Digital Intermediate Finishing Process | 1761 Titles
Zombieland (2009)
Directed by | Ruben Fleischer | Cinematography by | Michael Bonvillain | Editing by | Alan Baumgarten
Hobo with a Shotgun (2011)
Directed by | Jason Eisener | Cinematography by | Karim Hussain | Editing by | Jason Eisener
Cameras | Red One MX Camera
Harry Potter and the Goblet of Fire (2005)
Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley
Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses
The Lightkeepers (2009)
Directed by | Daniel Adams | Cinematography by | Tom Jewett | Editing by | Dean Goodhill
Cameras | ARRI Cameras
17 Again (2009)
Directed by | Burr Steers | Cinematography by | Tim Suhrstedt | Editing by | Padraic McKinley
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
San wa (2005)
Directed by | Stanley Tong | Cinematography by | Wing-Hang Wong | Editing by | Chi Wai Yau
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Panavision Panaflex Platinum Camera
Sparkle (2012)
Directed by | Salim Akil | Cinematography by | Anastas N. Michos | Editing by | Terilyn A. Shropshire
Cameras | ARRI ALEXA Plus Camera
Trishna (2011)
Death of a Superhero (2011)
Directed by | Ian Fitzgibbon | Cinematography by | Tom Fährmann | Editing by | Tony Cranstoun
Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera
Lenses | Zeiss Ultra Prime Lenses
Sai chiu (2006)
Directed by | Kin-Lung Lam | Cinematography by | Chiu-Lam Ko | Editing by | Wing-Ming Wong
Cameras | ARRIFLEX 535 B Camera
Tamara Drewe (2010)
Directed by | Stephen Frears | Cinematography by | Ben Davis | Editing by | Mick Audsley
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Comes a Bright Day (2012)
Directed by | Simon Aboud | Cinematography by | John Lynch | Editing by | Gavin Buckley
Cameras | ARRI ALEXA Camera
Disturbia (2007)
Directed by | D.J. Caruso | Cinematography by | Rogier Stoffers | Editing by | Jim Page
Cameras | Panavision Panaflex Platinum Camera
The Heir Apparent: Largo Winch (2008)
127 Hours (2010)
Directed by | Danny Boyle | Cinematography by | Enrique Chediak, Anthony Dod Mantle | Editing by | Jon Harris
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Rise of the Planet of the Apes (2011)
Directed by | Rupert Wyatt | Cinematography by | Andrew Lesnie | Editing by | Conrad Buff IV, Mark Goldblatt
Cameras | ARRICAM Lite (LT) Camera
Mr. Bean’s Holiday (2007)
Directed by | Steve Bendelack | Cinematography by | Baz Irvine | Editing by | Tony Cranstoun
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
District 13: Ultimatum (2009)
Directed by | Patrick Alessandrin | Cinematography by | Jean-François Hensgens | Editing by | Stéphane Garnier, Julien Rey
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
The Informant! (2009)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione
Cameras | Red One Camera
Iron Man (2008)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
