Kino-Flo Fluorescent Lighting | 81 Titles
I’m Off Then (2015)
Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring
Lenses | Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Sette opere di misericordia (2011)
Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Press (2016)
Directed by | Paolo Bertino, Alessandro Isetta | Cinematography by | Federico Torres | Editing by | Enrico Giovannone, Anna Isberg, Luca Vigliani
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Standard Prime MKII 100 mm T2.1 Lens, Zeiss Standard Prime MKII 135 mm T2.1 Lens, Zeiss Standard Prime MKII 180 mm T3.0 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 35 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens, Zeiss Super Speeds Mk III 65 mm T1.3 Lens, Zeiss Super Speeds Mk III 85 mm T1.3 Lens
Die Pro (2015)
Directed by | Andre Velts | Cinematography by | Eduan Kitching | Editing by | Linsen Loots
Cameras | Red Epic Camera, Red Scarlet Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens
Jamesy Boy (2014)
Directed by | Trevor White | Cinematography by | Robert Lam | Editing by | Josh Noyes
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Annabelle Hooper and the Ghosts of Nantucket (2016)
Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean
Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera
Lenses | Zeiss Compact Prime Lenses
El cuarto de Leo (2009)
Directed by | Enrique Buchichio | Cinematography by | Pedro Luque | Editing by | Guillermo Casanova, Julián Goyoaga
Cameras | Sony HDW-F900 Camera
Miss Tacuarembó (2010)
Directed by | Martín Sastre | Cinematography by | Pedro Luque | Editing by | Sebastián Dubé
Cameras | Red One Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses
La casa muda (2010)
Directed by | Gustavo Hernández | Cinematography by | Pedro Luque | Editing by | Gustavo Hernández
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
A-List (2006)
Directed by | Shira-Lee Shalit | Cinematography by | John Lazear | Editing by | Annette Davey, Paul Frost, Tim Goodwin
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras
Lenses | Cooke Lenses
Kelly & Cal (2014)
Directed by | Jen McGowan | Cinematography by | Philip Lott | Editing by | David Hopper
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk V-Series Lenses
Keepsake (2008)
Directed by | Paul Moore | Cinematography by | Todd Gilpin | Editing by | Todd Gilpin
Cameras | Aaton XTR Prod Camera
Lenses | Cooke S4 Lenses
Selfie (2014)
Directed by | Cristina Jacob | Cinematography by | Viorel Sergovici | Editing by | Ovidiu Vacaru
Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark III Camera, GoPro HD Hero3 Camera, Red One MX Camera
Love & Hip Hop: Atlanta (2012)
| Cinematography by | Joe Stallworth, Bianca Butti, Graham Willoughby | Editing by | Mark Augustine, Anthony Rosato, Allison Anastasio, Sylvia Waliga, Amir Adelar Minder, Erik Haslett, Tyler Fausnaught, Courtney Sommers, Scott Martin, Korey Caldwell, Grisel Grullon, Avery Harvin, Michael Niemcewicz, Brendan Sherman, Joe DeShano, Wesley Swinnen, Hudie Ayalon, Mary DeChambres, David Kuriyama, Jeremy Presner, Ben Slatkin, Sosse Misserlian, Q. DeChambres, Jeff Thurlow, Mike Verna, Brian Chamberlain, Tony Gargano, Eric Moorman
Cameras | Canon Cameras
Lenses | Canon Lenses
Madeleine (2015)
Directed by | Lorenzo Ceva Valla, Mario Garofalo | Cinematography by | Federico Torres
Cameras | Red Epic Camera
Lenses | Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Romans Road (2013)
Directed by | Helen Gibson | Cinematography by | Miguel Gonzalez, Steve Wargo | Editing by | Geoff McClelland
Cameras | Sony PMW-F3 Camera
Poison Sky (0)
Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo
Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses
Hemlock Grove (2013)
| Cinematography by | Fernando Argüelles, John Grillo, Steven Poster | Editing by | Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson
Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens
Essaye-moi (2006)
Directed by | Pierre-François Martin-Laval | Cinematography by | Régis Blondeau | Editing by | Jenny Frenck
Cameras | ARRI Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Molly’s Theory of Relativity (2013)
Directed by | Jeff Lipsky | Cinematography by | Jendra Jarnagin | Editing by | Patricfia Burgess, Patricia Burgess
Cameras | Red One MX Camera
