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Eastman EXR 100T 5248/7248 Neg. Film | 102 Titles

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Braveheart (1995)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 178 Minutes

Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum

Starring | Mel Gibson, Sophie Marceau, Patrick McGoohan, Angus Macfadyen

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Ridicule (1996)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Patrice Leconte | Cinematography by | Thierry Arbogast | Editing by | Joëlle Hache

Starring | Charles Berling, Jean Rochefort, Fanny Ardant, Judith Godrèche

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Les acteurs (2000)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Claudine Merlin

Starring | Pierre Arditi, Josiane Balasko, Jean-Paul Belmondo, François Berléand

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Sweet Hereafter (1997)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Ian Holm, Sarah Polley, Caerthan Banks, Tom McCamus

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Cinderella Man (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 144 Minutes

Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill

Starring | Russell Crowe, Renée Zellweger, Craig Bierko, Paul Giamatti

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Rear Window (1954)

Motion Picture | 2D | Color, Color | 1.66:1 | 112 Minutes

Rear Window | ShotOnWhat?

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Starring | James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter

Cameras | Mitchell BNC Camera

1492: Conquest of Paradise (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 154 Minutes

Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | William M. Anderson, Françoise Bonnot, Les Healey, Armen Minasian, Deborah Zeitman

Starring | Gérard Depardieu, Armand Assante, Sigourney Weaver, Loren Dean

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

J.S.A.: Joint Security Area (2000)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Chan-wook Park | Cinematography by | Sung-Bok Kim | Editing by | Sang-beom Kim

Starring | Yeong-ae Lee, Byung-Hun Lee, Kang-ho Song, Tae-woo Kim

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

A League of Their Own (1992)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Penny Marshall | Cinematography by | Miroslav Ondrícek | Editing by | Adam Bernardi, George Bowers

Starring | Tom Hanks, Geena Davis, Lori Petty, Madonna

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Cast Away (2000)

Motion Picture | 2D | Color | 1.85:1 | 143 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Helen Hunt, Paul Sanchez, Lari White

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Classic Spherical Lenses

Snow Falling on Cedars (1999)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Scott Hicks | Cinematography by | Robert Richardson | Editing by | Hank Corwin

Starring | Ethan Hawke, Max von Sydow, Yûki Kudô, Reeve Carney

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses

Tomorrow Never Dies (1997)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 119 Minutes

Directed by | Roger Spottiswoode | Cinematography by | Robert Elswit | Editing by | Michel Arcand, Dominique Fortin

Starring | Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Pollock (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 122 Minutes

Directed by | Ed Harris | Cinematography by | Lisa Rinzler | Editing by | Kathryn Himoff

Starring | Ed Harris, Marcia Gay Harden, Robert Knott, Molly Regan

Cameras | Aaton Cameras, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Evita (1996)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

Directed by | Alan Parker | Cinematography by | Darius Khondji | Editing by | Gerry Hambling

Starring | Madonna, Jonathan Pryce, Antonio Banderas, Jimmy Nail

Cameras | Moviecam Compact Camera

Lenses | Cooke Xtal Express Lenses

Steal Big Steal Little (1995)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Andrew Davis | Cinematography by | Frank Tidy | Editing by | Don Brochu, Tina Hirsch

Starring | Andy Garcia, Alan Arkin, Rachel Ticotin, Joe Pantoliano

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Platinum Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

Amistad (1997)

Motion Picture | 2D | Color | 1.85:1 | 155 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Djimon Hounsou, Matthew McConaughey, Anthony Hopkins, Morgan Freeman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Zeiss Super Speed Lenses

Far and Away (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Mikael Salomon | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Cruise, Nicole Kidman, Thomas Gibson, Robert Prosky

Cameras | ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision 65mm Prime Lenses, Zeiss Lenses

Magnolia (1999)

Motion Picture | 2D | Color | 2.39:1 | 188 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor

Starring | Tom Cruise, Jason Robards, Julianne Moore, Philip Seymour Hoffman

Cameras | Panavision Cameras, Pathé Cameras

Lenses | Panavision Lenses

No Escape (1994)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Ray Liotta, Lance Henriksen, Stuart Wilson, Kevin Dillon

Cameras | ARRIFLEX 35 BL4 Camera

I Am Sam (2001)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Jessie Nelson | Cinematography by | Elliot Davis | Editing by | Richard Chew

Starring | Sean Penn, Michelle Pfeiffer, Dakota Fanning, Dianne Wiest

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

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