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ARRI / Zeiss Master Anamorphic Lenses : 24ARRI / Zeiss Zoom Lenses : 20Zeiss ARRI Macro Lenses : 7Zeiss Master Prime Lenses : 248Zeiss Standard Speed Prime Lenses : 50Zeiss Super Speed Lenses : 133Zeiss Ultra 16 Lenses : 15Zeiss Ultra Prime Lenses : 236Zeiss Variable Prime Lenses : 14

ARRI / Zeiss Lenses | 691 Titles

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Rampart (2011)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz

Starring | Woody Harrelson, Ben Foster, Sigourney Weaver, Jon Bernthal

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Ils se marièrent et eurent beaucoup d’enfants (2004)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Yvan Attal | Cinematography by | Rémy Chevrin | Editing by | Jennifer Augé

Starring | Johnny Depp, Charlotte Gainsbourg, Sébastien Vidal, Yvan Attal

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Standard Speed Prime Lenses

My Name Is Khan (2010)

Motion Picture | 2D | Color | 2.39:1 | 165 Minutes

Directed by | Karan Johar | Cinematography by | Ravi K. Chandran | Editing by | Deepa Bhatia

Starring | Shah Rukh Khan, Kajol, Sheetal Menon, Katie A. Keane

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Never Let Me Go (2010)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Mark Romanek | Cinematography by | Adam Kimmel | Editing by | Barney Pilling

Starring | Keira Knightley, Carey Mulligan, Andrew Garfield, Izzy Meikle-Small

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Atonement (2007)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 123 Minutes

Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill

Starring | Keira Knightley, James McAvoy, Brenda Blethyn, Saoirse Ronan

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Harry Brown (2009)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Daniel Barber | Cinematography by | Martin Ruhe | Editing by | Joe Walker

Starring | Michael Caine, Emily Mortimer, David Bradley, Charlie Creed-Miles

Cameras | Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Extreme Justice (1993)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron

Starring | Lou Diamond Phillips, Scott Glenn, Chelsea Field, Yaphet Kotto

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | ARRI / Zeiss Lenses, Cooke Lenses, Zeiss Lenses

The Black Dahlia (2006)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Brian De Palma | Cinematography by | Vilmos Zsigmond | Editing by | Bill Pankow

Starring | Josh Hartnett, Aaron Eckhart, Scarlett Johansson, Hilary Swank

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

Seuls Two (2008)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Ramzy Bedia, Eric Judor | Cinematography by | Philippe Piffeteau | Editing by | Sébastien de Sainte Croix, Jean-Christophe Hym

Starring | Ramzy Bedia, Eric Judor, Hafid F. Benamar, Élodie Bouchez

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Le renard et l’enfant (2007)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Luc Jacquet | Cinematography by | Eric Dumage, Gérard Simon | Editing by | Sabine Emiliani

Starring | Bertille Noël-Bruneau, Isabelle Carré, Thomas Laliberté, Camille Lambert

Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera, Sony HDW-750 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Marley & Me (2008)

Motion Picture | 2D | Color | 2.35:1 | 115 Minutes

Marley & Me | ShotOnWhat?

Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi

Starring | Owen Wilson, Jennifer Aniston, Eric Dane, Kathleen Turner

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Zeiss Ultra Prime Lenses

Unknown (2011)

Motion Picture | 2D | Color | 2.35:1 | 113 Minutes

Unknown | ShotOnWhat?

Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Timothy Alverson

Starring | Liam Neeson, Diane Kruger, January Jones, Aidan Quinn

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Tsotsi (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 94 Minutes

Directed by | Gavin Hood | Cinematography by | Lance Gewer | Editing by | Megan Gill

Starring | Presley Chweneyagae, Mothusi Magano, Israel Matseke-Zulu, Terry Pheto

Cameras | Moviecam Compact Camera

Lenses | Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Variable Prime Lenses

Fear and Loathing in Las Vegas (1998)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Lesley Walker

Starring | Johnny Depp, Benicio Del Toro, Tobey Maguire, Michael Lee Gogin

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Standard Speed Prime Lenses

Lovely, Still (2008)

Motion Picture | 2D | Color | 92 Minutes

Lovely, Still | ShotOnWhat?

Directed by | Nicholas Fackler | Cinematography by | Sean Kirby | Editing by | Douglas Crise

Starring | Martin Landau, Ellen Burstyn, Elizabeth Banks, Adam Scott

Cameras | Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

We Bought a Zoo (2011)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

We Bought a Zoo | ShotOnWhat?

Directed by | Cameron Crowe | Cinematography by | Rodrigo Prieto | Editing by | Mark Livolsi

Starring | Matt Damon, Scarlett Johansson, Thomas Haden Church, Elle Fanning

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Ultra Prime Lenses

Eternal Sunshine of the Spotless Mind (2004)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Michel Gondry | Cinematography by | Ellen Kuras | Editing by | Valdís Óskarsdóttir

Starring | Jim Carrey, Kate Winslet, Tom Wilkinson, Gerry Robert Byrne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss ARRI Macro Lenses, Zeiss Super Speed Lenses

Un heureux événement (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine

Starring | Louise Bourgoin, Pio Marmaï, Josiane Balasko, Thierry Frémont

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Jackie Brown (1997)

Motion Picture | 2D | Color | 1.85:1 | 154 Minutes

Directed by | Quentin Tarantino | Cinematography by | Guillermo Navarro | Editing by | Sally Menke

Starring | Pam Grier, Samuel L. Jackson, Robert Forster, Bridget Fonda

Cameras | Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

To the Wonder (2012)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

To the Wonder | ShotOnWhat?

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa

Starring | Ben Affleck, Olga Kurylenko, Javier Bardem, Rachel McAdams

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Cameras, Red One MX Camera

Lenses | Zeiss Master Prime Lenses

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