Eastman EXR 100T 5248/7248 Neg. Film | 102 Titles
Kai Rabe gegen die Vatikankiller (1998)
Directed by | Thomas Jahn | Cinematography by | Piotr Lenar | Editing by | Andrea Mertens
Lenses | Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
Always Something Better (1997)
Directed by | Stephen Kinsella | Cinematography by | Jorge Diaz-Amador | Editing by | Kristin M. Frascione
Cameras | ARRIFLEX 16SR2 Camera
Desperate Housewives (2004)
| Cinematography by | Lowell Peterson, David J. Miller, Richard M. Rawlings Jr., Eric Van Haren Noman, Walt Fraser, Michael Negrin, David Franco, Kenneth Zunder | Editing by | Jonathan Posell, Andrew Doerfer, Karen Castañeda, Nancy Morrison, Brent White, Troy Takaki, Kaja Fehr, Michael Berenbaum, William Marrinson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
San tau dip ying (1997)
Directed by | Teddy Chan | Cinematography by | Man Po Cheung | Editing by | Ka-Fai Cheung, Chi-Leung Kwong
Cameras | ARRI Cameras
De-Lovely (2004)
Directed by | Irwin Winkler | Cinematography by | Tony Pierce-Roberts | Editing by | Julie Monroe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Kill Bill: Vol. 1 (2003)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Eraser (1996)
The Last of the Mohicans (1992)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Dov Hoenig, Arthur Schmidt
Cameras | Panavision Cameras
The Mummy Returns (2001)
Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay, Kelly Matsumoto
Cameras | Panavision Panaflex Millennium XL Camera
Men in Black (1997)
Road to Perdition (2002)
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Luther (2003)
Directed by | Eric Till | Cinematography by | Robert Fraisse | Editing by | Clive Barrett
Cameras | ARRIFLEX 535 Camera
Lenses | Cooke S4 Lenses
The Four Feathers (2002)
Camp Nowhere (1994)
Directed by | Jonathan Prince | Cinematography by | Sandi Sissel | Editing by | Jon Poll
Lenses | Panavision Primo Anamorphic Lenses
Star Trek: Insurrection (1998)
Directed by | Jonathan Frakes | Cinematography by | Matthew F. Leonetti | Editing by | Peter E. Berger
Cameras | Panavision Cameras
Hidalgo (2004)
Boogie Nights (1997)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Baraka (1992)
Directed by | Ron Fricke | Cinematography by | Ron Fricke | Editing by | David Aubrey, Ron Fricke, Mark Magidson
Cameras | Todd-AO 65mm Camera
Lenses | Schneider Lenses
Bless the Child (2000)
Directed by | Chuck Russell | Cinematography by | Peter Menzies Jr. | Editing by | Alan Heim
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
Pleasantville (1998)
Directed by | Gary Ross | Cinematography by | John Lindley | Editing by | William Goldenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
