Digital Intermediate Finishing Process | 1761 Titles
Snow White and the Huntsman (2012)
Directed by | Rupert Sanders | Cinematography by | Greig Fraser | Editing by | Conrad Buff IV, Neil Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera
Lenses | Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Inland Empire (2006)
Directed by | David Lynch | Cinematography by | David Lynch | Editing by | David Lynch
Cameras | Sony DSR-PD150 Camera
Slumdog Millionaire (2008) 
Directed by | Danny Boyle, Loveleen Tandan | Cinematography by | Anthony Dod Mantle | Editing by | Chris Dickens
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Looper (2012)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Ocean’s Thirteen (2007)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Prince of Persia: The Sands of Time (2010)
Directed by | Mike Newell | Cinematography by | John Seale | Editing by | Mick Audsley, Michael Kahn, Martin Walsh
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
100 Feet (2008)
Directed by | Eric Red | Cinematography by | Ken Kelsch | Editing by | Janice Hampton, Anthony Redman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Pursuit of Happyness (2006)
Directed by | Gabriele Muccino | Cinematography by | Phedon Papamichael | Editing by | Hughes Winborne
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Larry Crowne (2011)
Directed by | Tom Hanks | Cinematography by | Philippe Rousselot | Editing by | Alan Cody
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Footloose (2011)
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Resident Evil: Afterlife (2010)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Niven Howie
Cameras | Phantom HD Gold Camera, Sony CineAlta F35 Camera
King Kong (2005)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Night at the Museum: Battle of the Smithsonian (2009)
Directed by | Shawn Levy | Cinematography by | John Schwartzman | Editing by | Dean Zimmerman, Don Zimmerman
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera
Lenses | Panavision Primo Anamorphic Lenses
Courageous (2011)
Directed by | Alex Kendrick | Cinematography by | Bob Scott | Editing by | Bill Ebel, Steve Hullfish, Alex Kendrick
Cameras | Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Zeiss Lenses
The Crazies (2010)
Directed by | Breck Eisner | Cinematography by | Maxime Alexandre | Editing by | Billy Fox
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
Mon pire cauchemar (2011)
Directed by | Anne Fontaine | Cinematography by | Jean-Marc Fabre | Editing by | Luc Barnier, Nelly Ollivault
When Did You Last See Your Father? (2007)
Directed by | Anand Tucker | Cinematography by | Howard Atherton | Editing by | Trevor Waite
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Lenses | Hawk V-Series Lenses
G-Force (2009)
Directed by | Hoyt Yeatman | Cinematography by | Bojan Bazelli | Editing by | Mark Goldblatt, Jason Hellmann
Hall Pass (2011)
Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Sam Seig
Yogi Bear (2010)
