequence Supervisor
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Sequence Supervisor
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
2D Visual Effects Supervisor
The Kingdom (2007)
Directed by: Peter Berg
Cinematography by: Mauro Fiore
Compositing Supervisor: Rhythm & Hues
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Compositing Supervisor
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Lead Compositor
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Compositing Supervisor
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Compositor: Rhythm & Hues
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
2D Compositing Supervisor: Rhythm & Hues
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Compositing Supervisor
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
2D Compositing Supervisor: Rhythm & Hues
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Compositor: Rhythm & Hues
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Compositing Supervisor
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Compositing Supervisor
Never Been Kissed (1999)
Directed by: Raja Gosnell
Cinematography by: Alex Nepomniaschy
Digital Supervisor: VIFX
The Astronaut's Wife (1999)
Directed by: Rand Ravich
Cinematography by: Allen Daviau
Digital Compositing Supervisor
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Digital Compositing Supervisor
Firestorm (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Jack Hofstra
Digital Compositing Lead
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
2D Digital Artist
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Crew: Video Image
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Digital Compositor: VIFX
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
Digital Compositor
Miracle on 34th Street (1994)
Directed by: Les Mayfield
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Digital Compositor
Clear and Present Danger (1994)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
