Douglas Wick

21 Titles

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Allegiant | ShotOnWhat?

Producer

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Divergent | ShotOnWhat?

Producer

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

The Great Gatsby | ShotOnWhat?

Producer

The Great Gatsby (2013)

Directed by: Baz Luhrmann

Cinematography by: Simon Duggan

Edited by: Jason Ballantine, Jonathan Redmond, Matt Villa

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Lawless | ShotOnWhat?

Producer

Lawless (2012)

Directed by: John Hillcoat

Cinematography by: Benoît Delhomme

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Hollow Man II | ShotOnWhat?

Executive Producer

Hollow Man II (2006)

Direct to Video

Directed by: Claudio Fäh

Cinematography by: Peter Wunstorf

Edited by: Nathan Easterling

RV | ShotOnWhat?

Producer

RV (2006)

Directed by: Barry Sonnenfeld

Cinematography by: Fred Murphy

Edited by: Kevin Tent

Bewitched | ShotOnWhat?

Producer

Bewitched (2005)

Directed by: Nora Ephron

Cinematography by: John Lindley

Edited by: Tia Nolan

Jarhead | ShotOnWhat?

Producer

Jarhead (2005)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Walter Murch

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Memoirs of a Geisha | ShotOnWhat?

Producer

Memoirs of a Geisha (2005)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Win a Date with Tad Hamilton! | ShotOnWhat?

Producer

Win a Date with Tad Hamilton! (2004)

Directed by: Robert Luketic

Cinematography by: Peter Lyons Collister

Edited by: Scott Hill

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Peter Pan | ShotOnWhat?

Producer

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Stuart Little 2 | ShotOnWhat?

Producer, Story

Stuart Little 2 (2002)

Directed by: Rob Minkoff

Cinematography by: Steven Poster

Edited by: Priscilla Nedd-Friendly

Spy Game | ShotOnWhat?

Producer

Spy Game (2001)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Hollow Man | ShotOnWhat?

Producer

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Gladiator | ShotOnWhat?

Producer

Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Girl, Interrupted | ShotOnWhat?

Producer

Girl, Interrupted (1999)

Directed by: James Mangold

Cinematography by: Jack N. Green

Edited by: Kevin Tent

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Stuart Little | ShotOnWhat?

Producer

Stuart Little (1999)

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Cameras: Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Hush | ShotOnWhat?

Producer

Hush (1998)

Directed by: Jonathan Darby

Cinematography by: Andrew Dunn

Edited by: Lynzee Klingman, Robert Leighton, Dan Rae

The Craft | ShotOnWhat?

Producer

The Craft (1996)

Directed by: Andrew Fleming

Cinematography by: Alexander Gruszynski

Edited by: Jeff Freeman

Cameras: Moviecam Compact Camera

Lenses: Zeiss Lenses

Wolf | ShotOnWhat?

Producer

Wolf (1994)

Directed by: Mike Nichols

Cinematography by: Giuseppe Rotunno

Edited by: Sam O'Steen

Comes a Horseman | ShotOnWhat?

Assistant To Director

Comes a Horseman (1978)

Directed by: Alan J. Pakula

Cinematography by: Gordon Willis

Edited by: Marion Rothman

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