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Panavision Lenses | 1288 Titles

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The Sweet Hereafter (1997)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Ian Holm, Sarah Polley, Caerthan Banks, Tom McCamus

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Safety Not Guaranteed (2012)

Motion Picture | 2D | Color | 2.39:1 | 86 Minutes

Safety Not Guaranteed | ShotOnWhat?

Directed by | Colin Trevorrow | Cinematography by | Benjamin Kasulke | Editing by | Joe Landauer, Franklin Peterson

Starring | Aubrey Plaza, Mark Duplass, Jake Johnson, Karan Soni

Cameras | Sony PMW-F3 Camera

Lenses | Panavision Ultra Speed MKII Lenses

Northfork (2003)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Leo Trombetta

Starring | Duel Farnes, Nick Nolte, Anthony Edwards, James Woods

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Wyatt Earp (1994)

Motion Picture | 2D | Color | 2.39:1 | 191 Minutes

Wyatt Earp | ShotOnWhat?

Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Carol Littleton

Starring | Kevin Costner, Dennis Quaid, Gene Hackman, David Andrews

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision Primo Anamorphic Lenses

Walk the Line (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

Matilda (1996)

Motion Picture | Color | 2.39:1 | 102 Minutes

Directed by | Danny DeVito | Cinematography by | Stefan Czapsky | Editing by | Lynzee Klingman, Brent White

Starring | Danny DeVito, Rhea Perlman, Mara Wilson, Embeth Davidtz

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Roseanna’s Grave (1997)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Paul Weiland | Cinematography by | Henry Braham | Editing by | Martin Walsh

Starring | Jean Reno, Mercedes Ruehl, Polly Walker, Mark Frankel

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

We Were Soldiers (2002)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | William Hoy

Starring | Mel Gibson, Madeleine Stowe, Greg Kinnear, Sam Elliott

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Good Will Hunting (1997)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Gus Van Sant | Cinematography by | Jean-Yves Escoffier | Editing by | Pietro Scalia

Starring | Robin Williams, Matt Damon, Ben Affleck, Stellan Skarsgård

Cameras | Panavision Cameras

Lenses | Panavision Lenses

When in Rome (2010)

Motion Picture | 2D | Color | 2.35:1 | 91 Minutes

When in Rome | ShotOnWhat?

Directed by | Mark Steven Johnson | Cinematography by | John Bailey | Editing by | Ryan Folsey, Andrew Marcus

Starring | Kristen Bell, Josh Duhamel, Anjelica Huston, Danny DeVito

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

3 Ninjas Knuckle Up (1995)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Sang-ok Shin | Cinematography by | Eugene D. Shlugleit | Editing by | Pamela Choules

Starring | Victor Wong, Charles Napier, Michael Treanor, Max Elliott Slade

Cameras | Panavision Cameras

Lenses | Panavision Lenses

1492: Conquest of Paradise (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 154 Minutes

Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | William M. Anderson, Françoise Bonnot, Les Healey, Armen Minasian, Deborah Zeitman

Starring | Gérard Depardieu, Armand Assante, Sigourney Weaver, Loren Dean

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Little Miss Sunshine (2006)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Tim Suhrstedt | Editing by | Pamela Martin

Starring | Steve Carell, Toni Collette, Greg Kinnear, Abigail Breslin

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Ransom (1996)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 121 Minutes

Directed by | Ron Howard | Cinematography by | Piotr Sobocinski | Editing by | Daniel P. Hanley, Mike Hill

Starring | Mel Gibson, Gary Sinise, Rene Russo, Brawley Nolte

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Cool Hand Luke (1967)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 127 Minutes

Directed by | Stuart Rosenberg | Cinematography by | Conrad L. Hall | Editing by | Sam O'Steen

Starring | Paul Newman, George Kennedy, Strother Martin, J.D. Cannon

Cameras | Mitchell BNC Camera

Lenses | Panavision Lenses

Arlington Road (1999)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Mark Pellington | Cinematography by | Bobby Bukowski | Editing by | Conrad Buff IV

Starring | Jeff Bridges, Tim Robbins, Joan Cusack, Hope Davis

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Rocky (1976)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 1.85:1 | 120 Minutes

Directed by | John G. Avildsen | Cinematography by | James Crabe | Editing by | Scott Conrad, Richard Halsey

Starring | Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers

Cameras | Panavision Panaflex Camera, Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

Triumph of the Spirit (1989)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 120 Minutes

Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn

Starring | Willem Dafoe, Edward James Olmos, Robert Loggia, Wendy Gazelle

Cameras | Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Iron Man 2 (2010)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 124 Minutes

Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Richard Pearson

Starring | Robert Downey Jr., Mickey Rourke, Gwyneth Paltrow, Don Cheadle

Cameras | Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Bringing Out the Dead (1999)

Motion Picture | 2D | Color | 2.35:1 | 121 Minutes

Bringing Out the Dead | ShotOnWhat?

Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker

Starring | Nicolas Cage, Patricia Arquette, John Goodman, Ving Rhames

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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