Megan Ellison

27 Titles

Is this you? Add a Profile

Nimona | ShotOnWhat?

Executive Producer

Nimona (2023)

Directed by: Nick Bruno, Troy Quane

Edited by: Erin Crackel, Randy Trager

House of Gucci | ShotOnWhat?

Executive Producer

House of Gucci (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Panaspeed Series Lenses

Hustlers | ShotOnWhat?

Executive Producer

Hustlers (2019)

Directed by: Lorene Scafaria

Cinematography by: Todd Banhazl

Edited by: Kayla Emter

Cameras: Panavision Millennium DXL2 Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Panaspeed Series Lenses

Booksmart | ShotOnWhat?

Producer - P.g.a., Producer - Produced By - P.g.a.

Booksmart (2019)

Directed by: Olivia Wilde

Cinematography by: Jason McCormick

Edited by: Jamie Gross, Brent White

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision T Series Anamorphic Lenses

Bombshell | ShotOnWhat?

Executive Producer, Executive Producer - Credit Only

Bombshell (2019)

Directed by: Jay Roach

Cinematography by: Barry Ackroyd

Edited by: Jon Poll

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Wounds | ShotOnWhat?

Executive Producer

Wounds (2019)

Directed by: Babak Anvari

Cinematography by: Kit Fraser

Edited by: Chris Barwell

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses

The Sisters Brothers | ShotOnWhat?

Executive Producer

The Sisters Brothers (2018)

Directed by: Jacques Audiard

Cinematography by: Benoît Debie

Edited by: Juliette Welfling

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses

If Beale Street Could Talk | ShotOnWhat?

Executive Producer

If Beale Street Could Talk (2018)

Directed by: Barry Jenkins

Cinematography by: James Laxton

Edited by: Joi McMillon, Nat Sanders

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime DNA Lenses

The Ballad of Buster Scruggs | ShotOnWhat?

Producer

The Ballad of Buster Scruggs (2018)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Bruno Delbonnel

Edited by: Ethan Coen, Joel Coen

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Vice | ShotOnWhat?

Executive Producer

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Phantom Thread | ShotOnWhat?

Producer - Produced By

Phantom Thread (2017)

Directed by: Paul Thomas Anderson

Cinematography by: Paul Thomas Anderson

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Sausage Party | ShotOnWhat?

Producer

Sausage Party (2016)

Directed by: Greg Tiernan, Conrad Vernon

Edited by: Kevin Pavlovic

Everybody Wants Some!! | ShotOnWhat?

Producer

Everybody Wants Some!! (2016)

Directed by: Richard Linklater

Cinematography by: Shane F. Kelly

Edited by: Sandra Adair

Cameras: ARRI ALEXA Camera

Terminator Genisys | ShotOnWhat?

Executive Producer

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Joy | ShotOnWhat?

Producer - Produced By

Joy (2015)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Foxcatcher | ShotOnWhat?

Producer

Foxcatcher (2014)

Directed by: Bennett Miller

Cinematography by: Greig Fraser

Edited by: Jay Cassidy, Stuart Levy, Conor O'Neill

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

The Grandmaster | ShotOnWhat?

Executive Producer

The Grandmaster (2013)

Directed by: Kar-Wai Wong

Cinematography by: Philippe Le Sourd

Edited by: William Chang, Hung Poon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Her | ShotOnWhat?

Producer

Her (2013)

Directed by: Spike Jonze

Cinematography by: Hoyte Van Hoytema

Edited by: Jeff Buchanan, Eric Zumbrunnen

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

American Hustle | ShotOnWhat?

Producer

American Hustle (2013)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

Lawless | ShotOnWhat?

Producer

Lawless (2012)

Directed by: John Hillcoat

Cinematography by: Benoît Delhomme

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Zero Dark Thirty | ShotOnWhat?

Producer

Zero Dark Thirty (2012)

Directed by: Kathryn Bigelow

Cinematography by: Greig Fraser

Edited by: William Goldenberg, Dylan Tichenor

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses

Editing System: Avid Editing System

Spring Breakers | ShotOnWhat?

Executive Producer

Spring Breakers (2012)

Directed by: Harmony Korine

Cinematography by: Benoît Debie

Edited by: Douglas Crise

Cameras: ARRICAM Lite (LT) Camera

The Master | ShotOnWhat?

Producer

The Master (2012)

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

Killing Them Softly | ShotOnWhat?

Executive Producer

Killing Them Softly (2012)

Directed by: Andrew Dominik

Cinematography by: Greig Fraser

Edited by: John Paul Horstmann, Brian A. Kates

Cameras: Pan-Arri 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision HS50 50 mm T1.1 Lens

Catch .44 | ShotOnWhat?

Producer

Catch .44 (2011)

Directed by: Aaron Harvey

Cinematography by: Jeff Cutter

Edited by: Richard Byard

True Grit | ShotOnWhat?

Executive Producer

True Grit (2010)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Main Street | ShotOnWhat?

Producer

Main Street (2010)

Directed by: John Doyle

Cinematography by: Donald McAlpine

Edited by: Neil Farrell, Richard Francis-Bruce, Trudy Ship

©2012 - 2025 ShotOnWhat?

20254.20