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Panavision Lenses | 1288 Titles

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Destroyer (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Karyn Kusama | Cinematography by | Julie Kirkwood | Editing by | Plummy Tucker

Starring | Nicole Kidman, Toby Kebbell, Tatiana Maslany

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Lenses

The Witch (2015)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 92 Minutes

Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford

Starring | Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Julian Richings

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Cooke Speed Panchro Lenses, Panavision Super Speed Lenses

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 129 Minutes

Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Paul Cameron | Editing by | Roger Barton, Leigh Folsom Boyd

Starring | Johnny Depp, Geoffrey Rush, Javier Bardem

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Greatest Showman (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 105 Minutes

Directed by | Michael Gracey | Cinematography by | Seamus McGarvey | Editing by | Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Starring | Hugh Jackman, Michelle Williams, Zac Efron

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Mudbound (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 134 Minutes

Directed by | Dee Rees | Cinematography by | Rachel Morrison | Editing by | Mako Kamitsuna

Starring | Jason Mitchell, Carey Mulligan, Jason Clarke

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Hacksaw Ridge (2016)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 139 Minutes

Directed by | Mel Gibson | Cinematography by | Simon Duggan | Editing by | John Gilbert

Starring | Andrew Garfield, Sam Worthington, Luke Bracey

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo V Lenses

Napoleon (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 158 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Sam Restivo, Claire Simpson

Starring | Joaquin Phoenix, Vanessa Kirby, Tahar Rahim

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Blonde (2022)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 167 Minutes

Directed by | Andrew Dominik | Cinematography by | Chayse Irvin | Editing by | Adam Robinson

Starring | Ana de Armas, Lily Fisher, Julianne Nicholson

Cameras | ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Elvis (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 159 Minutes

Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Jonathan Redmond, Matt Villa

Starring | Tom Hanks, Austin Butler, Olivia DeJonge

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses | Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

Austin Powers: The Spy Who Shagged Me (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 95 Minutes

Directed by | Jay Roach | Cinematography by | Ueli Steiger | Editing by | Debra Neil-Fisher, Jon Poll

Starring | Mike Myers, Heather Graham, Michael York, Robert Wagner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Bourne Identity (2002)

Motion Picture | 2D | Film Project | Color | 119 Minutes

Directed by | Doug Liman | Cinematography by | Oliver Wood | Editing by | Saar Klein

Starring | Franka Potente, Matt Damon, Chris Cooper

Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

Fish Tank (2009)

Motion Picture | 2D | Color | 1.37:1 | 123 Minutes

Directed by | Andrea Arnold | Cinematography by | Robbie Ryan | Editing by | Nicolas Chaudeurge

Starring | Katie Jarvis, Michael Fassbender, Kierston Wareing

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Talladega Nights: The Ballad of Ricky Bobby (2006)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White

Starring | Will Ferrell, John C. Reilly, Sacha Baron Cohen, Gary Cole

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Bardo: False Chronicle of a Handful of Truths (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 159 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Darius Khondji | Editing by | Alejandro G. Iñárritu, Monica Salazar

Starring | Daniel Giménez Cacho, Griselda Siciliani, Ximena Lamadrid

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Sphero 65 Series Lenses

Marcel the Shell with Shoes On (2021)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.85:1 | 90 Minutes

Directed by | Dean Fleischer Camp | Cinematography by | Eric Adkins, Bianca Cline | Editing by | Dean Fleischer Camp, Nick Paley

Starring | Jenny Slate, Dean Fleischer Camp, Isabella Rossellini

Cameras | ARRI ALEXA Mini Camera, Sony PMW-F5 Camera

Lenses | Fujinon XK Cabrio Series, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

The Cat in the Hat (2003)

Motion Picture | 2D | 2K Project | Color | 82 Minutes

Directed by | Bo Welch | Cinematography by | Emmanuel Lubezki | Editing by | Don Zimmerman

Starring | Mike Myers, Spencer Breslin, Dakota Fanning

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Fabelmans (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 151 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Michelle Williams, Gabriel LaBelle, Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Maestro (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 129 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro

Starring | Carey Mulligan, Bradley Cooper, Matt Bomer

Cameras | Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses

The Iron Claw (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 132 Minutes

Directed by | Sean Durkin | Cinematography by | Mátyás Erdély | Editing by | Matthew Hannam

Starring | Zac Efron, Jeremy Allen White, Harris Dickinson

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Past Lives (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase

Starring | Greta Lee, Teo Yoo, John Magaro

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

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