Colorist: Dragon DI
Cleanskin (2012)
Directed by: Hadi Hajaig
Cinematography by: Ian Howes
Edited by: Hadi Hajaig
Additional Colorist: Framestore
Shanghai (2010)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Colorist
In the Loop (2009)
Directed by: Armando Iannucci
Cinematography by: Jamie Cairney
Cameras: Sony HDW-F900 Camera
Lenses: Zeiss DigiPrime Lenses
Colorist
Harry Brown (2009)
Directed by: Daniel Barber
Cinematography by: Martin Ruhe
Edited by: Joe Walker
Cameras: Sony CineAlta F35 Camera
Digital Artist: Framestore
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Digital Intermediate Colourist: Framestore
Franklyn (2008)
Directed by: Gerald McMorrow
Cinematography by: Ben Davis
Edited by: Peter Christelis
Digital Intermediate Colourist: Framestore
The Edge of Love (2008)
Directed by: John Maybury
Cinematography by: Jonathan Freeman
Edited by: Emma E. Hickox
Visual Effects Supervisor: Framestore
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Colourist: Framestore
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Colourist: Framestore
Freakdog (2008)
Directed by: Paddy Breathnach
Cinematography by: Ruairí O'Brien
Edited by: Dermot Diskin
Digital Intermediate Colorist: Framestore CFC
Death at a Funeral (2007)
Directed by: Frank Oz
Cinematography by: Oliver Curtis
Edited by: Beverley Mills
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Assistant Digital Film Colorist
Blood and Chocolate (2007)
Directed by: Katja von Garnier
Cinematography by: Brendan Galvin
Edited by: Emma E. Hickox
Digital Intermediate Colourist: Framestore
Hannibal Rising (2007)
Directed by: Peter Webber
Cinematography by: Ben Davis
Additional Digital Film Colorist, Digital Intermediate Colourist: Framestore
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Additional Colorist: Framestore CFC
Love in the Time of Cholera (2007)
Directed by: Mike Newell
Cinematography by: Affonso Beato
Edited by: Mick Audsley
Digital Intermediate Colourist: Framestore
Goal II: Living the Dream (2007)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Niven Howie
Digital Intermediate Colourist: Framestore
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Digital Grading Assistant: Framestore CFC
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Colorist: Framestore CFC, Digital Intermediate Colourist: Framestore
The Tiger's Tail (2006)
Directed by: John Boorman
Cinematography by: Seamus Deasy
Edited by: Ron Davis
Digital Assembly: Framestore CFC
Breaking and Entering (2006)
Directed by: Anthony Minghella
Cinematography by: Benoît Delhomme
Edited by: Lisa Gunning
Lenses: Zeiss Ultra Prime Lenses
Digital Grading Assistant: Framestore CFC
Basic Instinct 2 (2006)
Directed by: Michael Caton-Jones
Cinematography by: Gyula Pados
Assistant Colourist: Framestore CFC
Flyboys (2006)
Directed by: Tony Bill
Cinematography by: Henry Braham
Colourist: Main Titles, Framestore CFC
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Digital Intermediate Colourist: Framestore
The Killing of John Lennon (2006)
Directed by: Andrew Piddington
Cinematography by: Roger Eaton
Edited by: Tony Palmer
Digital Intermediate Colourist: Framestore
Breakfast on Pluto (2005)
Directed by: Neil Jordan
Cinematography by: Declan Quinn
Edited by: Tony Lawson
Digital Compositor: Framestore CFC
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Digital Compositor: Framestore CFC
Nanny McPhee (2005)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Assistant Colourist: Framestore CFC
Lassie (2005)
Directed by: Charles Sturridge
Cinematography by: Howard Atherton
Digital Grading Assistant: Framestore CFC
The Proposition (2005)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Jon Gregory
Digital Grading Assistant: Framestore CFC
The Libertine (2004)
Directed by: Laurence Dunmore
Cinematography by: Alexander Melman
Edited by: Jill Bilcock
Digital Colour Grading Assistant, Digital Grading Assistant: Framestore CFC
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
