Current products Cooke S4/i, 5/i, miniS4/i, Anamorphic/i, Anamorphic/i SF, Anamorphic/i 35-140mm Zoom, Panchro/i Classic, S7/i Full Frame Plus lenses, Cooke Lens Projector, Multi Mounts for the miniS4/i and Panchro/i Classic lenses for Sony E and Micro 4/3 cameras
Cooke Optics Limited | 484 Titles
Phone: +1 44 (0)116 264 0700 / +1 973 335 4460
Contact: Les Zellan
Introduced: 1998
Cooke Optics Limited is known worldwide for precision, exacting tolerances and superior quality in the design and manufacture of motion picture lenses since 1893.
Moonraker (1979)
For Your Eyes Only (1981)
Directed by | John Glen | Cinematography by | Alan Hume | Editing by | John Grover
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
GoldenEye (1995)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Casino Royale (2006)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Game Night (2018)
Directed by | John Francis Daley, Jonathan Goldstein | Cinematography by | Barry Peterson | Editing by | David Egan, Jamie Gross, Gregory Plotkin
Lenses | Cooke S4/i Lenses
Dark Side of Football (2021)
Directed by | Jason Sklaver | Editing by | Daniel Holechek
Cameras | ARRI ALEXA Mini Camera, Sony α7S II Camera
Lenses | Angenieux EZ Series Lenses, Cooke Lenses, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens
The Crown (2016)
| Cinematography by | Adriano Goldman, Stuart Howell, Ole Bratt Birkeland, Frank Lamm, Fabian Wagner | Editing by | Yan Miles, Pia Di Ciaula, Úna Ní Dhonghaíle, Stuart Gazzard, Kristina Hetherington, Celia Haining, Tim Porter, Simon Brasse, Paulo Pandolpho, Frances Parker, Luke Dunkley, Mark Eckersley, Chris Barwell, Ben Lester, Alex Mackie, Adam Bosman, Daniel Greenway, Peggy Koretzky, Mark Davis, Richard Graham, Morten Højbjerg
Cameras | Sony CineAlta VENICE Camera, Sony PMW-F55 Camera
Lenses | Cooke Panchro/i Classic 135mm T2.8 Lens, Cooke Panchro/i Classic 21mm T2.2 Lens, Cooke Panchro/i Classic 27mm T2.2 Lens, Cooke Panchro/i Classic 65mm T2.4 Lens, Zeiss Super Speed Lenses
Assassination Nation (2018)
Directed by | Sam Levinson | Cinematography by | Marcell Rév | Editing by | Ron Patane
Cameras | ARRI ALEXA Mini Camera
Lost River (2014)
Directed by | Ryan Gosling | Cinematography by | Benoît Debie | Editing by | Nico Leunen, Valdís Óskarsdóttir
Lenses | Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
The Mission (1986)
Directed by | Roland Joffé | Cinematography by | Chris Menges | Editing by | Jim Clark
Cameras | ARRIFLEX 35 BL Camera
Lenses | Cooke Xtal Express Lenses
Mississippi Burning (1988)
Directed by | Alan Parker | Cinematography by | Peter Biziou | Editing by | Gerry Hambling
Cameras | Panavision Panaflex Gold Camera
Suspiria (2018)
Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano
The Towering Inferno (1974)
Directed by | John Guillermin | Cinematography by | Fred J. Koenekamp | Editing by | Carl Kress, Harold F. Kress
Cameras | Panavision Silent Reflex PSR Camera
Happy Death Day (2017)
Directed by | Christopher Landon | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Geostorm (2017)
Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen
Cameras | Red Epic Dragon Camera
The Witch (2015)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Bausch & Lomb Super Baltar Lenses, Cooke Speed Panchro Lenses, Panavision Super Speed Lenses
Stalker (1979)
Directed by | Andrei Tarkovsky | Cinematography by | Aleksandr Knyazhinskiy, Georgi Rerberg, Leonid Kalashnikov | Editing by | Lyudmila Feyginova
Cameras | Kinor 35C 5KSN Camera, Mitchell NC Camera
The Sacrifice (1986)
Directed by | Andrei Tarkovsky | Cinematography by | Sven Nykvist | Editing by | Michal Leszczylowksi, Andrei Tarkovsky
Cameras | ARRIFLEX 35 BL3 Camera
Empire of Light (2022)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith
Cameras | ARRI ALEXA LF Camera
Lenses | ARRI Signature Prime Lenses, Cooke S7/i Lenses
Poltergeist (1982)
Directed by | Tobe Hooper | Cinematography by | Matthew F. Leonetti | Editing by | Michael Kahn
Cameras | Ultracam 35 Camera
