Eastman Kodak Film Mfg | 1463 Titles
The Great Debaters (2007)
Directed by | Denzel Washington | Cinematography by | Philippe Rousselot | Editing by | John Breinholt, Hughes Winborne
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Beverly Hillbillies (1993)
Directed by | Penelope Spheeris | Cinematography by | Robert Brinkmann | Editing by | Ross Albert
Cameras | ARRIFLEX 535 B Camera
Moulin Rouge! (2001)
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium Camera
Departures (2008)
Directed by | Yôjirô Takita | Cinematography by | Takeshi Hamada | Editing by | Akimasa Kawashima
Cameras | ARRI Cameras
Lenses | Angenieux Lenses, Zeiss Lenses
Scream 4 (2011)
Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Peter McNulty
Cameras | Panavision Cameras
The Core (2003)
Directed by | Jon Amiel | Cinematography by | John Lindley | Editing by | Terry Rawlings
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Die You Zombie Bastards! (2005)
This Means War (2012)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Nicolas De Toth
Cameras | Panavision Panaflex Millennium XL Camera
Killing Zoe (1993)
Directed by | Roger Avary | Cinematography by | Tom Richmond | Editing by | Kathryn Himoff
Cameras | Moviecam Compact MK2 Camera
Son of Rambow (2007)
Directed by | Garth Jennings | Cinematography by | Jess Hall | Editing by | Dominic Leung
Cameras | Panavision Cameras
Lenses | Panavision Lenses
I’m Not There. (2007)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Jay Rabinowitz
Cameras | Aaton LTR Camera, Moviecam Compact Camera
Harry Potter and the Deathly Hallows: Part 1 (2010)
The Avengers (2012)
Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek
Lenses | Panavision Frazier Lenses, Panavision Lenses
Angel-A (2005)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Christine Lucas Navarro, Frédéric Thoraval
The Big Hit (1998)
Directed by | Kirk Wong | Cinematography by | Danny Nowak | Editing by | Robin Russell, Pietro Scalia
Cameras | Panavision Panaflex Platinum Camera
Donnie Darko (2001)
Directed by | Richard Kelly | Cinematography by | Steven Poster | Editing by | Sam Bauer, Eric Strand
Cameras | Panavision Panaflex Millennium Camera
Heat (1995)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Death at a Funeral (2007)
Directed by | Frank Oz | Cinematography by | Oliver Curtis | Editing by | Beverley Mills
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Source Code (2011)
Directed by | Duncan Jones | Cinematography by | Don Burgess | Editing by | Paul Hirsch
Cameras | Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
L’immortel (2010)
