Eastman Kodak | 818 Titles
Porgy and Bess (1959)
Directed by | Otto Preminger, Rouben Mamoulian | Cinematography by | Leon Shamroy | Editing by | Daniel Mandell
Cameras | Todd-AO 65mm Camera
Sette opere di misericordia (2011)
Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Straight Outta Compton (2015)
Directed by | F. Gary Gray | Cinematography by | Matthew Libatique | Editing by | Billy Fox, Michael Tronick
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
Saul fia (2015)
Directed by | László Nemes | Cinematography by | Mátyás Erdély | Editing by | Matthieu Taponier
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
Cinderella (2015)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Inside Out (2015)
Creed (2015)
Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
Steve Jobs (2015)
Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham
Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Trumbo (2015)
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Carol (2015)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves
Cameras | ARRIFLEX 416 Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Destino (2003)
The Man from U.N.C.L.E. (2015)
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera
The Triplets of Belleville (2003)
Directed by | Sylvain Chomet | Editing by | Dominique Brune, Chantal Colibert Brunner, Dominique Lefever
Brother Bear (2003)
Finding Nemo (2003)
Directed by | Andrew Stanton, Lee Unkrich | Cinematography by | Sharon Calahan, Jeremy Lasky, Jericca Cleland | Editing by | David Ian Salter
Oranges and Sunshine (2010)
Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper
Cameras | ARRICAM Lite (LT) Camera
The Wild Thornberrys Movie (2002)
Daughter from Danang (2002)
Directed by | Gail Dolgin, Vicente Franco | Cinematography by | Vicente Franco | Editing by | Kim Roberts
Treasure Planet (2002)
Directed by | Ron Clements, John Musker | Cinematography by | Rasoul Azadani | Editing by | Michael Kelly
Lilo & Stitch (2002)
